Repoussé and chasing in the context of "Epigraphic"

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⭐ Core Definition: Repoussé and chasing

Repoussé (French: [ʁəpuse] ) or repoussage ([ʁəpusaʒ] ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction.

Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.

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Repoussé and chasing in the context of Inscription

Epigraphy (from Ancient Greek ἐπιγραφή (epigraphḗ) 'inscription') is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an epigrapher or epigraphist. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primary tool of archaeology when dealing with literate cultures. The US Library of Congress classifies epigraphy as one of the auxiliary sciences of history. Epigraphy also helps identify a forgery: epigraphic evidence formed part of the discussion concerning the James Ossuary.

An epigraph (not to be confused with epigram) is any sort of text, from a single grapheme (such as marks on a pot that abbreviate the name of the merchant who shipped commodities in the pot) to a lengthy document (such as a treatise, a work of literature, or a hagiographic inscription). Epigraphy overlaps other competences such as numismatics or palaeography. When compared to books, most inscriptions are short. The media and the forms of the graphemes are diverse: engravings in stone or metal, scratches on rock, impressions in wax, embossing on cast metal, cameo or intaglio on precious stones, painting on ceramic or in fresco. Typically the material is durable, but the durability might be an accident of circumstance, such as the baking of a clay tablet in a conflagration.

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Repoussé and chasing in the context of Silversmith

A silversmith is a metalworker who crafts objects from silver. The terms silversmith and goldsmith are not exact synonyms, as the techniques, training, history, and guilds are (or were, at least) largely the same but differed in that the end product may vary greatly (as may the scale of objects created).

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Repoussé and chasing in the context of Desborough Mirror

The Desborough Mirror is an intricately decorated English bronze mirror dated to c. 50 BC – 50 AD. It consists of a cast handle and a circular mirror plate, which is highly polished on its front side to achieve reflectivity. The plate's reverse is decorated with intricate engraved and chased curvilinear patterns in the La Tène style, and filled in with basket hatching.

The mirror was discovered in 1908 by workmen outside Desborough, Northamptonshire. Along with the Birdlip Mirror, it is widely considered to be the finest of the roughly 26 surviving, fully intact and decorated Iron Age bronze mirrors, the large majority of which are English. It was acquired by the British Museum in 1924, where it is displayed in room 50 (Britain and Europe 800 BC–AD 43).

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