Dubstep in the context of "Rave"

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⭐ Core Definition: Dubstep

Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style, whose roots trace to the Jamaican sound system party scene in the early 1980s, emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.

Dubstep is generally characterised by syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be promoted at the London nightclub Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM. The term "dubstep" appeared around 2002, used by labels such as Big Apple and Tempa to describe remixes more distinct from 2-step and grime.

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👉 Dubstep in the context of Rave

A rave (from the verb: to rave) is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

Fuelled by the emerging dance scene, and spearheaded by acid house music and underground bands such as The Prodigy, many of the "acid house" parties were held in squats during the late 1980s. Well known locations such as the "Dole House" (Peckham), the abandoned bus station and the squatted children's home in Camberwell known as Groove Park had crowds of over a thousand. Full Moon parties were organised at Groove Park by Pete Marland (who went on to start the dance scene in Western Ireland in the early 1990s) and multiple events went on for over a year as an Art Collective sanctioned by locals. The Times' first colour supplement carried an article about the dance scene at Groove Park, though some of the organisers did not want to be photographed. While some raves may be small parties held at nightclubs or private homes, some others have grown to immense size, such as the large festivals and events featuring multiple DJs and dance areas (e.g., the Castlemorton Common Festival in 1992).

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Dubstep in the context of UK garage

UK garage, abbreviated as UKG, is a genre of electronic music which originated in England in the early to mid-1990s. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular "2-step" rhythms. Garage tracks also commonly feature "chopped up" and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. The genre was influenced by garage house, jungle, Jamaican soundsystem, ragga, dancehall, gospel music, R&B, and rave culture.

UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. The 2010s saw a resurgence in the genre, then in the early 2020s, a revival of UK garage, sometimes titled "new UK garage" or "NUKG", was widely attributed to London-based producer Conducta and his record label Kiwi Rekords.

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Dubstep in the context of Breakbeat

Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip-hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).

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Dubstep in the context of Headbanging

Headbanging is the act of violently shaking one's head in rhythm with music. It is common in rock, punk, heavy metal and dubstep, where headbanging is often used by musicians on stage. Headbanging is also common in traditional Islamic Sufi music traditions such as Qawwali in the Indian subcontinent and Iran.

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Dubstep in the context of Breakstep

Breakstep, or breakbeat garage, is a genre of music that evolved from the UK garage scene and influenced the emergence of dubstep.

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Dubstep in the context of Burial (musician)

William Emmanuel Bevan, known by his recording alias Burial, is a British electronic musician from South London. Initially anonymous, Burial became the first artist signed to Kode9's electronic label Hyperdub in 2005. He won acclaim the following year for his self-titled debut album, an influential release in the UK's dubstep scene which showcased a dark, emotive take on UK rave music styles such as UK garage and 2-step; it was named the album of the year by The Wire. Burial's second album, Untrue, was released to further critical acclaim in 2007, and recognised as a landmark work of electronic music.

In 2008, Bevan's identity was revealed by The Independent and confirmed by Hyperdub. In the following years, he went on to collaborate with artists such as Four Tet, Massive Attack, Thom Yorke, Zomby, and The Bug, in addition to releasing a series of long-form EPs such as Kindred (2012), Truant / Rough Sleeper (2012), and Rival Dealer (2013); most of these releases were later compiled on the 2019 compilation Tunes 2011–2019. He has remained reclusive, giving few interviews and avoiding public appearances. AllMusic described him as "one of the most acclaimed, influential, and enigmatic electronic musicians of the early 21st century".

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