Cliché in the context of "Stock characters"

A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy.

There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to move the story along more efficiently, by allowing the audience to already understand the character and their motivations. Furthermore, stock characters can be used to build an audience's expectations and, in some cases, they can also enhance narrative elements like suspense, irony, or plot twists if those expectations end up subverted.

A literary trope is an artistic effect realized with figurative language – word, phrase, image – such as a rhetorical figure. In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations), motifs, and clichés in a work of creative literature.

Elopement is a marriage which is conducted in a sudden and secretive fashion, sometimes involving a hurried flight away from one's place of residence together with one's beloved with the intention of getting married without parental approval. An elopement is contrasted with an abduction (e.g., a bride kidnapping), in which either the bride or groom has not consented, or a shotgun wedding in which the parents of one (prototypically the bride's) coerce both into marriage.

Controversially, in modern times, elopement is sometimes applied to any small, inexpensive wedding, even when it is performed with parental foreknowledge.

A villain (masculine), or villainess (feminine), also bad guy, baddy or baddie (sometimes known as a "black hat"), is a stock character, whether based on a historical narrative or one of literary fiction. Random House Unabridged Dictionary defines such a character as "a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot". The antonym of a villain is a hero.

The villain's structural purpose is to serve as the opposite to the hero character, and their motives or evil actions drive a plot along. In contrast to the hero, who is defined by feats of ingenuity and bravery and the pursuit of justice and the greater good, a villain is often defined by their acts of selfishness, evilness, arrogance, cruelty, and cunning, displaying immoral behavior that can oppose or pervert justice.

A saying is any concise expression that is especially memorable because of its meaning or style. A saying often shows a wisdom or cultural standard, having different meanings than just the words themselves. Sayings are categorized as follows:

• Aphorism: a general, observational truth; "a pithy expression of wisdom or truth".
  • Proverb, adage or saw: a widely known or popular aphorism that has gained credibility by long use or tradition.
  • Apothegm/Apophthegm: "an edgy, more cynical aphorism; such as, 'Men are generally more careful of the breed of their horses and dogs than of their children.'"
• Axiom: a proposition that commends itself to general acceptance; a well-established or universally conceded principle; a maxim, rule, or law.
• Cliché or bromide: an unoriginal and overused saying.
  • Platitude: a cliché that is unsuccessfully presented as though it were meaningful, original, or effective.
• Epigram: a clever and often poetic written saying that comments on a specific person, idea, or thing; it especially denominates such a saying that is conspicuously put at the beginning of a text.
• Epitaph: a saying in honor of a decedent, often engraved on a headstone or plaque.
• Epithet: a descriptive word or saying already widely associated with a specific person, idea, or thing.
• Idiom or phraseme: a saying that has only a non-literal interpretation; "an expression whose meaning can't be derived simply by hearing it, such as 'kick the bucket.'"
  • Four-character idiom:
    • Chengyu: Chinese four-character idioms
    • Sajaseong-eo: Korean form of four-character idioms
    • Yojijukugo: Japanese form of four-character idioms
• Mantra: a religious, mystical, or other spiritual saying that is repeated, for example, in meditation.
• Maxim: (1) an instructional expression of a general principle or rule of morality or (2) simply a synonym for "aphorism"; they include:
  • Brocard
  • Gnome
  • Legal maxim
• Motto: a saying used frequently by a person or group to summarize its general mission.
  • Credo: a motto implicitly or explicitly extended to express a larger belief system.
  • Slogan: a motto with the goal of persuading.
• Quip: a clever or humorous saying based on an observation.
• Witticism: a saying that is clever and usually humorous and that is notable for its form or style just as much as, or more than, its meaning.

Good old days – commonly stylized as "good ol' days" – is a cliché in popular culture used to reference a time considered by the speaker to be better than the current era. It is a form of nostalgia that can reflect homesickness or yearning for long-gone moments.

There is a predisposition, caused by cognitive biases such as rosy retrospection, a form of survivorship bias, for people to view the past more favourably and future more negatively.

Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminacy, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may approach a hybrid of disparate styles or incorporate unorthodox and unique elements.

The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using the term musique expérimentale to describe compositional activities that incorporated tape music, musique concrète, and elektronische Musik. In America, a quite distinct sense of the term was used in the late 1950s to describe computer-controlled composition associated with composers such as Lejaren Hiller. Harry Partch and Ivor Darreg worked with other tuning scales based on the physical laws for harmonic music. For this music they both developed a group of experimental musical instruments. Musique concrète is a form of electroacoustic music that utilises acousmatic sound as a compositional resource. Free improvisation or free music is improvised music without any rules beyond the taste or inclination of the musician(s) involved; in many cases, the musicians make an active effort to avoid clichés; i.e., overt references to recognizable musical conventions or genres.