Child Jesus in the context of "Nativity of Jesus in art"

A Hodegetria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for mankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. Metals are often used to draw attention to young Christ, reflecting light and shining in a way to embody divinity. In the Western Church this type of icon is sometimes called Our Lady of the Way.

The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. The painting became known as the Madonna of Constantinople. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the wife of emperor Theodosius II (408–450), and to have been painted by Saint Luke the evangelist, the attributed author of the Gospel of Luke. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult object in Byzantium".

In Christian art, a Madonna (Italian: [maˈdɔnna]) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.

The term Madonna in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as Theotokos. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, where she is the focus and central figure of the image, possibly flanked or surrounded by angels or saints. Other types of Marian imagery that have a narrative context, depicting scenes from the Life of the Virgin, e.g. the Annunciation to Mary, are not typically called "Madonna".

The Virgin of the Rocks (Italian: Vergine delle rocce), sometimes the Madonna of the Rocks, is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details. The version generally considered the prime version, the earlier of the two, is unrestored and hangs in the Louvre in Paris. The other, which was restored between 2008 and 2010, hangs in the National Gallery, London. The works are often known as the Louvre Virgin of the Rocks and London Virgin of the Rocks respectively. The paintings are both nearly 2 metres (over 6 feet) high and are painted in oils. Both were originally painted on wooden panels, but the Louvre version has been transferred to canvas.

Both paintings show the Virgin Mary and child Jesus with the infant John the Baptist and an angel Uriel, in a rocky setting which gives the paintings their usual name. The significant compositional differences are in the gaze and right hand of the angel. There are many minor ways in which the works differ, including the colours, the lighting, the flora, and the way in which sfumato has been used. Although the date of an associated commission is documented, the complete histories of the two paintings are unknown, leading to speculation about which of the two is earlier.

The Virgin and Child with Saint Anne (Italian: Sant'Anna, la Vergine e il Bambino con l'agnellino) is an unfinished oil painting by High Renaissance artist Leonardo da Vinci, dated to c. 1501–1519. It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. Christ is shown grasping a sacrificial lamb symbolizing his Passion. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.

The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on, but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the first bishop of New France, who founded a confraternity.

The Gospels speak little of the life of the Holy Family in the years before Jesus' public ministry. Matthew and Luke narrate the episodes from this period of Christ's life, namely his circumcision and later Presentation, the flight to Egypt, the return to Nazareth, and the Finding in the Temple. Joseph and Mary were apparently observant Jews, as Luke narrates that they brought Jesus with them on the annual pilgrimage to Jerusalem with other Jewish families.

The Señor Santo Niño de Cebú is a Catholic title of the Child Jesus associated with a religious image of the Christ Child widely venerated as miraculous by Filipino Catholics. It is the oldest Christian artifact in the Philippines, originally a gift from the Conquistador Ferdinand Magellan to Rajah Humabon (baptized as Carlos) and his wife and chief consort, Hara Humamay (baptized as Juana) on account of their Christian baptism in 1521. The image is the only canonically crowned image of Jesus Christ in the Philippines.

The dark wood statue measures approximately 12 inches (30 cm) tall, and carved in the Flemish style. It depicts the Child Jesus, with a serene countenance, in the attitude and dress of a Spanish monarch. The statue bears imperial regalia, including a golden crown, toison de oro, globus cruciger, and various sceptres, wears fine vestments, and possesses jewelry mostly offered by devotees over several centuries.

The Infant Jesus of Prague (Czech: Pražské Jezulátko: Spanish: Niño Jesús de Praga) is a 16th-century wax-coated wooden statue of the Child Jesus holding a globus cruciger of Spanish origin, now located in the Discalced Carmelite Church of Our Lady of Victories in Malá Strana, Prague, Czech Republic. First appearing in 1556, pious legends claim that the statue once belonged to Teresa of Ávila and was consequently donated to the Carmelite friars by Princess Polyxena of Lobkowicz in 1628.

The divine image is routinely clothed by the Carmelite nuns in luxurious fabrics with imperial regalia and a golden crown while his left hand holds a globus cruciger and the right hand is raised in a gesture of benediction. It is venerated on Christmas and the first Sunday of May commemorating both its centenary and "episcopal coronation" in 1655.