Duple time in the context of Danzón


Duple time in the context of Danzón

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👉 Duple time in the context of Danzón

Danzón is the official genre and dance of Cuba. It is also an active musical form in USA and Puerto Rico. Written in
4
time
, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble.

The danzón evolved from the Cuban contradanza, or habanera (lit. 'Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762. Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing their own Creole syncopation. In Cuba, the dances of European origin acquired new stylistic features derived from African rhythm and dance to produce a genuine fusion of European and African influences. African musical traits in the danzón include complex instrumental cross-rhythms, expressed in staggered cinquillo and tresillo patterns.

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Duple time in the context of Krakowiak

The Krakowiak or Cracovienne is a fast, syncopated Polish folk dance in duple time from the region of Kraków and Lesser Poland. The folk outfit worn for the dance has become the national costume of Poland, most notably, the rogatywka peaked hat with peacock feathers.

It became a popular ballroom dance in Vienna ("Krakauer") and Paris ("Cracovienne") where, with the polonaise and the mazurka, it signalled a Romantic sensibility of sympathy towards a picturesque, distant and oppressed nation.

View the full Wikipedia page for Krakowiak
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