Colonnade in the context of "Exedra"

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⭐ Core Definition: Colonnade

In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space.

When in front of a building, screening the door (Latin porta), it is called a portico. When enclosing an open court, a peristyle. A portico may be more than one rank of columns deep, as at the Pantheon in Rome or the stoae of Ancient Greece.

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Colonnade in the context of Ancient Greek temple

Greek temples (Ancient Greek: ναός, romanizednāós, lit.'dwelling', semantically distinct from Latin templum, "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread surviving building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.

Between the 9th century BC and the 6th century BC, the ancient Greek temples developed from the small mud brick structures into double-porched monumental "peripteral" buildings with colonnade on all sides, often reaching more than 20 metres in height (not including the roof). Stylistically, they were governed by the regionally specific architectural orders. Whereas the distinction was originally between the Doric and Ionic orders, a third alternative arose in late 3rd century with the Corinthian order. A multitude of different ground plans were developed, each of which could be combined with the superstructure in the different orders. Temples would be destroyed due to warfare in the Greek World or from lack of repairs. Some of these temples such as the temple of Poseidon Soter (The Savior) would be rebuilt outside of Athens after the defeat of the Persian Empire in 449. From the 3rd century onward, the construction of large temples became less common; after a short 2nd century BC flourish, it ceased nearly entirely in the 1st century BC. Thereafter, only smaller structures were started, while older temples continued to be renovated or brought to completion if in an unfinished state.

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Colonnade in the context of Portico

A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures.

Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house.

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Colonnade in the context of Baroque architecture

Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired astonishment, reverence and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.

Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of quadratura (i.e. trompe-l'œil painting combined with sculpture): the eye is drawn upward, giving the illusion that one is looking into the heavens. Clusters of sculpted angels and painted figures crowd the ceiling. Light was also used for dramatic effect; it streamed down from cupolas, and was reflected from an abundance of gilding. Twisted columns were also often used, to give an illusion of upwards motion, and cartouches and other decorative elements occupied every available space. In Baroque palaces, grand stairways became a central element.

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Colonnade in the context of Ruhmeshalle

The Ruhmeshalle (German pronunciation: [ˈʁuːməsˌhalə], lit.'Hall of Fame') is a Doric colonnade with a main range and two wings, designed by Leo von Klenze for Ludwig I of Bavaria. Built in 1853, it is situated on an ancient ledge above the Theresienwiese in Munich and was built as part of a complex which also includes the Bavariapark and the Bavaria statue. It is built of Kelheim limestone and is 68 metres long and 32 metres deep.

With the construction and exhibition of busts of important people from Bavaria, including the Palatinate, Franconia and Swabia, King Ludwig intended to create a hall of fame that honors laudable and distinguished people of his kingdom, as he did also in the Walhalla memorial for all of Germany.

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Colonnade in the context of White House

The White House is the official residence and workplace of the president of the United States. Located at 1600 Pennsylvania Avenue NW in Washington, D.C., it has served as the residence of every U.S. president since John Adams in 1800 when the national capital was moved from Philadelphia. The White House is also a metonym for the Executive Office of the President.

The residence was designed by the Irish-born architect James Hoban in the Neoclassical style. Hoban modeled the building on Leinster House in Dublin, a building which today houses the Oireachtas, the Irish legislature. Constructed between 1792 and 1800, its exterior walls are Aquia Creek sandstone painted white. When Thomas Jefferson moved into the house in 1801, he and his architect Benjamin Henry Latrobe added low colonnades on each wing to conceal what then were stables and storage. In 1814, during the War of 1812, the mansion was set ablaze by British forces in the burning of Washington, destroying the interior and charring much of the exterior. Reconstruction began almost immediately, and President James Monroe moved into the partially reconstructed Executive Residence in October 1817. Exterior construction continued with the addition of the semicircular South Portico in 1824 and the North Portico in 1829.

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Colonnade in the context of Column

A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term column applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a post. Supports with a rectangular or other non-round section are usually called piers.

For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative features. These beautiful columns are available in a broad selection of styles and designs in round tapered, round straight, or square shaft styles. A column might also be a decorative element not needed for structural purposes; many columns are engaged, that is to say form part of a wall. A long sequence of columns joined by an entablature is known as a colonnade.

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