The Pearl Manuscript (British Library MS Cotton Nero A X/2), also known as the Gawain manuscript, is an illuminated manuscript produced somewhere in northern England in the late 14th century or the beginning of the 15th century. It is one of the best-known Middle English manuscripts, the only one containing alliterative verse solely, and the oldest surviving English manuscript to have full-page illustrations. It contains the only surviving copies of four of the masterpieces of medieval English literature: Sir Gawain and the Green Knight, Pearl, Cleanness, and Patience. It has been described as "one of the greatest manuscript treasures for medieval literature", and "the most famous of all romance manuscripts".
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👉 Pearl Manuscript in the context of Sir Gawain and the Green Knight
Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.
The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet".
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Pearl Manuscript in the context of Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts.
Pearl Manuscript in the context of The Gawain Poet
The "Gawain Poet" (/ˈɡɑːweɪn, ˈɡæ-, -wɪn, ɡəˈweɪn/ GA(H)-wayn, -win, gə-WAYN; fl. late 14th century), or less commonly the "Pearl Poet", is the name given to the author of Sir Gawain and the Green Knight, an alliterative poem written in 14th-century Middle English. Its author appears also to have written the poems Pearl, Patience, and Cleanness; some scholars suggest the author may also have composed Saint Erkenwald. Save for the last (found in BL-MS Harley 2250), all these works are known from a single surviving manuscript, the British Library holding 'Cotton MS' Nero A.x. This body of work includes some of the most highly-regarded poetry written in Middle English.
The Gawain Poet is unidentified. Various scholars have suggested that the poem is attributable to a member of the landed Massey family of Cheshire, and in particular John Massey of Cotton. This is not widely accepted, however, and the labels "Pearl Poet" or "Gawain Poet" are still preferred.
Pearl Manuscript in the context of Green Knight
The Green Knight (Welsh: Marchog Gwyrdd, Cornish: Marghek Gwyrdh, Breton: Marc'heg Gwer) is a heroic character of the Matter of Britain, originating in the 14th-century poem Sir Gawain and the Green Knight and the related medieval work The Greene Knight. His true name is revealed to be Bertilak de Hautdesert (spelled in some translations as "Bercilak" or "Bernlak") in Sir Gawain, while The Greene Knight names him "Bredbeddle".The Green Knight later features as one of Arthur's greatest champions in the fragmentary ballad King Arthur and King Cornwall, again with the name "Bredbeddle".
In Sir Gawain and the Green Knight, Bertilak is transformed into the Green Knight by Morgan le Fay, a traditional adversary of King Arthur, to test his court. However, in The Greene Knight, he is transformed by a different woman for the same purpose. In both stories, he sends his wife to seduce Gawain as a further test. The King Arthur and King Cornwall ballad portrays him as an exorcist and one of the most powerful knights of Arthur's court. His wider role in Arthurian literature includes being a judge and tester of knights, and as such, the other characters consider him as friendly but terrifying and somewhat mysterious.
Pearl Manuscript in the context of Cleanness (poem)
Cleanness (Middle English: Clannesse) is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the Pearl Poet or Gawain Poet, also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Patience, and may have also composed St. Erkenwald.
The poem is found solely in the Pearl manuscript, Cotton Nero A x. That manuscript also contains Pearl, Patience, and Sir Gawain and the Green Knight. None of the poems has a title or divisions of chapters, but the breaks are marked by large initial letters of blue, and there are twelve illustrations (or illuminations) contained within the manuscript, depicting scenes from the four poems. Each of these poems is entirely unique to this one manuscript. Cleanness (which is an editorial title) is also known by the editorial title Purity.