Pedestal in the context of "Column"

Trajan's Column (Italian: Colonna Traiana, Latin: Columna Traiani) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars. It was probably constructed under the supervision of the architect Apollodorus of Damascus at the order of the Roman Senate. It is located in Trajan's Forum, north of the Roman Forum. Completed in AD 113, the freestanding column is most famous for its spiral bas relief, which depicts the wars between the Romans and Dacians (101–102 and 105–106). Its design has inspired numerous victory columns, both ancient and modern.

The structure is about 30 metres (98 feet) in height, 35 metres (115 feet) including its large pedestal. The shaft is made from a series of 20 colossal Carrara marble drums, each weighing about 32 tons, with a diameter of 3.7 metres (12.1 feet). The 190-metre (620-foot) frieze winds around the shaft 23 times. Inside the shaft, a spiral staircase of 185 steps provides access to a viewing deck at the top. The capital block of Trajan's Column weighs 53.3 tons, and had to be lifted to a height of about 34 metres (112 feet). Ancient coins indicate preliminary plans to top the column with a statue of a bird, probably an eagle. After construction, a statue of Trajan was put in place; this disappeared in the Middle Ages. On December 4, 1587, the top was crowned with a bronze figure of Saint Peter the Apostle by Pope Sixtus V, which remains to this day.

Binoculars or field glasses are two refracting telescopes mounted side-by-side and aligned to point in the same direction, allowing the viewer to use both eyes (binocular vision) when viewing distant objects. Most binoculars are sized to be held using both hands, although sizes vary widely from opera glasses to large pedestal-mounted military models.

Unlike a (monocular) telescope, binoculars give users a three-dimensional image: each eyepiece presents a slightly different image to each of the viewer's eyes and the parallax allows the visual cortex to generate an impression of depth.

An urn is a vase, often with a cover, with a typically narrowed neck above a rounded body and a footed pedestal. Describing a vessel as an "urn", as opposed to a vase or other terms, generally reflects its use rather than any particular shape or origin. The term is especially often used for funerary urns, vessels used in burials, either to hold the cremated ashes or as grave goods, but is used in many other contexts.

Large sculpted vases are often called urns, whether placed outdoors, in gardens or as architectural ornaments on buildings, or kept inside. In catering, large vessels for serving tea or coffee are often called "tea-urns", even when they are metal cylinders of purely functional design.

Christ the Redeemer (Portuguese: Cristo Redentor, standard Brazilian Portuguese: [ˈkɾistu ʁedẽˈtoʁ]) is an Art Deco statue of Jesus in Rio de Janeiro, Brazil, created by French-Polish sculptor Paul Landowski and built by Brazilian engineer Heitor da Silva Costa, in collaboration with French engineer Albert Caquot. Romanian sculptor Gheorghe Leonida sculpted the face. Constructed between 1922 and 1931, the statue is 30 metres (98 ft) high, excluding its 8-metre (26 ft) pedestal. The arms stretch 28 metres (92 ft) wide. It is made of reinforced concrete and soapstone. Christ the Redeemer differs considerably from its original design, as the initial plan was a large Christ with a globe in one hand and a cross in the other. Although the project organizers originally accepted the design, it later changed to the statue of today, with the arms spread out wide.

The statue weighs 635 metric tons (625 long, 700 short tons), and is located at the peak of the 700-metre (2,300 ft) Corcovado mountain in the Tijuca National Park overlooking the city of Rio de Janeiro. This statue is the largest Art Deco–style sculpture in the world. A symbol of Christianity around the world, the statue has also become a cultural icon of both Rio de Janeiro and Brazil and was voted one of the New 7 Wonders of the World.

The Idalion bilingual is a bilingual Cypriot–Phoenician inscription found in 1869 in Dali, Cyprus. It was the key to the decipherment of the Cypriot syllabary, in the manner of the Rosetta Stone to hieroglyphs. The discovery of the inscription was first announced by Paul Schröder in May 1872. It is dated to 388 BCE. The Phoenician inscription is known as KAI 38 and CIS I 89.

It was discovered by Robert Hamilton Lang in his excavations at the Temple of Idaliom, whose work there had been inspired by the discovery of the Idalion Tablet in 1850. The stone was found in the centre of the temple, together with the five other Idalion Temple inscriptions. The stone is thought to have been a pedestal for a statue, as there is an apparent dowel hole in the top.

In architecture, a socle is a short plinth used to support a pedestal, sculpture, or column. In English, the term tends to be most used for the bases for rather small sculptures, with plinth or pedestal preferred for larger examples. This is not the case in French.

In the field of archaeology this term refers to a wall base, frequently of stone, that supports the upper part of the wall, which is made of a different material – frequently mudbrick. This was a typical building practice in ancient Greece, resulting in the frequent preservation of the plans of ancient buildings only in their stone-built lower walls, as at the city of Olynthos. A very early example is the two-storey fortified House of the Tiles at Lerna in the Peloponnese, built of mud-brick over a stone socle, with much use of wood, and clay for the floors and as stucco for the walls. This dates to the Early Helladic II, of four thousand years ago.