Epidaurus in the context of "Idmon"

Aphrodite Areia (Ancient Greek: Ἀφροδίτη Ἀρεία) or "Aphrodite the Warlike" was a cult epithet of the Greek goddess Aphrodite, in which she was depicted in full armor like the war god Ares. This representation was found in Sparta and Taras (modern Taranto). There were other, similarly martial interpretations of the goddess, such as at her Sanctuary at Kythira, where she was worshiped under the epithet Aphrodite Urania, who was also represented as being armed. The epithet "Areia", meaning "warlike", was applied to other gods in addition to Aphrodite, such as Athena, Zeus, and possibly Hermes.

The association with warfare contradicts Aphrodite's more popularly known role as the goddess of desire, fertility, and beauty. In the Iliad, Aphrodite is portrayed as incompetent in battle, being wounded in the wrist by Diomedes under the guidance of Athena, and she is reminded of her role as a love goddess rather than a war goddess like Athena by Zeus. It is possible, however, that this representation was deliberate to assert the Ionian interpretation of Aphrodite, which did not portray the goddess with warlike aspects, as the "correct" version.

Lycophron of Corinth (/ˈlaɪkəfrɒn/ LY-kə-fron; Ancient Greek: Λυκόφρων, romanized: Lukóphrōn) was the second son of the Corinthian tyrant Periander.

Periander beat his wife, Melissa, to death in a fit of anger. Lycophron, on learning of the cause of his mother's death through his grandfather Procles, ruler of Epidaurus, refused to speak to Periander. Periander punished Lycophron by first throwing him out of the palace, then forbidding any Corinthian to speak with him. Finally, Periander sent Lycophron in exile to Corcyra. Many years later, Periander asked Lycophron to return to Corinth to inherit his tyranny, but he refused; eventually Lycophron agreed on the condition that Periander would take his place in Corcyra. On learning that Periander would be coming to Corcyra, the inhabitants of that island murdered Lycophron. In revenge, Periander had 300 sons of the people of Corcyra sent to Alyattes of Lydia to be made into eunuchs.

The Argolid Peninsula is a peninsula situated in Greece in the Peloponnese, much of which is contained in the modern region of Argolis. One of the first major Greek settlements, Mycenae, is situated on this peninsula. During the Classical Greek era, the main settlements on this peninsula were Troezen, Hermione, and Epidaurus. During the Middle Ages, the settlement of Nafplio in the peninsula emerged as a major settlement, with the town serving as the capital of the First Hellenic Republic and of the Kingdom of Greece, from the start of the Greek Revolution in 1821 until 1834.

The Armed Aphrodite (Greek: Ένοπλη Αφροδίτη) is a marble Roman lifesize sculpture of the first century AD, depicting Aphrodite Areia, or the war-like aspect of the Greek goddess Aphrodite (known to the Romans as Venus), who was more commonly worshipped as a goddess of beauty and love. It is modelled after a lost Greek original of the fourth century BC made by Polykleitos the Younger, and adorned the sanctuary of Asclepius in Epidaurus.

It was unearthed during excavations in the ancient site in 1886, and is now part of the collection of the National Archaeological Museum of Greece in capital Athens with accession number 262. The statue is missing its right forearm, lower legs and feet, and bears significant wear in its face.

In Greek mythology, Anticlea, Anticlia or Anticleia (/ˌæntɪˈkliːə/; Ancient Greek: Ἀντίκλεια, literally "without fame") may refer to the following women:

• Anticlea, another name for Philonoe, the Lycian bride of Bellerophon and mother of his children. In other accounts, she was called Alkimedousa or Cassandra or Pasandra.
• Anticlia, mother by Hephaestus of Periphetes, the lame malefactor of Epidaurus who was killed by the hero Theseus in one of his exploits.
• Anticlea, daughter of Autolycus and mother of Odysseus by Läertes.
• Anticlia, daughter of Diocles, king of Pherae, according to Pausanias. She married Asclepius' son Machaon and had by him two sons, Nicomachus and Gorgasus.

Timotheus (Greek: Τιμόθεος; born in Epidaurus; died in Epidaurus, c. 340 BC) was a Greek sculptor of the 4th century BC, one of the rivals and contemporaries of Scopas of Paros, among the sculptors who worked for their own fame on the construction of the Mausoleum at Halicarnassus between 353 and 350 BC. He was apparently the leading sculptor at the Temple of Asclepius at Epidaurus, c. 380 BC.

To him is attributed a sculpture of Leda and the Swan in which the queen Leda of Sparta protected a swan from an eagle, on the basis of which a Roman marble copy in the Capitoline Museums is said to be "after Timotheus". The theme must have been popular, judging by the more than two dozen Roman marble copies that survive. The most famous version has been that in the Capitoline Museums in Rome, purchased by Pope Clement XIV from the heirs of Cardinal Alessandro Albani. A highly restored version is in the Museo del Prado, and an incomplete one is in the Yale University Art Gallery, New Haven, Connecticut.

Panagiotis Kavvadias or Cawadias (Greek: Παναγιώτης Καββαδίας; 14 May [O.S. 2 May] 1850 – 20 July 1928) was a Greek archaeologist. He was responsible for the excavation of ancient sites in Greece, including Epidaurus in Argolis and the Acropolis of Athens, as well as archaeological discoveries on his native island of Kephallonia. As Ephor General (the head of the Greek Archaeological Service) from 1885 until 1909, Kavvadias oversaw the expansion of the Archaeological Service and the introduction of Law 2646 of 1899, which increased the state's powers to address the illegal excavation and smuggling of antiquities.

Kavvadias's work had a particular impact on the Acropolis of Athens, and has been credited with completing its "transformation [...] from castle to monument". Between 1885 and 1890, he removed almost all of the Acropolis's remaining medieval and modern structures, uncovering many ancient monuments in the process. He also played a role in the extensive reconstruction of the site by the architect and engineer Nikolaos Balanos. Though praised initially, the work caused considerable damage to several monuments and was almost completely deconstructed and rebuilt during the later 20th and early 21st centuries. Kavvadias oversaw the opening of the National Archaeological Museum in Athens, organised its first collections, and wrote some of its first catalogues.

An exedra (pl.: exedras or exedrae) is a semicircular architectural recess or platform, sometimes crowned by a semi-dome, and either set into a building's façade or free-standing. The original Greek word ἐξέδρα ('a seat out of doors') was applied to a room that opened onto a stoa, ringed with curved high-backed stone benches, a suitable place for conversation. An exedra may also be expressed by a curved break in a colonnade, perhaps with a semicircular seat.

The exedra would typically have an apsidal podium that supported the stone bench. The free-standing (open air) exedra, often supporting bronze portrait sculpture, is a familiar Hellenistic structure, characteristically sited along sacred ways or in open places in sanctuaries, such as at Delos or Epidaurus. Some Hellenistic exedras were built in relation to a city's agora, as in Priene. Monument architects have also used this free-standing style in modern times.