Cult film in the context of "Cult following"

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⭐ Core Definition: Cult film

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate as to whether these popular and accepted films are still cult films. After failing at the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge.

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👉 Cult film in the context of Cult following

A cult following is a group of fans who are highly dedicated to a person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The latter is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a very passionate fanbase.

A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful.

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Cult film in the context of Brad Pitt

William Bradley Pitt (born December 18, 1963) is an American actor and film producer. In a film career spanning more than thirty years, Pitt has received numerous accolades, including two Academy Awards, two British Academy Film Awards, two Golden Globe Awards, two Primetime Emmy Awards and one Volpi Cup. His films as a leading actor have grossed over $7.5 billion worldwide.

Pitt first gained recognition as a cowboy hitchhiker in the Ridley Scott road film Thelma & Louise (1991). Pitt emerged as a star taking on leading man roles in films such as the drama A River Runs Through It (1992), the western Legends of the Fall (1994), the horror film Interview with the Vampire (1994), the crime thriller Seven (1995), the cult film Fight Club (1999), and the crime comedy Snatch (2000). Pitt found greater commercial success starring in Steven Soderbergh's heist film Ocean's Eleven (2001), and reprised his role in its sequels. He cemented his leading man status starring in blockbusters such as the historical epic Troy (2004), the romantic crime film Mr. & Mrs. Smith (2005), the horror World War Z (2013), and the sports drama F1 (2025).

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Cult film in the context of Lisa Kudrow

Lisa Valerie Kudrow (/ˈkdr/ KOO-droh; born July 30, 1963) is an American actress and writer. She rose to international fame for her role as Phoebe Buffay in the American television sitcom Friends, which aired from 1994 to 2004. The series earned her Primetime Emmy, Screen Actors Guild, Satellite, American Comedy and TV Guide awards. Phoebe has since been named one of the greatest television characters of all time and is considered to be Kudrow's breakout role, spawning her successful film career.

Kudrow initially appeared in a 1989 episode of the hit sitcom Cheers playing a character named Emily. She also starred in several episodes of the show Mad About You (1993) as Ursula, before auditioning and earning the role of Phoebe on Friends; her character on Mad About You was written into the Friends storyline as Phoebe's twin. In the late 1990s, Kudrow starred in the cult comedy film Romy and Michele's High School Reunion (1997) and followed it with an acclaimed performance in the comedy/drama The Opposite of Sex (1998), which won her the New York Film Critics Circle Award for Best Supporting Actress and a nomination for the Independent Spirit Award for Best Supporting Female. She created, produced, wrote, and starred in the HBO mockumentary series The Comeback, which initially lasted for one season in 2005 but was revived for a critically acclaimed second season in 2014 and has since been announced to return for a third season in 2026. She was nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series for both seasons.

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Cult film in the context of Duel (1971 film)

Duel is a 1971 American road action thriller film directed by Steven Spielberg in his feature film debut. It centers on a traveling salesman David Mann (Dennis Weaver) driving his car through rural California to meet a client. However, he finds himself chased and terrorized by the mostly unseen driver of a semi-truck. The screenplay by Richard Matheson adapts his own short story of the same name, published in the April 1971 issue of Playboy, and based on an encounter on November 22, 1963, when a trucker dangerously cut him off on a California freeway.

Produced by Universal Television as a television film, Duel originally aired as a part of the ABC Movie of the Week series on November 13, 1971. It later received an international theatrical release by Universal Pictures in an extended version featuring scenes shot after the film's original TV broadcast. The film received positive reviews from critics, with Spielberg's direction being singled out for praise. It has since been recognized as an influential cult classic and one of the greatest television films ever made.

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Cult film in the context of The Green Hornet (TV series)

The Green Hornet is an American action television series broadcast on ABC during the 1966–1967 television season, starring Van Williams as the Green Hornet/Britt Reid and Bruce Lee as Kato. It was produced and narrated by William Dozier, and filmed by 20th Century-Fox.

The single-season series premiered September 9, 1966, and ran through March 17, 1967, lasting 26 episodes; ABC repeated the series after its cancellation by the network, until July 14, 1967, when The Green Hornet had its last broadcast on network television. With the later success of Lee as a premiere star of the martial arts film genre, the series has become a cult favorite.

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Cult film in the context of Mac and Me

Mac and Me is a 1988 American science fiction film directed by Stewart Raffill, and co-written with Steve Feke. Starring Christine Ebersole, Jonathan Ward, and Tina Caspary alongside Lauren Stanley and Jade Calegory, it centers on a "Mysterious Alien Creature" (MAC) who escapes from NASA agents and befriends the boy Eric. Together, the two search for Mac's family, from whom he has been separated.

The film performed poorly at the box office and was universally panned by critics, partly due to its similarity to E.T. the Extra-Terrestrial (1982) and its elaborate product placement of McDonald's and Coca-Cola. It was nominated for four Golden Raspberry Awards and won Worst Director and Worst New Star (for Ronald McDonald). However, it received four Youth in Film Awards nominations. Due to its poor reception, Orion Pictures cancelled the planned sequel. While regarded as one of the worst films ever made, it has for that reason become an ironic cult classic, and was featured during the twelfth season of Mystery Science Theater 3000.

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Cult film in the context of Leprechaun (film)

Leprechaun is a 1993 American horror comedy film written and directed by Mark Jones, and starring Warwick Davis in the title role, with Jennifer Aniston supporting. The film follows a vengeful leprechaun who believes a family has stolen his pot of gold. As he hunts them, they attempt to locate his gold to mollify him.

Originally intended as straight horror, Davis injected humor into his role, and reshoots added increased gore to appeal to older audiences. Leprechaun was the first in-house production at Trimark Pictures for theatrical exhibition; it earned a domestic gross of $8.556 million against a budget of roughly $900,000 and became a cult film. While reviews were negative, with critics lambasting both the direction and the characters and saying that the film is neither scary nor funny, the commercial success prompted a series of films with a sequel, Leprechaun 2, released theatrically the following year.

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Cult film in the context of Office Space

Office Space is a 1999 American satirical black comedy film written and directed by Mike Judge. It satirizes the office work life of a typical 1990s software company, focusing on a handful of individuals weary of their jobs. It stars Ron Livingston, Jennifer Aniston, Gary Cole, Stephen Root, David Herman, Ajay Naidu, and Diedrich Bader.

Office Space was filmed in Dallas and Austin, Texas. It is based on Judge's Milton cartoon series and was his first foray into live-action filmmaking. The film was Judge's second full-length motion picture release, following Beavis and Butt-Head Do America. It was released in theaters on February 19, 1999, by 20th Century Fox. Its sympathetic depiction of ordinary information technology workers garnered a cult following within that field, but it also addresses themes familiar to white-collar employees and the workforce in general. It was a box office disappointment, making $12.2 million on a $10 million production budget; however, it sold well on home video, and has become a cult film.

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Cult film in the context of Leicester Square

Leicester Square (/ˈlɛstər/ LEST-ər) is a pedestrianised square in the West End of London, England, and is the centre of London's entertainment district. It was laid out in 1670 as Leicester Fields, which was named after the recently built Leicester House, itself named after Robert Sidney, 2nd Earl of Leicester. The square was originally a gentrified residential area, with tenants including Frederick, Prince of Wales and the artists William Hogarth and Joshua Reynolds. It became more down-market in the late 18th century as Leicester House was demolished and retail developments took place, becoming a centre for entertainment. Major theatres were built in the 19th century, which were converted to cinemas towards the middle of the next. Leicester Square is the location of nationally significant cinemas such as the Odeon Luxe Leicester Square and Empire, Leicester Square, which are often used for film premieres in London. The nearby Prince Charles Cinema is known for its screenings of cult films and marathon film runs. The square remains a tourist attraction which hosts events, including for the Chinese New Year.

The square has always had a park in its centre, which was originally common land. The park's fortunes have varied over the centuries, reaching near dilapidation in the mid-19th century after changing ownership several times. It was restored under the direction of Albert Grant, which included the construction of four new statues and a fountain of William Shakespeare. The square was extensively refurbished and remodelled for the 2012 Summer Olympics at a cost of more than £15 million.

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