Electronica in the context of "Tangerine Dream"

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⭐ Core Definition: Electronica

Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.

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👉 Electronica in the context of Tangerine Dream

Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann until his own departure in 1985. This lineup was notable for composing many movie soundtracks. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning. Quaeschning is Froese's chosen successor and is currently the longest-serving band member, having joined in 2005. Quaeschning is currently joined by violinist Hoshiko Yamane who joined in 2011 and Paul Frick who joined in 2020. Prior to this Quaeschning and Yamane performed with Ulrich Schnauss from 2014 to 2020. Schnauss only played two shows with Froese in November 2014 before Froese's passing.

Tangerine Dream are considered a pioneering act in electronica. Their work with the electronic music Ohr label produced albums that had a pivotal role in the development of the German musical scene known as kosmische Musik ("cosmic music"). Their "Virgin Years", so called because of their association with Virgin Records, produced albums that further explored synthesizers and sequencers, including the UK top 20 albums Phaedra (1974) and Rubycon (1975). The group also had a successful career composing film soundtracks, creating over 60 scores.

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Electronica in the context of Film score

A film score is original music written specifically to accompany a film or a television program. The score consists of a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and that music is typically referred to as either the soundtrack or incidental music.

Film scores encompass an enormous variety of styles of music depending on the nature of the films they accompany. While the majority of scores are orchestral works rooted in Western classical music, many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements, and many scores written today feature a hybrid of orchestral and electronic instruments.

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Electronica in the context of Ray of Light

Ray of Light is the seventh studio album by American singer-songwriter Madonna, released on February 22, 1998, by Maverick Records. A major stylistic and aesthetic departure from her earlier work, Bedtime Stories (1994), Ray of Light is an electronica, trip hop, techno-pop and new-age record which incorporates multiple genres, including ambient, house, rock and classical. Mystical themes are strongly present in the music and lyrics as a result of Madonna embracing Kabbalah, her study of Hinduism and Buddhism, and her daily practice of Ashtanga yoga.

After giving birth to her first child, Madonna started working on the album with producers Babyface and Patrick Leonard. Following failed sessions with them, Madonna pursued a new musical direction with English producer William Orbit, which resulted in a much more experimental sound. The recording process was the longest of Madonna's career, and she experienced problems with Orbit's hardware arrangement, which would break down and cause delays until it could be repaired.

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Electronica in the context of Music (Madonna album)

Music is the eighth studio album by American singer Madonna, released on September 18, 2000, by Maverick and Warner Bros. Records. Following the success of her previous album Ray of Light (1998), Madonna found herself in a music scene increasingly influenced by a younger generation of singers such as Britney Spears and Christina Aguilera. This led her to seek a distinctive sound that would set her apart in the evolving musical landscape. Her collaborations with Mirwais Ahmadzaï and William Orbit resulted in a more experimental direction for the album. Music incorporates many different genres into its overall dance-pop and electronica vibe, taking influences from funk, house, techno, rock, country, folk and R&B. With the album embracing a western motif, Madonna reimagined her image in the role of a cowgirl.

Music received acclaim from music critics, with many comparing its production to Ray of Light. The album earned a total of five Grammy Award nominations, winning one for Best Recording Package at the 43rd ceremony. The record was a commercial success, selling four million copies in its first ten days of release. Music also topped the album charts in Australia, Austria, Canada, the Czech Republic, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Norway, Poland, Scotland, Slovakia, Sweden, Switzerland, Taiwan, the United Kingdom, and the United States. It additionally became the 19th best-selling album of 2001 with a total of over 11 million copies sold worldwide, and received multi-platinum certifications in Argentina, Australia, Belgium, Canada, Denmark, France, Germany, the Netherlands, New Zealand, Spain, Switzerland, the United Kingdom, and the United States.

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Electronica in the context of Frozen (Madonna song)

"Frozen" is a song by American singer and songwriter Madonna from her seventh studio album, Ray of Light (1998). Maverick and Warner Bros. Records released it as the album's lead single on January 23, 1998. "Frozen" was written by Madonna and Patrick Leonard, who both produced it in collaboration with William Orbit. The downtempo electronica and pop ballad, which has a layered sound enhanced by synthesizers and strings, lyrically addresses a cold and emotionless man.

"Frozen" received acclaim from music critics, some of whom deemed it as a highlight from Ray of Light. The song was described as being a masterpiece, and its melodic beat and sound were defined as "cinematic". "Frozen" was also a global commercial success. In the United States, it became Madonna's sixth single to peak at number two on the Billboard Hot 100. In the United Kingdom, "Frozen" became Madonna's first single to debut at number one on the UK Singles Chart, while also reaching number one in Finland, Greece, Hungary, Italy, Scotland and Spain, and the top-five elsewhere.

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Electronica in the context of Lounge music

Lounge music is a type of easy listening music popular in the 1950s and 1960s. This music is meant to evoke in the listeners an emotion, or the feeling of being in a place with a tranquil theme such as a jungle, an island paradise or outer space. It emerged from Dixieland jazz, Latin dance, the croon, experimental music, and the gimmick song. The range of lounge music encompasses beautiful music–influenced instrumentals, and modern electronica (with chillout and downtempo influences), while remaining thematically focused on its retro–space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music.

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Electronica in the context of Trip hop

Trip hop is a music genre defined as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound. The style emerged as a more experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, rap, as well as sampling from movie soundtracks and other eclectic sources.

Pioneering trip hop acts include Massive Attack, UNKLE, Tricky, and Portishead. The term was first coined in a 1994 Mixmag piece about American producer DJ Shadow. Trip hop achieved commercial success in the 1990s, and has been described as "Europe's alternative choice in the second half of the '90s".

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Electronica in the context of Brian Eno

Brian Peter George Eno (/ˈn/ born 15 May 1948) is an English musician, songwriter, record producer, visual artist, and activist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.

Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid-1960s, and then at Winchester School of Art. He joined the glam rock group Roxy Music as its synthesiser player in 1971 and recorded two albums with them before departing in 1973. He then released solo albums, beginning with the rock-oriented Here Come the Warm Jets (1974), and explored minimal music on the influential recordings Discreet Music (1975) and Ambient 1: Music for Airports (1978), with the latter coining the term "ambient music".

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