Chinese calligraphy in the context of Chinese garden

Written Chinese is a writing system that uses Chinese characters and other symbols to represent the Chinese languages. Chinese characters do not directly represent pronunciation, unlike letters in an alphabet or syllabograms in a syllabary. Rather, the writing system is morphosyllabic: characters are one spoken syllable in length, but generally correspond to morphemes in the language, which may either be independent words, or part of a polysyllabic word. Most characters are constructed from smaller components that may reflect the character's meaning or pronunciation. Literacy requires the memorization of thousands of characters; college-educated Chinese speakers know approximately 4,000. This has led in part to the adoption of complementary transliteration systems (generally Pinyin) as a means of representing the pronunciation of Chinese.

Chinese writing is first attested during the late Shang dynasty (c. 1250 – c. 1050 BCE), but the process of creating characters is thought to have begun centuries earlier during the Late Neolithic and early Bronze Age (c. 2500–2000 BCE). After a period of variation and evolution, Chinese characters were standardized under the Qin dynasty (221–206 BCE). Over the millennia, these characters have evolved into well-developed styles of Chinese calligraphy. As the varieties of Chinese diverged, a situation of diglossia developed, with speakers of mutually unintelligible varieties able to communicate through writing using Literary Chinese. In the early 20th century, Literary Chinese was replaced in large part with written vernacular Chinese, largely corresponding to Standard Chinese, a form based on the Beijing dialect of Mandarin. Although most other varieties of Chinese are not written, there are traditions of written Cantonese, written Shanghainese and written Hokkien, among others.

The clerical script (traditional Chinese: 隸書; simplified Chinese: 隶书; pinyin: lìshū), sometimes also chancery script, is a style of Chinese writing that evolved from the late Warring States period to the Qin dynasty. It matured and became dominant in the Han dynasty, and remained in active use through the Six Dynasties period. In its development, it departed significantly from the earlier scripts in terms of graphic structures (a process known as libian), and was characterized by its rectilinearity, a trait shared with the later regular script.

Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy, the term clerical often refers to a specific calligraphic style that is typical of a subtype of the clerical script, the Han clerical (汉隶; 漢隸) or bafen (八分) script. This style is characterized by the squat character shapes, and its "wavy" appearance due to the thick, pronounced and slightly downward tails that are up-tilted at the ends.

A Chinese writing brush (traditional Chinese: 毛筆; simplified Chinese: 毛笔; pinyin: máo bǐ) is a paintbrush used as a writing tool in Chinese calligraphy as well as in Japanese, Korean, and Vietnamese which all have roots in Chinese calligraphy. They are also used in Chinese painting and other brush painting styles. The ink brush was invented in China around 300 B.C. Together with the inkstone, inkstick and Xuan paper, these four writing implements form the Four Treasures of the Study.

Strokes (simplified Chinese: 笔画; traditional Chinese: 筆畫; pinyin: bǐhuà) are the smallest structural units making up written Chinese characters. In the act of writing, a stroke is defined as a movement of a writing instrument on a writing material surface, or the trace left on the surface from a discrete application of the writing implement. The modern sense of discretized strokes first came into being with the clerical script during the Han dynasty. In the regular script that emerged during the Tang dynasty—the most recent major style, highly studied for its aesthetics in East Asian calligraphy—individual strokes are discrete and highly regularized. By contrast, the ancient seal script has line terminals within characters that are often unclear, making them non-trivial to count.

Study and classification of strokes is useful for understanding Chinese character calligraphy, ensuring character legibility, identifying fundamental components of radicals, and implementing support for the writing system on computers.

Cursive script (simplified Chinese: 草书; traditional Chinese: 草書; pinyin: cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script.

The cursive script functions primarily as a kind of shorthand script or calligraphic style and is faster to write than other styles, but it can be difficult to read for those unfamiliar with it because of its abstraction and alteration of character structures. People who can read only standard or printed forms of Chinese or related scripts may have difficulty reading the cursive script.

The Tangut script (Tangut: 𗼇𘝞; Chinese: 西夏文; pinyin: Xī Xià Wén; lit. 'Western Xia script') is a logographic writing system, formerly used for writing the extinct Tangut language of the Western Xia dynasty. According to the latest count, 5863 Tangut characters are known, excluding variants. The Tangut characters are similar in appearance to Chinese characters, with the same type of strokes, but the methods of forming characters in the Tangut writing system are significantly different from those of forming Chinese characters. As in Chinese calligraphy, regular, running, cursive and seal scripts were used in Tangut writing.

Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Song dynasty of China and the penultimate emperor of the Northern Song dynasty. He was also a very well-known painter, poet and calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan while Huizong assumed the honorary title of Taishang Huang (or "Retired Emperor"). The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family were taken captive by the Jurchens and brought back to the Jin capital, Huining Prefecture in 1128. The Emperor Taizong of Jin, gave the former Emperor Huizong a title, Duke Hunde (literally "Besotted Duke"), to humiliate him. After Zhao Gou, the only surviving son of Huizong to avoid capture by the Jin, declared himself as the dynasty's tenth emperor as Emperor Gaozong, the Jurchens used Huizong, Qinzong, and other imperial family members to put pressure on Gaozong and his court to surrender. Emperor Huizong died in Wuguocheng after spending about nine years in captivity. He, along with his successors, were blamed for the Song dynasty's decline.

Although he wasn't a competent administrator, Emperor Huizong was known for his promotion of Taoism and talents in poetry, painting, calligraphy and music. He sponsored numerous artists at his imperial court, and the catalogue of his collection listed over 6,000 known paintings.

Western calligraphy is the art of writing and penmanshipas practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions such as Turko-Perso-Arabic, Chinese or Indian calligraphy).

A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner." The story of writing is one of aesthetic development framed within the technical skills, transmission speed(s) and material limitations of a person, time and place.

The Chinese garden is a landscape garden style which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the imperial family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world. They create an idealized miniature landscape, which is meant to express the harmony that should exist between man and nature.

The art of Chinese garden integrates architecture, calligraphy and painting, sculpture, literature, gardening and other arts. It is a model of Chinese aesthetics, reflecting the profound philosophical thinking and pursuit of life of the Chinese people. Among them, Chengde Mountain Resort and the Summer Palace, which belong to royal gardens, and several of the Classical Gardens of Suzhou in Jiangsu Province, which belong to private gardens, are also included in the World Heritage List by UNESCO. Many essential elements are used in Chinese gardens, and Moon Gate is one of them.

Vietnamese calligraphy (Vietnamese alphabet: Thư pháp Việt Nam, chữ Hán: 書法越南) relates to the calligraphic traditions of Vietnam. It includes calligraphic works using a variety of scripts, including historical chữ Hán (Chinese characters), chữ Nôm (Vietnamese-derived characters), and the Latin-based Vietnamese alphabet. Historically, calligraphers used the former two scripts. However, due to the adoption of the Latin-based chữ Vietnamese alphabet, modern Vietnamese calligraphy also uses Latin script alongside chữ Hán Nôm.

Traditional Vietnamese calligraphy is strongly affected by that of China. Chữ Hán was often used as a literary language in ancient Vietnam, and as a result, Vietnamese calligraphy also used to follow Chinese calligraphy’s standard and used chữ Hán in many of its writings. For example, during the Lý dynasty, its style was similar to China’s Tang dynasty (618-907). During the Trần dynasty, it was influenced strongly by China’s Song (960-1279) and Yuan (1271-1368) dynasties.

Chinese painting (simplified Chinese: 中国画; traditional Chinese: 中國畫; pinyin: Zhōngguó huà) is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as guó huà (国画; 國畫), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called danqing (Chinese: 丹青; pinyin: dān qīng). Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media.

The two main techniques in Chinese painting are:

Xuan paper, Shuen paper, or rice paper, is a kind of paper originating in ancient China used for writing and painting. Xuan paper is renowned for being soft and fine-textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting.

Four Treasures of the Study is an expression used to denote the brush, ink, paper and ink stone used in Chinese calligraphy and spread into other East Asian calligraphic traditions. The name appears to originate in the time of the Southern and Northern Dynasties (420–589 AD).

Semi-cursive script, also known as running script, is a style of Chinese calligraphy that emerged during the Han dynasty (202 BC – 220 AD). The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. This makes the style easily readable by readers who can read regular script and quickly writable by calligraphers who require ideas to be written down quickly. In order to produce legible work using the semi-cursive style, a series of writing conventions is followed, including the linking of the strokes, simplification and merging strokes, adjustments to stroke order and the distribution of text of the work.

One of the most notable calligraphers who used this style was Wang Xizhi (303–361). Wang is known for the Lantingji Xu ('Preface to the Orchid Pavilion Collection'), a work published in 353 which remains highly influential to calligraphers throughout the Sinosphere. Semi-cursive script is prominent in modern Chinese society despite the lack of official education for it, a status aided by the introduction of fountain pens.