Confraternities in the context of Laity

The term third order signifies, in general, lay members of Christian religious orders, who do not necessarily live in a religious community such as a monastery or a nunnery, and yet can claim to wear the religious habit and participate in the good works of a great order. Roman Catholicism, Lutheranism and Anglicanism all recognize third orders.

Third orders were a 12th-century adaptation of the medieval monastic confraternities. Members of third orders are known as tertiaries (Latin tertiarii, from tertius, "third"). In some cases, they may belong to a religious institute (a "congregation") that is called a "third order regular".

In the Catholic Church, an association of the Christian faithful or simply association of the faithful (Latin: consociationes christifidelium), sometimes called a public association of the faithful, is a group of baptized persons, clerics or laity or both together, who, according to the 1983 Code of Canon Law, jointly foster a more perfect life or promote public worship or Christian teaching, or who devote themselves to other works of the apostolate.

A 20th-century resurgence of interest in lay societies culminated in the Second Vatican Council, but lay ecclesial societies have long existed in forms such as sodalities (defined in the 1917 Code of Canon Law as associations of the faithful constituted as an organic body), confraternities (similarly defined as sodalities established for the promotion of public worship), medieval communes, and guilds.

A scapular (from Latin scapula 'shoulder') is a Western Christian garment suspended from the shoulders. There are two types of scapulars, the monastic and devotional scapular; both forms may simply be referred to as "scapular". As an object of popular piety, a devotional scapular serves to remind wearers of their commitment to live a Christian life.

The monastic scapular appeared first, perhaps as early as the 7th century AD in the Order of Saint Benedict. It is a length of cloth suspended both front and back from the shoulders of the wearer, either reaching almost to the hem of the tunic or ends at knee height. It may vary in shape, color, size and style. Monastic scapulars originated as aprons worn by medieval monks, and later became part of the habits for members of orders or confraternities. Monastic scapulars now form part of the religious habit of monks and nuns in many religious communities.

In Christian theology, a sodality, also known as a syndiakonia, is a form of the Universal Church organized in a specialized, task-oriented society, as opposed to a local, diocesan body (a modality). In English, the term sodality is most commonly used by groups in the Anglican Communion, Catholic Church, Eastern Orthodox Church, Lutheran Church and Reformed Church, where they are also referred to as confraternities. Sodalities are expressed among Protestant Churches through the multitude of mission organizations, societies, and specialized ministries that have proliferated, particularly since the advent of the modern missions movement, usually attributed to Englishman William Carey in 1792.

In many Christian denominations, "modality" refers to the structure and organization of the local or universal church, composed of pastors or priests. By contrast, parachurch organizations are termed sodalities. These include missionary organizations and Christian charities or fraternities not linked to specific churches. Some theologians would include denominations, schools of theology, and other multi-congregational efforts in the sodality category. Sodalities can also include religious orders, monasteries, and convents.

Confraternities of penitents (Spanish: Cofradía Penitencial; Italian: Fratellanza penitenziale; Portuguese: Irmandade Penitencial) are Christian religious congregations, with statutes prescribing various penitential works; they are especially popular in the Catholic Church. Members of the confraternities of penitents practice mortification of the flesh through fasting, the use of the discipline, the wearing of a hair shirt, among other instruments of penance, etc.

Gentile Bellini (c. 1429 – 23 February 1507) was a Venetian painter of the school of Venice. He came from Venice's leading family of painters, and, at least in the early part of his career, was more highly regarded than his younger brother Giovanni Bellini - a reversal of the situation today. From 1474, he was the official portrait artist for the Doges of Venice. In addition to his portraits, he painted a number of very large works with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.

In 1479, he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter, a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in European painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe.