Chiton (costume) in the context of "Tunic"

A zoster (Greek: ζωστήρ, zōstēr) was a form of girdle or belt worn by men and perhaps later by women in ancient Greece, from the Archaic period (c. 750 – c. 500 BC) to the Hellenistic period (323–30 BC).

The word occurs in Homer, where it appears to refer to a warrior's belt of leather, possibly covered in bronze plates. Later references in the late Archaic and early Classical periods show it used as a belt or cloth girdle with men's clothes, especially the shorter chiton.

Kore (Greek: κόρη "maiden"; plural korai) is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues.

Korai show the restrained "archaic smile", which did not demonstrate emotion. It was the symbol of the ideal, transcending the hardships of the world. Unlike the nude kouroi, korai are depicted in thick and sometimes elaborate drapery. As fashions changed, so did the type of clothing they wore. Over time, korai went from the heavy peplos to lighter garments such as the chiton. Their posture is rigid and column-like, sometimes with an extended arm. Some korai were painted colorfully to enhance the visual impact of the garments and for narrative purposes.

In Greek mythology, the Shirt of Nessus, Tunic of Nessus, Nessus-robe, or Nessus' shirt (Ancient Greek: Χιτών τοῦ Νέσσου, romanized: Chitṓn toû Néssou) was the poisoned shirt (chiton) that killed Heracles. It was once a popular reference in literature. In folkloristics, it is considered an instance of the "poison dress" motif.

The pallium was a Roman cloak. It was similar in form to the palla, which had been worn by respectable Roman women since the mid-Republican era. It was a rectangular length of cloth, as was the himation in ancient Greece. It was usually made from wool or flax, but for the higher classes it could be made of silk with the use of gold threads and embroideries.

The garment varied in fineness, colour and ornament. It could be white, purple red (purpurea from murex), black, yellow, blue, pale green, etc.

White Angel (Serbian: Бели анђео / Beli anđeo) is a detail of one of the best known frescoes in Serbian culture in the Mileševa monastery, Mironosice na Hristovom grobu (Мироносице на Христовом гробу, the Myrrhbearers at Christ's tomb), dated c. 1235 in Serbia during the reign of King Stephen Vladislav I of Serbia. Considered one of the most beautiful works of Serbian and European art from the High Middle Ages, this fresco is considered to be one of the great achievements in European painting. It depicts the arrival of the myrrhbearers at the tomb of Christ on Sunday morning, after the events of the Crucifixion. Sitting on the stone is the Angel of the Lord dressed in a white chiton, whose arm shows the place of Christ's resurrection, and his empty tomb.

Clothing in ancient Greece refers to clothing starting from the Aegean bronze age (3000 BCE) to the Hellenistic period (31 BCE). Clothing in ancient Greece included a wide variety of styles but primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek civilians typically wore two pieces of clothing draped about the body: an undergarment (χιτών : chitōn or πέπλος : péplos) and a cloak (ἱμάτιον : himátion or χλαμύς : chlamýs). The people of ancient Greece had many factors (political, economic, social, and cultural) that determined what they wore and when they wore it.

Clothes were quite simple, draped, loose-fitting and free-flowing. Customarily, clothing was homemade and cut to various lengths of rectangular linen or wool fabric with minimal cutting or sewing, and secured with ornamental clasps or pins, and a belt, or girdle (ζώνη: zōnē). Pieces were generally interchangeable between men and women. However, women usually wore their robes to their ankles while men generally wore theirs to their knees depending on the occasion and circumstance. Additionally, clothing often served many purposes other than just being used as clothes such as bedding or a shroud.

In Etruscan mythology, Tuchulcha was a chthonic daemon (not to be confused with the Christian term "demon") with pointed ears (perhaps those of a donkey), hair made of snakes, and a beak (perhaps that of a vulture). Tuchulcha lived in the underworld known as Aita.

Many scholars refer to this deity as male because of masculine features, such as animalistic facial hair that may resemble a beard. According to Nancy de Grummond, "This monster is often referred to as male but in fact is very likely female (or neither gender), for she wears a woman’s dress, has decidedly pale pinkish skin (compare the standard brick-red male flesh of These), and even appears to have breasts." She also identifies the diamond-marking of Tuchulcha's serpents as identifying the poisonous adder (Vipera berus berus). Emeline Hill Richardson and Graeme Barker and Tom Rasmussen also state that Tuchulcha is female. Tuchulcha's garment is known to classical historians as a chiton and is worn by both men and women. As well, the same clothing is worn by another male deity, Charun.