Djuna Barnes in the context of "Patchin Place"

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⭐ Core Definition: Djuna Barnes

Djuna Barnes (/ˈnɑː/ JOO-nah; June 12, 1892 – June 18, 1982) was an American artist, illustrator, journalist, and writer who is perhaps best known for her novel Nightwood (1936), a cult classic of lesbian fiction and an important work of modernist literature.

In 1913, Barnes began her career as a freelance journalist and illustrator for the Brooklyn Daily Eagle. By early 1914, Barnes was a highly sought feature reporter, interviewer, and illustrator whose work appeared in the city's leading newspapers and periodicals. Later, Barnes's talent and connections with prominent Greenwich Village bohemians afforded her the opportunity to publish her prose, poems, illustrations, and one-act plays in both avant-garde literary journals and popular magazines, and publish an illustrated volume of poetry, The Book of Repulsive Women (1915).

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👉 Djuna Barnes in the context of Patchin Place

40°44′06″N 73°59′58″W / 40.73499°N 73.99931°W / 40.73499; -73.99931

Patchin Place is a gated cul-de-sac located off of 10th Street between Greenwich Avenue and the Avenue of the Americas (Sixth Avenue) in the Greenwich Village neighborhood of Manhattan, New York City. Its ten 3-story brick row houses, said to have been originally built as housing for the Basque staff of the nearby Brevoort House hotel, have been home to several famous writers, including Theodore Dreiser, E. E. Cummings, John Cowper Powys and Djuna Barnes, making it a stop on Greenwich Village walking tours. Today it is a popular location for psychotherapists' offices.

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Djuna Barnes in the context of Rive Gauche

The Rive Gauche (French pronunciation: [riv ɡoʃ]; Left Bank) is the southern bank of the river Seine in Paris. Here the river flows roughly westward, splitting the city into two parts. When facing downstream, the southern bank is to the left, whereas the northern bank (or Rive Droite) is to the right.

The Rive Gauche is associated with artists, writers, and philosophers including Colette, Margaret Anderson, Djuna Barnes, Natalie Barney, Sylvia Beach, Erik Satie, Kay Boyle, Bryher, Caresse Crosby, Nancy Cunard, H.D., Janet Flanner, Jane Heap, Maria Jolas, Mina Loy, Henry Miller, Adrienne Monnier, Anaïs Nin, Jean Rhys, Gertrude Stein, Alice B. Toklas, Renee Vivien, Edith Wharton Pablo Picasso, Arthur Rimbaud, Paul Verlaine, Henri Matisse, Jean-Paul Sartre, Ernest Hemingway, F. Scott Fitzgerald, James Baldwin, and dozens of members of the great artistic community at Montparnasse. The phrase implies a sense of bohemianism, counterculture, and creativity. Some of its famous streets are the Boulevard Saint-Germain, Boulevard Saint-Michel, the Rue de Vaugirard, and Rue Bonaparte.

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Djuna Barnes in the context of Boni & Liveright

Boni & Liveright (pronounced "BONE-eye" and "LIV-right") is an American trade book publisher established in 1917 in New York City by Albert Boni and Horace Liveright. Over the next sixteen years the firm, which changed its name to Horace Liveright, Inc., in 1928 and then Liveright, Inc., in 1931, published over a thousand books. Before its bankruptcy in 1933 and subsequent reorganization as Liveright Publishing Corporation, Inc., it had achieved considerable notoriety for editorial acumen, brash marketing, and challenge to contemporary obscenity and censorship laws. Their logo is of a cowled monk.

It was the first American publisher of William Faulkner, Ernest Hemingway, Sigmund Freud, E. E. Cummings, Jean Toomer, Hart Crane, Lewis Mumford, Anita Loos, and the Modern Library series. In addition to being the house of Theodore Dreiser and Sherwood Anderson throughout the 1920s, it notably published T. S. Eliot's The Waste Land, Isadora Duncan's My Life, Nathanael West's Miss Lonelyhearts, Djuna Barnes's Ryder, Ezra Pound's Personae, John Reed's Ten Days That Shook the World, and Eugene O'Neill's plays. In his biography of Horace Liveright, Firebrand, author Tom Dardis noted B&L was "the most magnificent yet messy publishing firm this century has seen." In 1974 Liveright's remaining backlist was bought by W. W. Norton & Company. Norton revived the name as an imprint in 2012 as Liveright Publishing Corporation.

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Djuna Barnes in the context of Nightwood

Nightwood is a 1936 novel by American author Djuna Barnes that was first published by publishing house Faber and Faber. It is one of the early prominent novels to portray explicit homosexuality between women, and as such can be considered lesbian literature.

It is also notable for its intense, gothic prose style. The novel employs modernist techniques such as its unusual form or narrative and can be considered metafiction, and it was praised by other modernist authors including T. S. Eliot, who edited the novel, helped publish it, and wrote an introduction included in the 1937 edition published by Harcourt, Brace. As a roman à clef, the novel features a thinly veiled portrait of Barnes in the character of Nora Flood, whereas Nora's lover Robin Vote is a composite of Thelma Wood and the Baroness Elsa von Freytag-Loringhoven, Jenny Petherbridge is Henriette Alice McCrea-Metcalf, and Felix Volkbein is derived from Frederick Philip Grove.

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Djuna Barnes in the context of Shakespeare and Company (1919–1941)

Shakespeare and Company was an influential English-language bookstore in Paris founded by Sylvia Beach in 1919; Beach published James Joyce's 1922 novel Ulysses at the bookstore. The store closed in 1941.

Shakespeare and Company was established by Beach, an American expatriate, in November 1919, at 8 rue Dupuytren, before moving to larger premises at 12 rue de l'Odéon in the 6th arrondissement in 1921. During the 1920s, Beach's shop and lending library was a gathering place for many then-aspiring and renowned writers and poets such as Ezra Pound, Ernest Hemingway, Djuna Barnes, James Joyce, F. Scott Fitzgerald, Gertrude Stein, and Ford Madox Ford.

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Djuna Barnes in the context of The Transatlantic Review

The Transatlantic Review (often styled the transatlantic review) was an influential monthly literary magazine edited by Ford Madox Ford in 1924. The magazine was based in Paris but was published in London by Gerald Duckworth and Company.

Although it published only 12 issues—one in each month in 1924—the magazine had an influential impact on early 20th-century English literature by publishing works such as an early extract from James Joyce's Finnegans Wake. The magazine also contained works by Djuna Barnes, Jean Cassou, H.D., Ernest Hemingway, Selma Lagerlöf, Jean Rhys, Gertrude Stein, and Baroness Elsa von Freytag-Loringhoven. The magazine was funded by John Quinn, who had been persuaded by Ezra Pound to give money to Ford for the publication of a literary magazine. Ernest Hemingway was the guest editor of the August 1924 edition.

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