D. H. Lawrence in the context of "Lady Chatterley's Lover"


D. H. Lawrence in the context of "Lady Chatterley's Lover"

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⭐ Core Definition: D. H. Lawrence

David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialisation, while championing sexuality, vitality and instinct. Four of his most famous novels – Sons and Lovers(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.

Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured persecution and the misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, the English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, the English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.

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👉 D. H. Lawrence in the context of Lady Chatterley's Lover

Lady Chatterley's Lover is the final novel by the English author D. H. Lawrence, first published privately in 1928, in Florence, Italy, and in 1929, in Paris, France. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books, which won the case and quickly sold three million copies. The book was also banned for obscenity in the United States, Canada, Australia, India and Japan. The book soon became notorious for its story of the physical (and emotional) relationship between a working-class man and an upper-class woman, its explicit descriptions of sex and its use of then-unprintable profane words.

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