Crypsis in the context of "Ambush"

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⭐ Core Definition: Crypsis

In ecology, crypsis is the ability of an animal or a plant to avoid observation or detection by other animals. It may be part of a predation strategy or an antipredator adaptation. Methods include camouflage, nocturnality, subterranean lifestyle and mimicry. Crypsis can involve visual, olfactory (with pheromones) or auditory concealment. When it is visual, the term cryptic coloration, effectively a synonym for animal camouflage, is sometimes used, but many different methods of camouflage are employed in nature.

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👉 Crypsis in the context of Ambush

An ambush is a surprise attack carried out by combatants waiting in a concealed (and typically well-defiladed) position against an approaching enemy individual or group. The concealed position itself or the concealed person(s) may also be called an "ambush", and the chosen area to carry out the ambush is known as the kill zone or the trap.

The term "ambush" is also used in animal behavior studies to describe the predation strategy of some carnivores using stealth and deception (i.e. ambush predators), in sociology to describe aggressive journalistic practices (i.e. ambush journalism), and in economics to describe some marketing strategies (i.e. ambush marketing), all of which involve an element of surprise upon the recipients.

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In this Dossier

Crypsis in the context of Camouflage

Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid's wings. A third approach, motion dazzle, confuses the observer with a conspicuous pattern, making the object visible but momentarily harder to locate. The majority of camouflage methods aim for crypsis, often through a general resemblance to the background, high contrast disruptive coloration, eliminating shadow, and countershading. In the open ocean, where there is no background, the principal methods of camouflage are transparency, silvering, and countershading, while the ability to produce light is among other things used for counter-illumination on the undersides of cephalopods such as squid. Some animals, such as chameleons and octopuses, are capable of actively changing their skin pattern and colours, whether for camouflage or for signalling. It is possible that some plants use camouflage to evade being eaten by herbivores.

Military camouflage was spurred by the increasing range and accuracy of firearms in the 19th century. In particular the replacement of the inaccurate musket with the rifle made personal concealment in battle a survival skill. In the 20th century, military camouflage developed rapidly, especially during the World War I. On land, artists such as André Mare designed camouflage schemes and observation posts disguised as trees. At sea, merchant ships and troop carriers were painted in dazzle patterns that were highly visible, but designed to confuse enemy submarines as to the target's speed, range, and heading. During and after World War II, a variety of camouflage schemes were used for aircraft and for ground vehicles in different theatres of war. The use of radar since the mid-20th century has largely made camouflage for fixed-wing military aircraft obsolete.

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Crypsis in the context of Feather

Feathers are epidermal growths that form a distinctive outer covering, or plumage, on both avian (bird) and some non-avian dinosaurs and other archosaurs. They are the most complex integumentary structures found in vertebrates and an example of a complex evolutionary novelty. They are among the characteristics that distinguish the extant birds from other living groups.

Although feathers cover most of the bird's body, they arise only from certain well-defined tracts on the skin. They aid in flight, thermal insulation, and waterproofing. In addition, coloration helps in communication and protection. The study of feathers is called plumology (or plumage science).

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Crypsis in the context of Flatfish

Flatfish are a group of ray-finned fish belonging to the suborder Pleuronectoidei and historically the order Pleuronectiformes (though this is now disputed). Their collective common name is due to their habit of lying on one side of their laterally-compressed body (flattened side-to-side) upon the seafloor; in this position, both eyes lie on the side of the head facing upwards, while the other side of the head and body (the "blind side") lies on the substrate. This loss of symmetry, a unique adaptation in vertebrates, stems from one eye "migrating" towards the other during the juvenile's metamorphosis; due to variation, some species tend to face their left side upward, some their right side, and others face either side upward. Pleuronectidae lie on their left side, with eyes on the right. Paralichthyidae lie on their right side, with eyes on the left.

They are one of the most speciose groups of demersal fish. Their cryptic coloration and habits, a form of camouflage, conceals them from potential predators.

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Crypsis in the context of Military camouflage

Military camouflage is the use of camouflage by an armed force to protect personnel and equipment from observation by enemy forces. In practice, this means applying colour and materials to military equipment of all kinds, including vehicles, ships, aircraft, gun positions and battledress, either to conceal it from observation (crypsis), or to make it appear as something else (mimicry). The French slang word camouflage came into common English usage during World War I when the concept of visual deception developed into an essential part of modern military tactics. In that war, long-range artillery and observation from the air combined to expand the field of fire, and camouflage was widely used to decrease the danger of being targeted or enable surprise. As such, military camouflage is a form of military deception in addition to cultural functions such as political identification.

Camouflage was first practiced in simple form in the mid 18th century by rifle units. Their tasks required them to be inconspicuous, and they were issued green and later other drab colour uniforms. With the advent of longer range and more accurate weapons, especially the repeating rifle, camouflage was adopted for the uniforms of all armies, spreading to most forms of military equipment including ships and aircraft.

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Crypsis in the context of Disruptive coloration

Disruptive coloration (also known as disruptive camouflage or disruptive patterning) is a form of camouflage that works by breaking up the outlines of an animal, soldier or military hardware with a strongly contrasting pattern. It is often combined with other methods of crypsis including background colour matching and countershading; special cases are coincident disruptive coloration and the disruptive eye mask seen in some fishes, amphibians, and reptiles. It appears paradoxical as a way of not being seen, since disruption of outlines depends on high contrast, so the patches of colour are themselves conspicuous.

The importance of high-contrast patterns for successful disruption was predicted in general terms by the artist Abbott Thayer in 1909 and explicitly by the zoologist Hugh Cott in 1940. Later experimental research has started to confirm these predictions. Disruptive patterns work best when all their components match the background.

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Crypsis in the context of Leaf-mimic katydid

There are many insects in the family Tettigoniidae (bush crickets or katydids) which are mimics of leaves. At a distance the katydid is an example of crypsis evading detection by blending into its background; up close the katydid mimics a leaf.

This type of camouflage occurs in several subfamilies, among others including:

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Crypsis in the context of Ship camouflage

Ship camouflage is a form of military deception in which a ship is painted in one or more colors in order to obscure or confuse an enemy's visual observation. Several types of marine camouflage have been used or prototyped: blending or crypsis, in which a paint scheme attempts to hide a ship from view; deception, in which a ship is made to look smaller or, as with the Q-ships, to mimic merchantmen; and dazzle, a chaotic paint scheme which tries to confuse any estimate of distance, direction, or heading. Counterillumination, to hide a darkened ship against the slightly brighter night sky, was trialled by the Royal Canadian Navy in diffused lighting camouflage.

Ships were sometimes camouflaged in classical times. Mediterranean pirate ships were sometimes painted blue-gray for concealment. Vegetius records that Julius Caesar's scout ships were painted bluish-green when gathering intelligence along the coast of Britain during the Gallic Wars. Ships were sometimes painted deceptively during the Age of Sail, while both sides in the American Civil War camouflaged their ships, whether to run blockades or for night reconnaissance.

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Crypsis in the context of Dazzle camouflage

Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a type of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John Graham Kerr, it consisted of complex patterns of geometric shapes in contrasting colours interrupting and intersecting each other.

Unlike other forms of camouflage, the intention of dazzle is not to conceal but to make it difficult to estimate a target's range, speed, and heading. Norman Wilkinson explained in 1919 that he had intended dazzle primarily to mislead the enemy about a ship's course and so cause them to take up a poor firing position.

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