Dance-pop in the context of "Music (Madonna album)"

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👉 Dance-pop in the context of Music (Madonna album)

Music is the eighth studio album by American singer Madonna, released on September 18, 2000, by Maverick and Warner Bros. Records. Following the success of her previous album Ray of Light (1998), Madonna found herself in a music scene increasingly influenced by a younger generation of singers such as Britney Spears and Christina Aguilera. This led her to seek a distinctive sound that would set her apart in the evolving musical landscape. Her collaborations with Mirwais Ahmadzaï and William Orbit resulted in a more experimental direction for the album. Music incorporates many different genres into its overall dance-pop and electronica vibe, taking influences from funk, house, techno, rock, country, folk and R&B. With the album embracing a western motif, Madonna reimagined her image in the role of a cowgirl.

Music received acclaim from music critics, with many comparing its production to Ray of Light. The album earned a total of five Grammy Award nominations, winning one for Best Recording Package at the 43rd ceremony. The record was a commercial success, selling four million copies in its first ten days of release. Music also topped the album charts in Australia, Austria, Canada, the Czech Republic, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Norway, Poland, Scotland, Slovakia, Sweden, Switzerland, Taiwan, the United Kingdom, and the United States. It additionally became the 19th best-selling album of 2001 with a total of over 11 million copies sold worldwide, and received multi-platinum certifications in Argentina, Australia, Belgium, Canada, Denmark, France, Germany, the Netherlands, New Zealand, Spain, Switzerland, the United Kingdom, and the United States.

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Dance-pop in the context of Madonna (album)

Madonna is the debut studio album by American singer Madonna, released on July 27, 1983, by Sire Records. In the late 1970s, Madonna had established herself as a singer in downtown New York City; alongside her Michigan boyfriend Stephen Bray, she put together a demo tape with four dance tracks and began pitching it around local nightclubs. She managed to get Mark Kamins, the resident DJ at Danceteria, to play "Everybody"—one of the songs from the tape. The song drew positive reception from the crowd, and Kamins took Madonna to Sire Records, where label president Seymour Stein signed her on for three twelve-inch singles. Following its release on October 6, 1982, "Everybody" found success on the dance scene, and the label approved the recording of an album.

For the album, Madonna worked with Warner Bros. producer Reggie Lucas, who had worked with artists like Roberta Flack and Stephanie Mills. Soon, however, problems between the singer and Lucas arose, as she was not happy with his production outputs. Madonna then invited John "Jellybean" Benitez, her boyfriend at the time, to work and remix the rest of the album. Madonna is mostly a dance-pop post-disco album, and features the newest technology of the time, including the LinnDrum drum machine, Moog bass and Oberheim OB-X synthesizer. Its songs talk mostly about love and partying. Five singles were released from the album: "Everybody" and "Burning Up" were published months before it was completed; neither song made a major impact on the charts. "Holiday" was Madonna's big breakout single, followed by "Lucky Star" and "Borderline".

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Dance-pop in the context of True Blue (Madonna album)

True Blue is the third studio album by American singer-songwriter Madonna, released on June 30, 1986, by Sire Records. In early 1985, Madonna became romantically involved with actor Sean Penn, and married him six months later on her 27th birthday. Additionally, she met producer Patrick Leonard while on the Virgin Tour, and formed a professional relationship with him. The first songs they created together were "Love Makes the World Go Round", and the ballad "Live to Tell," which was featured in the film At Close Range, in which Penn starred.

In late 1985, Madonna and Leonard began working on her third studio album; she also enlisted the help of former boyfriend Stephen Bray, with whom she had worked on her previous record Like a Virgin (1984). Titled True Blue, the record saw Madonna co-writing and co-producing for the first time in her career. Inspired by Madonna's love for Penn, to whom she dedicated it, True Blue is a dance-pop album that features influences of Motown sound, girl groups, and Latin pop.

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Dance-pop in the context of Like a Prayer (album)

Like a Prayer is the fourth studio album by American singer-songwriter Madonna, released on March 20, 1989, by Sire Records. It saw the singer reunited with Patrick Leonard and Stephen Bray, with whom she had collaborated on her previous studio album True Blue (1986), and the soundtrack to the 1987 film Who's That Girl; artist Prince also collaborated on the record, co-writing and co-producing one of the tracks alongside Madonna. Her most introspective release at the time, Like a Prayer is a pop record with elements of rock and dance-pop. Its lyrics deal with personal themes she had been too afraid to approach on previous albums: her Catholic upbringing, her troubled marriage to actor Sean Penn, the death of her mother, and her relationship with her father.

Upon its release, Like a Prayer received universal acclaim from music critics, who praised its introspective tone, cohesiveness, and Madonna's increased artistic merit. It was also an international success, reaching the top of the charts in 20 countries, and was certified quadruple platinum in the United States by the Recording Industry Association of America (RIAA). Worldwide, it has sold over 15 million copies. Six singles were released from the album: the title track became Madonna's seventh number one hit on the US Billboard Hot 100, while "Express Yourself" and "Cherish" both peaked at number two, and "Keep It Together" became a top-ten hit.

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Dance-pop in the context of Like a Prayer (song)

"Like a Prayer" is a song by American singer Madonna from her 1989 fourth studio album of the same name. It was released as the album's lead single on March 3, 1989, by Sire Records. Written and produced by both Madonna and Patrick Leonard, the song heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience.

"Like a Prayer" is a pop rock, dance-pop, and gospel song that also incorporates elements of funk. It features background vocals from a choir and also a rock guitar. The lyrics contain liturgical words, but they have been interpreted by some people to have dual meanings of sexual innuendo and religion. "Like a Prayer" was acclaimed by music critics upon release and was a global commercial success, becoming Madonna's seventh No. 1 hit on the US Billboard Hot 100, topping the Hot 100 for three consecutive weeks and also topping the charts in many other countries, including Australia, Brazil, Canada, Italy, Mexico, New Zealand, Spain and the United Kingdom. Rolling Stone listed "Like a Prayer" among "The 500 Greatest Songs of All Time".

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Dance-pop in the context of Music (Madonna song)

"Music" is a song recorded by American singer Madonna for her eighth studio album of the same title (2000). Inspired by a Sting concert Madonna attended, it was written and produced by her with Mirwais Ahmadzaï. It is an electropop, disco, electro-funk and dance-pop song in a static key of G-minor. Madonna's vocals are electronically manipulated on the track, with the lyrics having political and social undertones and reiterating the uniting power of music. The song was released as the lead single from Music on August 1, 2000, by Maverick Records and Warner Bros. Records.

Before its official release, "Music" leaked onto the internet and was put up for listening in websites like Napster, which prompted Madonna's team to issue a statement threatening legal action. The track had different release formats with a number of remixes commissioned for the song. Music critics praised the track's production, catchiness and club-friendly nature, and compared it with Madonna's previous releases. It charted at number one in Australia, Canada, the Czech Republic, Greece, Hungary, Iceland, Italy, Japan, New Zealand, Norway, Poland, Portugal, Romania, Spain, Switzerland, the United Kingdom and the United States. "Music" was also the longest running number-one song on the US Dance Club Play chart, spending a total of five weeks at the top. It has been included in many critic lists for Madonna's top singles and is often ranked as one of the best songs of the 2000s.

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Dance-pop in the context of 4 Minutes

"4 Minutes" is a song by American singer Madonna from her eleventh studio album Hard Candy (2008), featuring vocals by fellow American singer Justin Timberlake and American producer Timbaland. It was released as the lead single from the album on March 17, 2008, by Warner Bros. Records. It marked the first time in Madonna's 25-year career that another artist was featured in a single. According to Madonna, the song is about saving the environment and "having a good time while we are doing it". She also cited the song as the inspiration for the documentary I Am Because We Are (2008).

The song was recorded at Sarm West Studios, in London, while the mixing of the track was finished at The Hit Factory studio in New York City. Sound engineer Demo Castellon first worked on the vocals and then on the beats, while the synths were composed by Timbaland and Danja. An uptempo dance-pop song with an urban and hip hop style, "4 Minutes" incorporates Timbaland's characteristic bhangra beats and the instrumentation used in the song includes brass, foghorns and cowbells. The lyrics carry a message of social awareness, inspired by Madonna's visit to Africa and the human suffering she witnessed.

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Dance-pop in the context of Let's Dance (David Bowie album)

Let's Dance is the fifteenth studio album by the English singer-songwriter David Bowie, released on 14 April 1983 through EMI America Records. Co-produced by Bowie and Nile Rodgers, the album was recorded in December 1982 at the Power Station in New York City. The sessions featured players from Rodgers' band Chic and the then-unknown Texas blues guitarist Stevie Ray Vaughan on lead guitar. For the first time on an album, Bowie only sang and played no instruments.

Musically, Let's Dance has been described as a post-disco record, with elements of dance-rock, dance-pop and new wave. The album contains two cover songs: Iggy Pop's "China Girl", which Bowie and Pop had recorded together for the latter's The Idiot (1977), and Metro's "Criminal World". It also includes a reworking of "Cat People (Putting Out Fire)", originally recorded by Bowie and Giorgio Moroder in 1982 for the film of the same name.

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Dance-pop in the context of Shannon (American singer)

Brenda Shannon Greene (born May 2, 1958), known professionally as Shannon, is an American singer and songwriter of freestyle and dance-pop music. She is best known for her single "Let the Music Play", which topped the Billboard Dance Club Songs chart in 1983 and was certified gold.

Her studio albums include Let the Music Play (1984), followed by Do You Wanna Get Away (1985) and Love Goes All the Way (1986). In 1999, Shannon appeared in a segment of VH1's One-Hit Wonders, and returned to music with her fourth studio album The Best Is Yet to Come (2000). Her studio album, A Beauty Returns, was released in 2006.

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Dance-pop in the context of 1990s in music

Popular music in the 1990s saw the continuation of teen pop and dance-pop trends which had emerged in the 1970s and 1980s. Furthermore, hip hop grew and continued to be highly successful in the decade, with the continuation of the genre's golden age. Aside from rap, reggae, contemporary R&B, and urban music in general remained popular throughout the decade; urban music in the late-1980s and 1990s often blended with styles such as soul, funk, and jazz, resulting in fusion genres such as new jack swing, neo-soul, hip hop soul, and g-funk which were popular.

Similarly to the 1980s, rock music was also very popular in the 1990s, yet, unlike the new wave and glam metal-dominated scene of the time, grunge, Britpop, industrial rock, and other alternative rock music emerged and took over as the most popular of the decade, as well as punk rock, ska punk, and nu metal, amongst others, which attained a high level of success at various points throughout the years.

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