Eccentricity (behavior) in the context of Saparmurat Niyazov


Eccentricity (behavior) in the context of Saparmurat Niyazov

⭐ Core Definition: Eccentricity (behavior)

Eccentricity (also called quirkiness) is an unusual or odd behavior on the part of an individual. This behavior would typically be perceived as unusual or unnecessary, without being demonstrably maladaptive. Eccentricity is contrasted with normal behavior, the nearly universal means by which individuals in society solve given problems and pursue certain priorities in everyday life. People who consistently display benignly eccentric behavior are labeled as "eccentrics".

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Eccentricity (behavior) in the context of Goofy

Goofy is a cartoon character created by the Walt Disney Company. He is a tall, anthropomorphic dog who typically wears a turtle neck and vest, with pants, shoes, white gloves, and a tall hat originally designed as a rumpled fedora. Goofy is a close friend of Mickey Mouse and Donald Duck, and is Max Goof's father. He is normally characterized as hopelessly clumsy and dim-witted, yet this interpretation is not always definitive; occasionally, Goofy is shown as intuitive and clever, albeit in his own unique, eccentric way.

Goofy debuted in animated cartoons, starting in 1932 with Mickey's Revue as Dippy Dawg, who is older than Goofy would come to be. Later the same year, he was re-imagined as a younger character in the short The Whoopee Party. During the 1930s, he was used extensively as part of a comedy trio with Mickey and Donald. Starting in 1939, Goofy was given his own series of shorts that were popular in the 1940s and early 1950s. Two shorts starring Goofy were nominated for an Oscar: How to Play Football (1944) and Aquamania (1961). He also co-starred in a short series with Donald, including Polar Trappers (1938), where they first appeared without Mickey Mouse. Three more Goofy shorts were produced in the 1960s after which Goofy was only seen in television and Disney comics. He returned to theatrical animation in 1983 with Mickey's Christmas Carol. His most recent theatrical appearance was How to Hook Up Your Home Theater in 2007. Goofy has also been featured in television, most extensively in Goof Troop (1992), House of Mouse (2001–2003), Mickey Mouse Clubhouse (2006–2016), Mickey Mouse (2013–2019), Mickey and the Roadster Racers / Mickey Mouse Mixed-Up Adventures (2017–2021), Mickey Mouse Funhouse (2021–present) and Mickey Mouse Clubhouse+ (2025).

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Eccentricity (behavior) in the context of Cult following

A cult following is a group of fans who are highly dedicated to a person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The latter is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a very passionate fanbase.

A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful.

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Eccentricity (behavior) in the context of Henry Cowell

Henry Dixon Cowell (/ˈkəl/; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher, teacher and the husband of Sidney Robertson Cowell. Earning a reputation as an extremely controversial performer and eccentric composer, Cowell became a leading figure of American avant-garde music for the first half of the 20th century — his writings and music serving as a great influence to similar artists at the time, including Lou Harrison, George Antheil, and John Cage, among others. He is considered one of America's most important and influential composers.

Cowell was mostly self-taught and developed a unique musical language, often blending folk melodies, dissonant counterpoint, unconventional orchestration, and themes of Irish paganism. He was an early proponent and innovator of many modernist compositional techniques and sensibilities, many for the piano, including the string piano, prepared piano, tone clusters, and graphic notation. The Tides of Manaunaun, originally a theatrical prelude, is the best-known and most widely-performed of Cowell's tone cluster pieces for piano.

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Eccentricity (behavior) in the context of John Mytton

John "Mad Jack" Mytton (30 September 1796 – 29 March 1834) was a British eccentric and rake of the Regency period who was briefly a Tory Member of Parliament.

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Eccentricity (behavior) in the context of Geoffrey Lewis (actor)

Geoffrey Bond Lewis (July 31, 1935 – April 7, 2015) was an American actor. He appeared in more than 200 films and television shows, and was principally known for his film roles alongside Clint Eastwood and Robert Redford. He often portrayed villains or eccentric characters.

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Eccentricity (behavior) in the context of Charles Kay Ogden

Charles Kay Ogden (/ˈɒɡdən/; 1 June 1889 – 20 March 1957) was a British linguist, philosopher, and writer. Described as a polymath but also an eccentric and outsider, he took part in many ventures related to literature, politics, the arts, and philosophy, having a broad effect particularly as an editor, translator, and activist on behalf of a reformed version of the English language. He is typically defined as a linguistic psychologist, and is now mostly remembered as the inventor and propagator of Basic English.

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Eccentricity (behavior) in the context of Budai

Budai (Pu-tai, Jpn. Hotei) is a nickname given to the historical Chinese monk Qieci (Chinese: 契此; pinyin: qiècǐ) in the Later Liang Dynasty, who is often identified with and venerated as the future Buddha Maitreya in Chan Buddhism and Buddhist scripture. With the spread of Chan Buddhism, he also came to be venerated in Vietnam, Korea, and Japan. Budai is said to have lived around the 10th century CE in the Wuyue kingdom.

The name "Budai" literally means "cloth sack", and refers to the bag he is usually depicted carrying as he wanders aimlessly. His jolly nature, humorous personality, and eccentric lifestyle distinguish him from most Buddhist masters or figures. He is almost always shown smiling or laughing, hence his nickname in Chinese, the "Laughing Buddha". Budai is traditionally depicted as overweight and having a huge stomach (possibly a symbol of abundance or forgiveness) and many stories surrounding Budai involve his love of food and drink. Because of this, he is also referred to as the "Fat Buddha", especially in the Western world, where he is often mistaken for the original Buddha, Siddhartha Gautama.

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