E. E. Cummings in the context of Tulips and Chimneys


E. E. Cummings in the context of Tulips and Chimneys

⭐ Core Definition: E. E. Cummings

Edward Estlin Cummings (October 14, 1894 – September 3, 1962), commonly known as e e cummings or E. E. Cummings, was an American poet, painter, essayist, author, and playwright. During World War I, he worked as an ambulance driver and was imprisoned in an internment camp, which provided the basis for his novel The Enormous Room (1922). The following year he published his first collection of poetry, Tulips and Chimneys, which showed his early experiments with grammar and typography. He wrote four plays, the most successful of which were HIM (1927) and Santa Claus: A Morality (1946). He wrote EIMI (1933), a travelog of the Soviet Union, and delivered the Charles Eliot Norton Lectures in poetry, published as i—six nonlectures (1953). Fairy Tales (1965), a collection of short stories, was published posthumously.

Cummings wrote approximately 2,900 poems. He is often regarded as one of the most important American poets of the 20th century. He is associated with modernist free-form poetry, and much of his work uses idiosyncratic syntax and lower-case spellings for poetic expression. M. L. Rosenthal wrote:

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👉 E. E. Cummings in the context of Tulips and Chimneys

Tulips and Chimneys is the first collection of poetry by E. E. Cummings, published in 1923.

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E. E. Cummings in the context of Boni & Liveright

Boni & Liveright (pronounced "BONE-eye" and "LIV-right") is an American trade book publisher established in 1917 in New York City by Albert Boni and Horace Liveright. Over the next sixteen years the firm, which changed its name to Horace Liveright, Inc., in 1928 and then Liveright, Inc., in 1931, published over a thousand books. Before its bankruptcy in 1933 and subsequent reorganization as Liveright Publishing Corporation, Inc., it had achieved considerable notoriety for editorial acumen, brash marketing, and challenge to contemporary obscenity and censorship laws. Their logo is of a cowled monk.

It was the first American publisher of William Faulkner, Ernest Hemingway, Sigmund Freud, E. E. Cummings, Jean Toomer, Hart Crane, Lewis Mumford, Anita Loos, and the Modern Library series. In addition to being the house of Theodore Dreiser and Sherwood Anderson throughout the 1920s, it notably published T. S. Eliot's The Waste Land, Isadora Duncan's My Life, Nathanael West's Miss Lonelyhearts, Djuna Barnes's Ryder, Ezra Pound's Personae, John Reed's Ten Days That Shook the World, and Eugene O'Neill's plays. In his biography of Horace Liveright, Firebrand, author Tom Dardis noted B&L was "the most magnificent yet messy publishing firm this century has seen." In 1974 Liveright's remaining backlist was bought by W. W. Norton & Company. Norton revived the name as an imprint in 2012 as Liveright Publishing Corporation.

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E. E. Cummings in the context of Free verse

Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous.

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E. E. Cummings in the context of Electric Eels (band)

The Electric Eels (stylized in lowercase in honor of E. E. Cummings) were an American rock band active between 1972 and 1975, formed by John D Morton in Cleveland, Ohio.

The Electric Eels played only five public shows, but during their brief existence they earned a reputation locally for being angry, confrontational and violent. They were notorious for starting fights with audiences which drew police attention; members were also abusive to each other off-stage. Their style was a discordant, noisy amalgam of hard garage rock and free jazz. Stiv Bators, the singer of The Dead Boys, was particularly influenced by the vocal styling and stage presence of Dave "E" McManus. While the Eels didn't play many shows, they rehearsed often, eventually making many recordings which were released many years after their demise.

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E. E. Cummings in the context of Patchin Place

40°44′06″N 73°59′58″W / 40.73499°N 73.99931°W / 40.73499; -73.99931

Patchin Place is a gated cul-de-sac located off of 10th Street between Greenwich Avenue and the Avenue of the Americas (Sixth Avenue) in the Greenwich Village neighborhood of Manhattan, New York City. Its ten 3-story brick row houses, said to have been originally built as housing for the Basque staff of the nearby Brevoort House hotel, have been home to several famous writers, including Theodore Dreiser, E. E. Cummings, John Cowper Powys and Djuna Barnes, making it a stop on Greenwich Village walking tours. Today it is a popular location for psychotherapists' offices.

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E. E. Cummings in the context of The Enormous Room

The Enormous Room (The Green-Eyed Stores) is a 1922 autobiographical novel by the poet and novelist E. E. Cummings about his temporary imprisonment in France during World War I.

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E. E. Cummings in the context of Him (Cummings play)

Him is a three-act play written by poet E.E. Cummings. The play was first published in November 1927 and premiered in New York during the spring of 1928. Him is sometimes called a precursor to Theatre of the Absurd but has also been described as being surrealistic and in the German expressionist tradition. It is heavily influenced by Freudian psychology as well as popular culture of the 1920s.

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E. E. Cummings in the context of Eimi (book)

EIMI /ˈm/ (from the Greek εἰμί, "I am") is a 1933 travelogue by American poet E. E. Cummings about a visit to the Soviet Union in the spring of 1931. The book is written in abstract prose verse.

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E. E. Cummings in the context of Fairy Tales (Cummings)

Fairy Tales is a book of short stories by E. E. Cummings, published posthumously in 1965. It contains four stories: "The Old Man Who Said 'Why'", "The Elephant and the Butterfly", "The House That Ate Mosquito Pie", and "The Little Girl Named I". The book is printed in full color with illustrations by John Eaton.

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