Epic poetry

A hero (feminine: heroine) is a real person or fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of hero is villain. Other terms associated with the concept of hero may include good guy or white hat.

In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor code. The definition of a hero has changed throughout time. Merriam Webster dictionary defines a hero as "a person who is admired for great or brave acts or fine qualities". Examples of heroes range from mythological figures, such as Gilgamesh and Iphigenia, to historical and modern figures, such as Joan of Arc, Giuseppe Garibaldi, Sophie Scholl, Alvin York, Audie Murphy, and Chuck Yeager, and fictional "superheroes", including Superman and Batman.

The Epic of Manas is a lengthy and traditional epic poem of the Kyrgyz people of East and Central Asia. Versions of the poem which date to the 19th century contain historical events of the 8th century, though Kyrgyz tradition holds it to be much older. The plot of Manas revolves around a series of events that coincide with the history of the region, primarily the interaction of the Kyrgyz people with other Turkic, Mongolic and Chinese peoples.

The government of Kyrgyzstan celebrated the 1,000th anniversary from the moment it was documented in 1995. The mythic poem has evolved over many centuries, being kept alive by bards called manaschy or manaschi. The first written reference to the eponymous hero of Manas and his Oirat enemy Joloy is to be found in a Persian manuscript dated to 1792–93. In one of its dozens of iterations, the epic poem consists of approximately 500,000 lines.

In Greek and Roman mythology, Odysseus (/əˈdɪsiəs/ ə-DISS-ee-əs; Ancient Greek: Ὀδυσσεύς, Ὀδυσεύς, romanized: Odysseús, Odyseús, IPA: [o.dy(s).sěu̯s]), also known by the Latin variant Ulysses (/juːˈlɪsiːz/ yoo-LISS-eez, UK also /ˈjuːlɪsiːz/ YOO-liss-eez; Latin: Ulysses, Ulixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem, the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle.

As the son of Laërtes and Anticlea, husband of Penelope, and father of Telemachus, Acusilaus, and Telegonus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (polytropos), and he is thus known by the epithet Odysseus the Cunning (Ancient Greek: μῆτις, romanized: mêtis, lit. 'cunning intelligence'). He is most famous for his nostos, or "homecoming", which took him ten eventful years after the decade-long Trojan War.

Publius Vergilius Maro (Classical Latin: [ˈpuːbliʊs wɛrˈɡɪliʊs ˈmaroː]; 15 October 70 BC – 21 September 19 BC), usually called Virgil or Vergil (/ˈvɜːrdʒɪl/ VUR-jil) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. Some minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars regard these as spurious, with the possible exception of some short pieces.

Already acclaimed in his lifetime as a classic author, Virgil rapidly replaced Ennius and other earlier authors as a standard school text, and stood as the most popular Latin poet through late antiquity, the Middle Ages, and early modernity, exerting major influence on Western literature. Geoffrey Chaucer assigned Virgil a uniquely prominent position in history in The House of Fame (1374–85), describing him as standing on a pilere / that was of tinned yren clere ("on a pillar that was of bright tin-plated iron"), and in the Divine Comedy, in which Virgil appears as the author's guide through Hell and Purgatory, Dante pays tribute to Virgil with the words tu se' solo colui da cu'io tolsi / lo bello stile che m'ha fatto onore (Inf. I.86–7) ("thou art alone the one from whom I took the beautiful style that has done honour to me"). In the 20th Century, T. S. Eliot famously began a lecture on the subject "What Is a Classic?" by asserting as self-evidently true that "whatever the definition we arrive at, it cannot be one which excludes Virgil – we may say confidently that it must be one which will expressly reckon with him."

The Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) is an epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BCE and bears the incipit Sha naqba īmuru ("He Who Saw the Deep(s)", lit. "He Who Sees the Unknown"). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BCE Assyrian King Ashurbanipal.

The first part of the story discusses Gilgamesh (who was king of Uruk) and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk. After Enkidu becomes civilized through sexual initiation with Shamhat, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together they make a six-day journey to the legendary Cedar Forest, where they ultimately slay its Guardian, Humbaba, and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill the Bull of Heaven, insulting Ishtar in the process, after which the gods decide to sentence Enkidu to death and kill him by giving him a fatal illness.

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into interrelated groups, as with Chaucer's The Canterbury Tales. So sagas include both incidental poetry and the biographies of poets.

The Aeneid (/ɪˈniːɪd/ ih-NEE-id; Latin: Aeneis [ae̯ˈneːɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. Written by the Roman poet Virgil between 29 and 19 BC, the Aeneid comprises 9,896 lines in dactylic hexameter. The first six of its twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the latter six tell of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

The hero Aeneas was already known to Graeco-Roman legend and myth, having been a character in the Iliad. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Rome, and his description as a personage of no fixed characteristics other than a scrupulous pietas, and fashioned the Aeneid into a compelling founding myth or national epic that tied Rome to the legends of Troy, explained the Punic Wars, glorified traditional Roman virtues, and legitimised the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy.

Beowulf (/ˈbeɪəwʊlf/ ; Old English: Bēowulf [ˈbeːowuɫf]) is an Old English poem, an epic in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines, contained in the Nowell Codex. It is one of the most important and most often translated works of Old English literature. The date of composition is a matter of contention among scholars; the only certain dating is for the manuscript, which was produced between AD 975 and 1025. Scholars call the anonymous author the "Beowulf poet". The story is set in pagan Scandinavia in the 5th and 6th centuries. Beowulf, a hero of the Geats, comes to the aid of Hrothgar, the king of the Danes, whose mead hall Heorot has been under attack by the monster Grendel for twelve years. After Beowulf slays him, Grendel's mother takes revenge and is in turn defeated. Victorious, Beowulf goes home to Geatland and becomes king of the Geats. Fifty years later, Beowulf defeats a dragon, but is mortally wounded in the battle. After his death, his attendants cremate his body and erect a barrow on a headland in his memory.

Scholars have debated whether Beowulf was transmitted orally, affecting its interpretation: if it was composed early, in pagan times, then the paganism is central and the Christian elements were added later, whereas if it was composed later, in writing, by a Christian, then the pagan elements could be decorative archaising; some scholars also hold an intermediate position. Beowulf is written mostly in the Late West Saxon dialect of Old English, but many other dialectal forms are present, suggesting that the poem may have had a long and complex transmission throughout the dialect areas of England.

Epic films have large scale, sweeping scope, and spectacle. The term is slightly ambiguous, sometimes designating a film genre and at other times simply big-budget films. Like epics in the classical literary sense, it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other genres such as the period piece or adventure film.

Epic historical films would usually take a historical or a mythical event and add an extravagant setting, lavish costumes, an expansive musical score, and an ensemble cast, which would make them extremely expensive to produce. The most common subjects of epic films are royalty and important figures from various periods in world history.