Syncopated in the context of "Krakowiak"

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⭐ Core Definition: Syncopated

In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals.

Syncopation is used in many musical styles, such as electronic dance music. According to music producer Rick Snoman, “All dance music makes use of syncopation, and it’s often a vital element that helps tie the whole track together”.

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👉 Syncopated in the context of Krakowiak

The Krakowiak or Cracovienne is a fast, syncopated Polish folk dance in duple time from the region of Kraków and Lesser Poland. The folk outfit worn for the dance has become the national costume of Poland, most notably, the rogatywka peaked hat with peacock feathers.

It became a popular ballroom dance in Vienna ("Krakauer") and Paris ("Cracovienne") where, with the polonaise and the mazurka, it signalled a Romantic sensibility of sympathy towards a picturesque, distant and oppressed nation.

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Syncopated in the context of Jungle music

Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples and synthesised effects, combined with the deep basslines, melodies and vocal samples found in dub, reggae and dancehall, as well as hip-hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.

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Syncopated in the context of Ragtime

Ragtime, also spelled rag-time or rag time, is a musical style that was popular and heavily influenced musical genres such as the Blues, and was seen in the United States from the 1890s to 1910s. Its signature trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott, and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on the piano, though the genre has been adapted for a variety of instruments and styles.

Ragtime music originated within African American communities in the late 19th century and became a distinctly American form of popular music. It is closely related to marches. Ragtime pieces usually contain several distinct themes, often arranged in patterns of repeats and reprises. Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer". Ragtime influenced early jazz, Harlem stride piano, Piedmont blues, and early 20th century European classical composers such as Erik Satie, Claude Debussy, and Igor Stravinsky. Despite being overshadowed by jazz in the 1920s, ragtime has experienced several revivals, notably in the 1950s and 1970s (the latter renaissance due in large part to the use of "The Entertainer" in the film The Sting). The music was distributed primarily through sheet music and piano rolls, with some compositions adapted for other instruments and ensembles.

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