Chinese character strokes in the context of "Simplified Chinese characters"

⭐ In the context of Simplified Chinese characters, a primary method for creating these new forms involved alterations to what fundamental element of the character?

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⭐ Core Definition: Chinese character strokes

Strokes (simplified Chinese: 笔画; traditional Chinese: 筆畫; pinyin: bǐhuĆ ) are the smallest structural units making up written Chinese characters. In the act of writing, a stroke is defined as a movement of a writing instrument on a writing material surface, or the trace left on the surface from a discrete application of the writing implement. The modern sense of discretized strokes first came into being with the clerical script during the Han dynasty. In the regular script that emerged during the Tang dynasty—the most recent major style, highly studied for its aesthetics in East Asian calligraphy—individual strokes are discrete and highly regularized. By contrast, the ancient seal script has line terminals within characters that are often unclear, making them non-trivial to count.

Study and classification of strokes is useful for understanding Chinese character calligraphy, ensuring character legibility, identifying fundamental components of radicals, and implementing support for the writing system on computers.

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šŸ‘‰ Chinese character strokes in the context of Simplified Chinese characters

Simplified Chinese characters are one of two standardized character sets widely used to write the Chinese language, with the other being traditional characters. Their mass standardization during the 20th century was part of an initiative by the People's Republic of China (PRC) to promote literacy, and their use in ordinary circumstances on the mainland has been encouraged by the Chinese government since the 1950s. They are the standard forms used in mainland China, Malaysia, and Singapore, while traditional characters are officially used in Hong Kong, Macau, and Taiwan.

Simplification of a component—either a character or a sub-component called a radical—usually involves either a reduction in its total number of strokes, or an apparent streamlining of which strokes are chosen in what places—for example, the ⼓ 'WRAP' radical used in the traditional character ę²’ is simplified to ā¼ā€„'TABLE' to form the simplified character ę²”. By systematically simplifying radicals, large swaths of the character set are altered. Some simplifications were based on popular cursive forms that embody graphic or phonetic simplifications of the traditional forms. In addition, variant characters with identical pronunciation and meaning were reduced to a single standardized character, usually the simplest among all variants in form. Finally, many characters were left untouched by simplification and are thus identical between the traditional and simplified Chinese orthographies.

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Chinese character strokes in the context of Hanzi

Chinese characters, also known as Han characters, Chinese script or Hanzi, are logographs used to write the Chinese languages and other Far Eastern languages from regions historically influenced by Chinese culture such as Japanese, Korean and (pre-colonial) Vietnamese. Unlike letters in the alphabets of most languages, which only transcribe the phonetics (phonemes) of speech (i.e. are phonegraphs), Chinese characters generally represent morphemes, the basic units of meaning in a language, thus making them the linguistic equivalent of words rather than letters, while the majority of "words" in the Chinese lexicon are in fact compounds and phrasemes (short phrases). The pronunciation of Chinese characters is transcribed phonetically via separate (usually romanized) transliteration systems such as the Pinyin, Zhuyin, Jyutping, Wade–Giles or Yale system.

At the most basic level, Chinese characters are composed of strokes (the actual linguistic equivalent of letters), which are written in a fixed stroke order for each character. The strokes are then organized into radicals, which are the fundamental root components that represent either a semantic feature or a homophone (often based on the Middle Chinese pronunciations) of the character. Historically, methods of writing characters have included carving inscriptions on stone, animal bones (usually turtle shells) or bronze; drawing ink onto bamboo slips, fabric (typically silk) or paper; and printing with woodblocks or moveable type. Technologies invented since the 19th century to facilitate the use of characters include telegraph codes and typewriters, as well as input methods and text encodings on computers.

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