E. M. Forster in the context of "Member of the Order of Merit"

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⭐ Core Definition: E. M. Forster

Edward Morgan Forster OM CH (1 January 1879 – 7 June 1970) was an English author. He is best known for his novels, particularly A Room with a View (1908), Howards End (1910) and A Passage to India (1924). He also wrote numerous short stories, essays, speeches and broadcasts, as well as biographies and pageant plays. His short story "The Machine Stops" (1909) is often viewed as the beginning of technological dystopian fiction. He also co-authored the libretto to Benjamin Britten's opera Billy Budd (1951). Many of his novels examine class differences and hypocrisy. His views as a humanist are at the heart of his work.

Considered one of the most successful of the Edwardian era English novelists, he was nominated for the Nobel Prize in Literature in 22 separate years. He declined a knighthood in 1949, though he received the Order of Merit upon his 90th birthday. Forster was made a Member of the Order of the Companions of Honour in 1953, and in 1961 he was one of the first five authors named as a Companion of Literature by the Royal Society of Literature.

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E. M. Forster in the context of Plot (narrative)

In a literary work, film, or other narrative, the plot is the mapping of events in which each one (except the final) affects at least one other. Plot is similar in meaning to the term storyline. Simple plots, such as in a traditional ballad, can be linearly sequenced, but plots can form complex interwoven structures, with each part sometimes referred to as a subplot.

E. M. Forster described plot events as relating through the principle of cause-and-effect; the causal events of a plot can be thought of as a selective collection of events from a narrative, all linked by the connector "and so". According to American science fiction writer Ansen Dibell, the term plot highlights important points which have consequences within the story, in the narrative sense. The premise sets up the plot, the characters take part in events, while the setting is not only part of, but also influences, the final story.

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E. M. Forster in the context of Bloomsbury Group

The Bloomsbury Group was a group of associated British writers, intellectuals, philosophers and artists in the early 20th century. Among the people involved in the group were Virginia Woolf, John Maynard Keynes, E. M. Forster, Vanessa Bell, and Lytton Strachey. Their works and outlook deeply influenced literature, aesthetics, criticism, and economics, as well as modern attitudes towards feminism, pacifism, and sexuality.

Although popularly thought of as a formal group, it was a loose collective of friends and relatives closely associated with the University of Cambridge for the men and King's College London for the women, who at one point lived, worked or studied together near Bloomsbury, London. According to Ian Ousby, "although its members denied being a group in any formal sense, they were united by an abiding belief in the importance of the arts." The historian Raymond Williams disputed the existence of the group and the extent of its impact.

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E. M. Forster in the context of A Room with a View

A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian-era England. Set in Italy and England, the story is both a romance and a humorous critique of English society at the beginning of the 20th century. Merchant Ivory produced an award-winning film adaptation in 1985.

The Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century (1998).

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E. M. Forster in the context of Howards End

Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct and relationships in turn-of-the-century England. Howards End is considered by many to be Forster's masterpiece. The book was conceived in June 1908 and worked on throughout the following year; it was completed in July 1910.

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E. M. Forster in the context of A Passage to India

A Passage to India is a 1924 novel by English author E. M. Forster set against the backdrop of the British Raj and the Indian independence movement in the 1920s. It was selected as one of the 100 great works of 20th-century English literature by the Modern Library and won the 1924 James Tait Black Memorial Prize for fiction. Time magazine included the novel in its "All Time 100 Novels" list. The novel is based on Forster's experiences in India, deriving the title from Walt Whitman's 1870 poem "Passage to India" in Leaves of Grass.

The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Miss Adela Quested. During a trip to the fictitious Marabar Caves (modelled on the Barabar Caves of Bihar), Adela thinks she finds herself alone with Dr. Aziz in one of the caves (when in fact he is in an entirely different cave; whether the attacker is real or a reaction to the cave is ambiguous), and subsequently panics and flees; it is assumed that Dr. Aziz has attempted to assault her. Aziz's trial, and its run-up and aftermath, bring to a boil the common racial tensions and prejudices between Indians and the British during the colonial era.

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E. M. Forster in the context of The Machine Stops

"The Machine Stops" is a science fiction short story by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the popular anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.

The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies similar to instant messaging and the Internet.

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E. M. Forster in the context of Billy Budd (opera)

Billy Budd, Op. 50, is an opera by Benjamin Britten to a libretto by the novelist E. M. Forster and Eric Crozier, based on the novella Billy Budd by Herman Melville. Originally in four acts, the opera received its premiere at the Royal Opera House (ROH), London, on 1 December 1951. Britten later revised the work into a two-act opera, with a prologue and an epilogue. The revised version received its first performance at the ROH, Covent Garden, London, on 9 January 1964.

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E. M. Forster in the context of David Lean

Sir David Lean CBE (25 March 1908 – 16 April 1991) was an English filmmaker and editor, widely considered one of the most important figures of British cinema. He directed the large-scale epics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965), Ryan's Daughter (1970), and A Passage to India (1984). He also directed the film adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945).

Originally a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Lean began to make internationally co-produced films financed by the big Hollywood studios, beginning with Summertime in 1955. The critical failure of his film Ryan's Daughter in 1970 led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984, he had a career revival with A Passage to India, adapted from E. M. Forster's novel. This was a hit with critics, but it proved to be the last film that Lean directed.

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E. M. Forster in the context of Merchant Ivory

Merchant Ivory Productions is a film company founded in 1961 by producer Ismail Merchant (1936–2005) and director James Ivory (b. 1928). Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005. During their time together, they made 44 films. The films were for the most part produced by Merchant and directed by Ivory, and 23 of them were scripted by Ruth Prawer Jhabvala (1927–2013) in some capacity. The films were often based upon novels or short stories, particularly the work of Henry James, E. M. Forster, and Jhabvala herself.

The initial goal of the company was "to make English-language films in India aimed at the international market". The style of Merchant Ivory films set and photographed in India became iconic. The company also went on to make films in the United Kingdom and America.

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