Sigurd in the context of "Germanic heroic legend"

⭐ In the context of Germanic heroic legend, the enduring popularity of figures like Sigurd is primarily evidenced by what form of preservation?

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⭐ Core Definition: Sigurd

Sigurd (Old Norse: Sigurðr [ˈsiɣˌurðr]) or Siegfried (Middle High German: Sîvrit) is a legendary hero of Germanic heroic legend, who killed a dragon — known in Nordic tradition as Fafnir (Old Norse: Fáfnir) — and who was later murdered. In the Nordic countries, he is referred to with the epithet "Fáfnir's bane" (Danish: Fafnersbane, Icelandic: Fáfnisbani, Norwegian: Fåvnesbane, Swedish: Fafnesbane), and is also widely known as "the Dragon Slayer". In both the Norse and continental Germanic traditions, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he had unknowingly tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respects, however, the two traditions appear to diverge. The most important works to feature Sigurd are the Nibelungenlied, the Völsunga saga, and the Poetic Edda. He also appears in numerous other works from both Germany and Scandinavia, including a series of medieval and early modern Scandinavian ballads.

Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the 11th century. It is possible that he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin.

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👉 Sigurd in the context of Germanic heroic legend

Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik). The early Middle Ages preserves only a small number of legends in writing, mostly from England, including the only surviving early medieval heroic epic in the vernacular, Beowulf. Probably the oldest surviving heroic poem is the Old High German Hildebrandslied (c. 800). There also survive numerous pictorial depictions from Viking Age Scandinavia and areas under Norse control in the British Isles. These often attest scenes known from later written versions of legends connected to the hero Sigurd. In the High and Late Middle Ages, heroic texts are written in great numbers in Scandinavia, particularly Iceland, and in southern Germany and Austria. Scandinavian legends are preserved both in the form of Eddic poetry and in prose sagas, particularly in the legendary sagas such as the Völsunga saga. German sources are made up of numerous heroic epics, of which the most famous is the Nibelungenlied (c. 1200).

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Sigurd in the context of Gibichung

The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root Nebel, meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the Nibelungenlied.

The most widespread use of Nibelung is used to denote the Burgundian royal house, also known as the Gibichungs (German) or Gjúkingar (Old Norse). A group of royal brothers led by king Gunther or Gunnar, the Gibichungs are responsible for the death of the hero Siegfried or Sigurd and are later destroyed at the court of Attila the Hun (called Etzel in German and Atli in Old Norse). This is the only use of the term attested in the Old Norse legends.

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Sigurd in the context of Gundahar

Gundaharius or Gundahar (died 437), better known by his legendary names Gunther (Middle High German: Gunther) or Gunnar (Old Norse: Gunnarr), was a historical King of the Burgundians in the early 5th century. Gundahar is attested as ruling his people shortly after they crossed the Rhine into Roman Gaul. He was involved in the campaigns of the failed Roman usurper Jovinus before the latter's defeat, after which he was settled on the left bank of the Rhine as a Roman ally. In 436, Gundahar launched an attack from his kingdom on the Roman province of Belgica Prima. He was defeated by the Roman general Flavius Aetius, who destroyed Gundahar's kingdom with the help of Hunnish mercenaries the following year, resulting in Gundahar's death.

The historical Gundahar's death became the basis for a tradition in Germanic heroic legend in which the legendary Gunther met his death at the court of Attila the Hun (Etzel/Atli). The character also became attached to other legends: most notably he is associated with Siegfried/Sigurd and Brunhild, and is implicated in Sigurd's murder. He also appears as an adversary in the legend of Walter of Aquitaine. It is generally assumed that Gunther's involvement in these other legends, in which he plays a secondary or antagonistic role, is a later development. Gunther's importance in the story of the destruction of the Burgundians also waned with time.

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Sigurd in the context of Nibelungenlied

The Nibelungenlied (German pronunciation: [ˈniːbəlʊŋən-], [ˈnɪbəlʊŋən-] or [ˌniːbəˈlʊŋənˌliːt] ; Middle High German: Der Nibelunge liet or Der Nibelunge nôt), translated as The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the Poetic Edda and in the Völsunga saga.

The poem is split into two parts. In the first part, the prince Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement.

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Sigurd in the context of Völsunga saga

The Völsunga saga (often referred to in English as the Volsunga Saga or Saga of the Völsungs) is a legendary saga, a late 13th-century prose rendition in Old Norse of the origin and decline of the Völsung clan (including the story of Sigurd and Brunhild and the destruction of the Burgundians). It is one of the most famous legendary sagas and an example of a "heroic saga" that deals with Germanic heroic legend.

The saga covers topics including the quarrel between Sigi and Skaði, a huge family tree of great kings and powerful conquerors, the quest led by Sigmund and Sinfjǫtli to save princess Signý from the evil king Siggeir, and, most famously, Sigurd killing the serpent/dragon Fáfnir and obtaining the cursed ring Andvaranaut that Fáfnir guarded.

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Sigurd in the context of Quests in Middle-earth

J. R. R. Tolkien's best-known novels, The Hobbit and The Lord of the Rings, both have the structure of quests, with a hero setting out, facing dangers, achieving a goal, and returning home. Where The Hobbit is a children's story with the simple goal of treasure, The Lord of the Rings is a more complex narrative with multiple quests. Its main quest, to destroy the One Ring, has been described as a reversed quest – starting with a much-desired treasure, and getting rid of it. That quest, too, is balanced against a moral quest, to scour the Shire and return it to its original state.

Tolkien superimposed multiple meanings on the basic quest, for example embedding a hidden Christian message in the story, and marking the protagonists Frodo and Aragorn out as heroes by giving them magic swords in the epic tradition of Sigurd and Arthur.

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Sigurd in the context of Franks Casket

The Franks Casket (or the Auzon Casket) is a small Anglo-Saxon whale's bone (not "whalebone" in the sense of baleen) chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes in flat two-dimensional low-relief and with inscriptions mostly in Anglo-Saxon runes. Generally thought to be of Northumbrian origin, it is of unique importance for the insight it gives into early Anglo-Saxon art and culture. Both identifying the images and interpreting the runic inscriptions has generated a considerable amount of scholarship.

The imagery is very diverse in its subject matter and derivations, and includes a single Christian image, the Adoration of the Magi, along with images derived from Roman history (Emperor Titus) and Roman mythology (Romulus and Remus), as well as a depiction of at least one legend indigenous to the Germanic peoples: that of Weyland the Smith. It has also been suggested that there may be an episode from the Sigurd legend, an otherwise lost episode from the life of Weyland's brother Egil, a Homeric legend involving Achilles, and perhaps even an allusion to the legendary founding of England by Hengist and Horsa.

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