Distich in the context of "Inbam (Kural book)"

The Shahnameh is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couplets (two-line verses), the Shahnameh is one of the world's longest epic poems, and the longest epic poem created by a single author. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic.

The work is of central importance in Persian culture and Persian language. It is regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran.

The Book of Aṟam, in full Aṟattuppāl (Tamil: அறத்துப்பால், literally, "division of virtue"), also known as the Book of Virtue, the First Book or Book One in translated versions, is the first of the three books or parts of the Kural literature, a didactic work authored by the ancient Indian philosopher Valluvar. Written in High Tamil distich form, it has 38 chapters each containing 10 kurals or couplets, making a total of 380 couplets, all dealing with the fundamental virtues of an individual. Aṟam, the Tamil term that loosely corresponds to the English term 'virtue', correlates with the first of the four ancient Indian values of dharma, artha, kama and moksha. The Book of Aṟam exclusively deals with virtues independent of the surroundings, including the vital principles of non-violence, moral vegetarianism, veracity, and righteousness.

The Book of Aṟam is the most important and the most fundamental book of the Kural. This is revealed in the very order of the book within the Kural literature. The public life of a person as described by the Book of Poruḷ and the love life of a person as described by the Book of Inbam are presented to him or her only after the person secures his or her inner, moral growth described by the Book of Aṟam. In other words, only a morally and spiritually ripe person, who is considered cultured and civilized as dictated by the Book of Aṟam, is fit to enter public or political life, and the subsequent life of love.

The Book of Poruḷ, in full Poruṭpāl (Tamil: பொருட்பால்; lit. 'division of wealth' or 'polity'), also known as the Book of Wealth, Book of Polity, the Second Book or Book Two in translated versions, is the second of the three books or parts of the Kural literature, authored by the ancient Indian philosopher Valluvar. Written in High Tamil distich form, it has 70 chapters each containing 10 kurals or couplets, making a total of 700 couplets all dealing with statecraft. Poruḷ, which means both 'wealth' and 'meaning', correlates with the second of the four ancient Indian values of dharma, artha, kama and moksha. The Book of Poruḷ deals with polity, or virtues of an individual with respect to the surroundings, including the stately qualities of administration, wisdom, prudence, nobility, diplomacy, citizenship, geniality, industry, chastity, sobriety and teetotalism, that is expected of every individual, keeping aṟam or dharma as the base.

Martin Codax or Codaz, Martín Codax (Galician: [maɾˈtiŋ koˈðaʃ]) or Martim Codax was a Galician medieval joglar (non-noble composer and performer, as opposed to a trobador), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of cantigas d'amigo who used only the archaic strophic form aaB (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby i~o / a~o were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as leixa-pren (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at present remains based on theoretical analysis of the text.