Cyclops (play) in the context of "Cyclops"

In Greek mythology and later Roman mythology, the Cyclopes (/saɪˈkloʊpiːz/ sy-KLOH-peez; Greek: Κύκλωπες, Kýklōpes, "Circle-eyes" or "Round-eyes"; singular Cyclops /ˈsaɪklɒps/ SY-klops; Κύκλωψ, Kýklōps) are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's Theogony, the Cyclopes are the three brothers, Brontes, Steropes, and Arges, who made Zeus's weapon, the thunderbolt. In Homer's Odyssey, they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. A third group of Cyclopes reputedly built the Cyclopean walls of Mycenae and Tiryns.

In Cyclops, the fifth-century BC play by Euripides, a chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus, as does Virgil in the Latin epic Aeneid, where he seems to equate the Hesiodic and Homeric Cyclopes.

Polyphemus (/ˌpɒliˈfiːməs/ ; Ancient Greek: Πολύφημος, romanized: Polyphēmos, Epic Greek: [polypʰɛːmos]; Latin: Polyphēmus [pɔlʏˈpʰeːmʊs]) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's Odyssey. His name means "abounding in songs and legends", "many-voiced" or "very famous". Polyphemus first appeared as a savage man-eating giant in the ninth book of the Odyssey. The satyr play Cyclops by Euripides is dependent on this episode apart from one detail: Polyphemus is made a pederast in the play. Later Classical writers presented him in their poems as heterosexual and linked his name with the nymph Galatea. Often he was portrayed as unsuccessful in these, and as unaware of his disproportionate size and musical failings. In the work of even later authors, however, he is presented as both a successful lover and skilled musician. From the Renaissance on, art and literature reflect all of these interpretations of the giant.

In Greek mythology, a satyr (Ancient Greek: σάτυρος, romanized: sátyros, pronounced [sátyros]), also known as a silenus or silenos (Ancient Greek: σειληνός, romanized: seilēnós [seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.

In classical Athens, satyrs made up the chorus in a genre of play known as a "satyr play", which was a parody of tragedy and known for its bawdy and obscene humor. The only complete surviving play of this genre is Cyclops by Euripides, although a significant portion of Sophocles's Ichneutae has also survived. In mythology, the satyr Marsyas is said to have challenged the god Apollo to a musical contest and been flayed alive for his hubris. Although superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr Silenus was the tutor of the young Dionysus, and a story from Ionia told of a silenos who gave sound advice when captured.

The Ichneutae (Ancient Greek: Ἰχνευταί, romanized: Ikhneutaí, lit. 'trackers'), also known as the Searchers, Trackers or Tracking Satyrs, is a fragmentary satyr play by the fifth-century BC Athenian dramatist Sophocles. Three undistinguished quotations in ancient authors were all that was known of the play until 1912, when the extensive remains of a second-century CE papyrus roll of the Ichneutae were published among the Oxyrhynchus Papyri. With more than four hundred lines surviving in their entirety or in part, the Ichneutae is now the best preserved ancient satyr play after Euripides' Cyclops, the only fully extant example of the genre. The manuscript is now kept in the British Library in London.

A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of fringe theatre shows including at the Edinburgh Festival Fringe.

The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and are now a standard part of repertory theatre and fringe festivals.