Dogmata in the context of "Byzantine Iconoclasm"

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⭐ Core Definition: Dogmata

Dogma, in its broadest sense, is any belief held definitively and without the possibility of reform. It may be in the form of an official system of principles or doctrines of a religion, such as Judaism, Roman Catholicism, Protestantism, or Islam, the positions of a philosopher or philosophical school, such as Stoicism, and political belief systems such as fascism, socialism, progressivism, liberalism, and conservatism.

In the pejorative sense, dogma refers to enforced decisions, such as those of aggressive political interests or authorities. More generally, it is applied to some strong belief that its adherents are not willing to discuss rationally. This attitude is named as a dogmatic one, or dogmatism, and is often used to refer to matters related to religion, though this pejorative sense strays far from the formal sense in which it is applied to religious belief. The pejorative sense is not limited to theistic attitudes alone and is often used with respect to political or philosophical dogmas.

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👉 Dogmata in the context of Byzantine Iconoclasm

The Byzantine Iconoclasm (Ancient Greek: Εἰκονομαχία, romanizedEikonomachía, lit.'image struggle', 'war on icons') are two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising the Roman-Latin and the Eastern-Orthodox traditions) and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still a unified European Church, as well as facilitating the reduction or removal of Byzantine political control over parts of the Italian Peninsula.

Iconoclasm is the deliberate destruction within a culture of the culture's own religious images and other symbols or monuments, usually for religious or political motives. People who engage in or support iconoclasm are called iconoclasts, Greek for 'breakers of icons' (εἰκονοκλάσται), a term that has come to be applied figuratively to any person who breaks or disdains established dogmata or conventions. Conversely, people who revere or venerate religious images are derisively called "iconolaters" (εἰκονολάτρες). They are normally known as "iconodules" (εἰκονόδουλοι), or "iconophiles" (εἰκονόφιλοι). These terms were, however, not a part of the Byzantine debate over images. They have been brought into common usage by modern historians (from the seventeenth century) and their application to Byzantium increased considerably in the late twentieth century. The Byzantine term for the debate over religious imagery, iconomachy, means "struggle over images" or "image struggle". Some sources also say that the Iconoclasts were against intercession to the saints and denied the usage of relics; however, it is disputed.

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