Easy listening in the context of "Sunshine pop"

Country pop (also known as urban cowboy when referring to the early 1980s version of the genre) is a fusion genre of country music and pop music that was developed by members of the country genre out of a desire to reach a larger, mainstream audience. Country pop music blends genres like rock, pop, and country, continuing similar efforts that began in the late 1950s, known originally as the Nashville sound and later on as Countrypolitan. By the mid-1970s, many country artists were transitioning to the pop-country sound, which led to some records charting high on the mainstream top 40 and the Billboard country chart. In turn, many pop and easy listening artists crossed over to country charts during this time. After declining in popularity during the neotraditional movement of the 1980s, country pop had a comeback in the 1990s with a sound that drew more heavily on pop rock and adult contemporary. In the 2010s, country pop metamorphosized again with the addition of hip-hop beats and rap-style phrasing.

Adult contemporary (AC) is category of popular music catered to adult demographics, including record charts and radio formats that are focused on such music.

The exact assemblage of adult contemporary music has varied based on trends in popular music, but has usually encompassed songs within genres popular among audiences that had grown out of music that appeals more to youth and young adult audiences. Adult contemporary was originally established as a continuation of the easy listening and soft rock sounds from the 1960s and 1970s, usually focusing on songs with varying degrees of easy listening, pop, soul, R&B, quiet storm, and rock influence. In the 1990s, adult contemporary began to accommodate a hotter sound more inclusive of contemporary pop songs, and develop sub-categories devoted towards specific genres.

Bert Kaempfert (born Berthold Heinrich Kämpfert; 16 October 1923 – 21 June 1980) was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-orientated records and wrote the music for a number of well-known songs, including "Strangers in the Night", "Danke Schoen", "Moon Over Naples" and "A Swingin' Safari".

Smooth jazz is a commercially oriented style crossover jazz music. Although often described as a “genre,” it remains a debated and sometimes controversial topic among jazz musicians and critics. As a radio format, however, smooth jazz radio became the successor to easy listening music on radio station programming from the mid-1970s through the early 1990s.

Lounge music is a type of easy listening music popular in the 1950s and 1960s. This music is meant to evoke in the listeners an emotion, or the feeling of being in a place with a tranquil theme such as a jungle, an island paradise or outer space. It emerged from Dixieland jazz, Latin dance, the croon, experimental music, and the gimmick song. The range of lounge music encompasses beautiful music–influenced instrumentals, and modern electronica (with chillout and downtempo influences), while remaining thematically focused on its retro–space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music.

Far Side Virtual is a studio album by American electronic musician James Ferraro, released on October 25, 2011 by Hippos in Tanks. Conceived as a series of ringtones, the album marked Ferraro's transition from his previous lo-fi recording approach to a sharply produced, electronic aesthetic that deliberately evokes sources such as elevator music, corporate mood music, easy listening, and early computer sound design. The album has been interpreted as engaging with themes such as hyperreality, disposable consumer culture, 1990s retrofuturism, advertising, and musical kitsch.

Far Side Virtual was met with polarizing but generally positive reviews, with most critics commending its conceptual underpinnings and noting its ambiguous relationship to its subject. It was named album of the year by British magazine The Wire, a decision which was met with contention from some journalists and readers. The album has since been cited as one of the forerunners to the internet microgenre vaporwave as well as its offshoot utopian virtual.

Beautiful music (sometimes abbreviated as BM, B/EZ or BM/EZ for "beautiful music/easy listening") is a mostly instrumental music format that was prominent in North American radio from the late 1950s through the 1980s. Easy listening, elevator music, light music, mood music, and Muzak are other terms that overlap with this format and the style of music that it featured. Beautiful music can also be regarded as a subset of the middle of the road radio format.