Chivalric romance in the context of "Gaheris"

The Matter of Britain (French: matière de Bretagne; Welsh: Mater Prydain; Cornish: Mater Brythain; Breton: Afer Breizh-Veur) is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. The 12th-century writer Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain) is a central component of the Matter of Britain.

It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne and his companions, as well as the Matter of Rome, which included material derived from or inspired by classical mythology and classical history. Its pseudo-chronicle and chivalric romance works, written both in prose and verse, flourished from the 12th to the 16th century.

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

The Paladins, also called the Twelve Peers (French: Douze Pairs), are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval (12th century) chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them (a number with Christian associations) led by Roland (spelled Orlando in later Italian sources). The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.

The legend is based on the historical Umayyad invasion of Gaul and subsequent conflict in the Marca Hispanica between the Frankish Empire and the Emirate of Córdoba. The term paladin is from Old French, deriving from the Latin comes palatinus (count palatine), a title given to close retainers.

Sagas are prose stories and histories, composed in Iceland and to a lesser extent elsewhere in Scandinavia.

The most famous saga-genre is the sagas of Icelanders, which feature Viking voyages, migration to Iceland, and feuds between Icelandic families. However, sagas' subject matter is diverse, including pre-Christian Scandinavian legends; saints and bishops both from Scandinavia and elsewhere; Scandinavian kings and contemporary Icelandic politics; and chivalric romances either translated from Continental European languages or composed locally.

A knight-errant (or knight errant) is a figure of medieval chivalric romance literature. The adjective errant (meaning "wandering, roving") indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels (pas d'armes) or in some other pursuit of courtly love.

Don Quixote, the full title being The Ingenious Gentleman Don Quixote of La Mancha, is a Spanish novel by Miguel de Cervantes. Originally published in two parts in 1605 and 1615, the novel is considered a founding work of Western literature and the first modern novel. The novel has been labelled by many well-known authors as the "best novel of all time" and the "best and most central work in world literature". Don Quixote is also one of the most-translated books in the world and one of the best-selling novels of all time.

The plot revolves around the adventures of a member of the lowest nobility, a hidalgo from La Mancha named Alonso Quijano, who reads so many chivalric romances that he loses his mind and decides to become a knight-errant (caballero andante) to revive chivalry and serve his nation, under the name Don Quixote de la Mancha. He recruits as his squire a simple farm labourer, Sancho Panza, who brings an earthy wit to Don Quixote's lofty rhetoric. In the first part of the book, Don Quixote does not see the world for what it is and prefers to imagine that he is living out a knightly story meant for the annals of all time. However, as Salvador de Madariaga pointed out in his Guía del lector del Quijote (1972 [1926]), referring to "the Sanchification of Don Quixote and the Quixotization of Sancho", as "Sancho's spirit ascends from reality to illusion, Don Quixote's declines from illusion to reality".

Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.

The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet".

The Knights of the Round Table (French: Chevaliers de la Table Ronde) are the legendary knights of the fellowship of King Arthur that first appeared in the French-language Matter of Britain literature in the mid-12th century. The Knights are a chivalric order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.

The various Round Table stories present an assortment of knights from all over Great Britain and abroad, some of whom are even from outside of Europe. Their ranks often include Arthur's close and distant relatives, such as Agravain, Gaheris and Yvain, as well as his reconciled former enemies, like Galehaut, Pellinore and Lot. Several of the most notable Knights of the Round Table, among them Bedivere, Gawain and Kay, are based on older characters from a host of great warriors associated with Arthur in the early Welsh tales. Some, such as Lancelot, Perceval and Tristan, feature in the roles of a protagonist or eponymous hero in various works of chivalric romance. Other well-known members of the Round Table include the holy knight Galahad, replacing Perceval as the main Grail Knight in the later stories, and Arthur's traitorous son and nemesis Mordred.

Parzival (German pronunciation: [ˈpaʁtsifal]) is a medieval chivalric romance by the poet and knight Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Parzival (Percival in English) and his long quest for the Holy Grail following his initial failure to achieve it.

Parzival begins with the knightly adventures of Parzival's father, Gahmuret, his marriage to Herzeloyde (Middle High German: herzeleide, "heart's sorrow"), and the birth of Parzival. The story continues as Parzival meets three elegant knights, decides to seek King Arthur, and continues a spiritual and physical search for the Grail. A long section is devoted to Parzival's friend Gawan and his adventures defending himself from a false murder charge and winning the hand of the maiden Orgeluse. Among the most striking elements of the work are its emphasis on the importance of humility, compassion, sympathy and the quest for spirituality. A major theme in Parzival is love: heroic acts of chivalry are inspired by true love, which is ultimately fulfilled in marriage.