Chinese classic text in the context of "Neo-Confucian"

The Tao Te Ching or Dào Dé Jīng, (traditional Chinese: 道德經; simplified Chinese: 道德经; lit. 'Classic of the Way and its Virtue') often Laozi in Chinese or scholarship, is an ancient Chinese classic text and foundational work of Taoism traditionally credited to the sage Laozi, though the text's authorship and dates of composition or compilation are debated. The oldest excavated portion dates to the late 4th century BCE. While tradition places Laozi earlier, modern versions of the text could more conservatively be estimated to date back to the late Warring States period (475 – 221 BCE), not having been recovered that early.

The Tao Te Ching is central to both philosophical and religious Taoism, and has been highly influential on Chinese philosophy and religious practice in general. It is generally taken as preceding the Zhuangzi, the other core Taoist text. Terminology originating within the text has been reinterpreted and elaborated upon by Legalist thinkers, Confucianists, and particularly Chinese Buddhists, introduced to China significantly after the initial solidification of Taoist thought. One of the most translated texts in world literature, the text is well known in the West.

The Tao Te Ching or Dào Dé Jīng, (traditional Chinese: 道德經; simplified Chinese: 道德经; lit. 'Classic of the Way and its Virtue') often Laozi in Chinese and scholarship, is an ancient Chinese classic text, becoming a foundational work of Taoism. It is traditionally credited to the sage Laozi, though with some several early versions recovered, the texts' authorship and dates of composition and compilation are debated. The oldest excavated portion dates to the late 4th century BCE. While tradition places Laozi earlier, modern versions of the text could more conservatively be estimated to date back to the late Warring States period (475 – 221 BCE), not having been recovered that early.

The Tao Te Ching is central to both philosophical and religious Taoism, and has been highly influential on Chinese philosophy and religious practice in general. It is generally taken as preceding the Zhuangzi, the other core Taoist text. Terminology originating within the text has been reinterpreted and elaborated upon by Legalist thinkers, Confucianists, and particularly Chinese Buddhists, introduced to China significantly after the initial solidification of Taoist thought. One of the most translated texts in world literature, the text is well known in the West.

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text and decision-making tool, became Cage's standard composition tool for the rest of his life. In a 1957 lecture, "Experimental Music", he described music as "a purposeless play" which is "an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living".

The Classic of Mountains and Seas, also known as Shanhai jing (Chinese: 山海经), formerly romanized as the Shan-hai Ching, is a Chinese classic text and a compilation of mythic geography and beasts. Early versions of the text may have existed since the 4th century BCE, but the present form was not reached until the early Han dynasty. It is largely a fabulous geographical and cultural account of pre-Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels.