A Chinese writing brush (traditional Chinese: 毛筆; simplified Chinese: 毛笔; pinyin: máo bǐ) is a paintbrush used as a writing tool in Chinese calligraphy as well as in Japanese, Korean, and Vietnamese which all have roots in Chinese calligraphy. They are also used in Chinese painting and other brush painting styles. The ink brush was invented in China around 300 B.C. Together with the inkstone, inkstick and Xuan paper, these four writing implements form the Four Treasures of the Study.
Calligraphy (from Ancient Greek καλλιγραφία (kalligraphía) 'beautiful writing') is a visual art related to writing. It involves the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practice is often defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
In East Asia and the Islamic world, calligraphy is a highly respected art form. Its visual form is often influenced by the meaning of the text or the individual words.
Dehua porcelain (Chinese: 德化陶瓷; pinyin: Déhuà Táocí; Pe̍h-ōe-jī: Tek-hòe hûi), more traditionally known in the West as Blanc de Chine (French for "White from China"), is a type of white Chinese porcelain, made at Dehua in the Fujian province. It has been produced from the Ming dynasty (1368–1644) to the present day. Large quantities arrived in Europe as Chinese export porcelain in the early 18th century and it was copied at Meissen and elsewhere. It was also exported to Japan in large quantities. In 2021, the kilns of Dehua were inscribed on the UNESCO World Heritage List along with many other sites near Quanzhou for their importance for medieval maritime trade and the exchange of cultures and ideas around the world.
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from right-to-left, vertically from top-to-bottom, and even vertically from bottom-to-top.
Traditionally, written Chinese, Vietnamese, Korean, and Japanese are written vertically in columns going from top to bottom and ordered from right to left, with each new column starting to the left of the preceding one. The stroke order and stroke direction of Chinese characters, Vietnamese chữ Nôm, Korean hangul, and kana all facilitate writing in this manner. In addition, writing in vertical columns from right to left facilitated writing with a brush in the right hand while continually unrolling the sheet of paper or scroll with the left. Since the nineteenth century, it has become increasingly common for these languages to be written horizontally, from left to right, with successive rows going from top to bottom, under the influence of European languages such as English, although vertical writing is still frequently used in Hong Kong, Japan, Korea, Macau, and Taiwan.
A camel-hair brush is a type of paintbrush with soft bristles made from natural hairs, usually squirrel. Actual camel hair is not a suitable material, although historically camel was used for ancient Chinese ink brushes (and for camel hair cloth). It is a widely used brush in art, but is considered inferior to the more expensive sable and ox-hair brushes. In some niche applications, such as pinstriping, camel hair is an ideal brush. Camel-hair brushes have numerous uses outside of art, particularly dusting where a soft brush is needed for delicate objects or skin.
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà) is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment.In practice a talented painter often had an advantage in climbing the bureaucratic ladder. In Korea, painters were less segregated, and more willing to paint in two techniques, such as mixing areas of colour with monochrome ink, for example in painting the faces of figures.
Inksticks (Chinese: 墨; pinyin: ) or ink cakes are a type of solid Chinese ink used traditionally in several Chinese and East Asian art forms such as calligraphy and brush painting. Inksticks are made mainly of soot and animal glue, sometimes with incense or medicinal scents added. To make ink, the inkstick is ground against an inkstone with a small quantity of water to produce a dark liquid which is then applied with an ink brush. By adjusting the strength and duration of the ink grinding process, artists and calligraphers may adjust the concentration of the produced ink to suit their tastes.
Along with the inkstone, ink brush, and paper, the inkstick is considered one of the Four Treasures of the Study of classical Chinese literary culture.
Four Treasures of the Study is an expression used to denote the brush, ink, paper and ink stone used in Chinese calligraphy and spread into other East Asian calligraphic traditions. The name appears to originate in the time of the Southern and Northern Dynasties (420–589 AD).
Calligraphy (from Ancient Greek καλλιγραφία (kalligraphía) 'beautiful writing') is a visual art related to writing. It involves the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practices are often defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
In East Asia and the Islamic world, calligraphy is an important element in art. Its visual form is often influenced by the meaning of the text or the individual words.