Chronological in the context of "Köchel catalogue"

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⭐ Core Definition: Chronological

Chronology (from Latin chronologia, from Ancient Greek χρόνος, chrónos, 'time'; and -λογία, -logia) is the science of arranging events in their order of occurrence in time, such as in a timeline or other sequence of events. It is also "the determination of the actual temporal sequence of past events".

Chronology is a part of periodization. It is also a part of the discipline of history including earth history, the earth sciences, and study of the geologic time scale.

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👉 Chronological in the context of Köchel catalogue

The Köchel catalogue (German: Köchel-Verzeichnis) is a catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated K. or KV. Its numbers reflect the ongoing task of compiling the chronology of Mozart's works, and provide a shorthand reference to the compositions. For example, according to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated K. 626.

Köchel's original catalogue (1862) has been revised several times. Catalogue numbers from these revised editions are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d refers to the work numbered 47d in the sixth edition. The catalog was originally chronological, though revisions made chronological ordering of Mozart's works difficult and as of 2024 a new organizational system is used for the ninth version.

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Chronological in the context of Biologically immortal

Biological immortality (sometimes referred to as bio-indefinite mortality) is a state in which the rate of mortality from senescence (aging) is stable or decreasing, thus decoupling it from chronological age. Various unicellular and multicellular species, including some vertebrates, achieve this state either throughout their existence or after living long enough. A biologically immortal living being can still die from means other than senescence, such as through injury, poison, disease, predation, lack of available resources, or changes to environment. Studies of biological immortality mechanisms provide important clues for anti-aging research.

This definition of immortality has been challenged in the Handbook of the Biology of Aging, because the increase in rate of mortality as a function of chronological age may be negligible at extremely old ages, an idea referred to as the late-life mortality plateau. The rate of mortality may cease to increase in old age, but in most cases that rate is typically very high.

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Chronological in the context of Sequel

A sequel is a work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work.

In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear repeatedly. The difference between more than one sequel and a series is somewhat arbitrary.

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Chronological in the context of Proto-Elamite

The Proto-Elamite period, also known as Susa III, is a chronological era in the ancient history of the area of Elam, dating from c. 3100 BC to 2700 BC. In archaeological terms this corresponds to the late Banesh period. Proto-Elamite sites are recognized as the oldest civilization in Iran. The Proto-Elamite script is an Early Bronze Age writing system briefly in use before the introduction of Elamite cuneiform. The Proto-Elamite script has not yet been completely deciphered.

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Chronological in the context of Nonlinear narrative

Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line. The technique is common in electronic literature, and particularly in hypertext fiction, and is also well-established in print and other sequential media.

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