Byzantine Iconoclasts in the context of "Dogmata"

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⭐ Core Definition: Byzantine Iconoclasts

The Byzantine Iconoclasm (Ancient Greek: Εἰκονομαχία, romanizedEikonomachía, lit.'image struggle', 'war on icons') are two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising the Roman-Latin and the Eastern-Orthodox traditions) and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still a unified European Church, as well as facilitating the reduction or removal of Byzantine political control over parts of the Italian Peninsula.

Iconoclasm is the deliberate destruction within a culture of the culture's own religious images and other symbols or monuments, usually for religious or political motives. People who engage in or support iconoclasm are called iconoclasts, Greek for 'breakers of icons' (εἰκονοκλάσται), a term that has come to be applied figuratively to any person who breaks or disdains established dogmata or conventions. Conversely, people who revere or venerate religious images are derisively called "iconolaters" (εἰκονολάτρες). They are normally known as "iconodules" (εἰκονόδουλοι), or "iconophiles" (εἰκονόφιλοι). These terms were, however, not a part of the Byzantine debate over images. They have been brought into common usage by modern historians (from the seventeenth century) and their application to Byzantium increased considerably in the late twentieth century. The Byzantine term for the debate over religious imagery, iconomachy, means "struggle over images" or "image struggle". Some sources also say that the Iconoclasts were against intercession to the saints and denied the usage of relics; however, it is disputed.

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Byzantine Iconoclasts in the context of Epiphanius of Salamis

Epiphanius of Salamis (Ancient Greek: Ἐπιφάνιος; c. 310–320 – 403) was the bishop of Salamis, Cyprus, at the end of the 4th century. He is considered a saint and a Church Father by the Eastern Orthodox, Catholic Churches, and some Presbyterians. He gained a reputation as a strong defender of orthodoxy. He is best known for composing the Panarion, a compendium of eighty heresies, which included also pagan religions and philosophical systems. There has been much controversy over how many of the quotations attributed to him by the Byzantine Iconoclasts were actually by him. Regardless of this, he was clearly strongly against some contemporary uses of images in the church.

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