Charles VIII of France in the context of "Italian Wars"

The land of Provence has a history quite separate from that of any of the larger nations of Europe. Its independent existence has its origins in the frontier nature of the dukedom in Merovingian Gaul. In this position, influenced and affected by several different cultures on different sides, the Provençals maintained a unity which was reinforced when the region was made a separate kingdom during the Carolingian decline of the later ninth century. When Boso of Provence acquired the region in 879, it was known as Lower Burgundy until it was merged with Upper Burgundy in 933 to form the Kingdom of Arles. The counts of Arles began calling themselves "count of Provence"; although in name vassals, they were de facto autonomous princes. After 1032, the county was part of the Holy Roman Empire.

In the eleventh century, Provence became disputed between the traditional line and the counts of Toulouse, who claimed the title of "Margrave of Provence". In the High Middle Ages, the title of Count of Provence belonged to local families of Frankish origin, from 1112 to 1245 to the House of Barcelona (a cadet branch of the House of Aragón), from 1245 to 1382 to the House of Anjou, and from 1382 to 1481 to a cadet branch of the House of Valois. It was inherited by King Louis XI of France in 1481, and definitively incorporated into the French royal domain by his son Charles VIII in 1487.

Louis XII (27 June 1462 – 1 January 1515), also known as Louis of Orléans was King of France from 1498 to 1515 and King of Naples (as Louis III) from 1501 to 1504. The son of Charles, Duke of Orléans, and Marie of Cleves, he succeeded his second cousin once removed and brother-in-law, Charles VIII, who died childless in 1498.

Louis was the second cousin of King Louis XI, who compelled him to marry the latter's disabled and supposedly sterile daughter Joan. By doing so, Louis XI hoped to extinguish the Orléans cadet branch of the House of Valois. When Louis XII became king in 1498, he had his marriage with Joan annulled by Pope Alexander VI and instead married Anne, Duchess of Brittany, the widow of Charles VIII. This marriage allowed Louis to reinforce the personal Union of Brittany and France.

The union of the Duchy of Brittany with the Crown of France was the culmination of a political process begun at the end of the 15th century in the wake of the Mad War. It resulted in the Edict of Union of 13 August 1532 and the incorporation of the duchy into the Crown lands of France, a critical step in the formation of modern-day France.

As a territorial principality of the Kingdom of France, Brittany had enjoyed varying degrees of autonomy since Clovis I was given authority over the Gallo-Roman domain during the 5th century. It was first recorded as a "duchy" during the rule of Nominoe in 846, in likely recognition of Carolingian overlordship. Over the centuries, the fealty demonstrated by the Duchy of Brittany toward the French king depended significantly on the individuals holding the two titles, as well as the involvement of the English monarchy at that particular time. The reign of Francis II, Duke of Brittany, was at an especially crucial time, as the nobles struggled to maintain their autonomy against the increasing central authority desired by Louis XI. As a result of several wars, treaties, and papal decisions, Brittany was united with France through the eventual marriage of Louis XI's son Charles VIII to the heiress of Brittany, Anne in 1491. However, because of the different systems of inheritance between the two realms, the crown and the duchy were not held by the same hereditary claimant until the reign of Henry II, beginning 1547.

French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture. The style was originally imported from Italy after the Hundred Years' War by the French kings Charles VII, Louis XI, Charles VIII, Louis XII and François I. Several notable royal châteaux in this style were built in the Loire Valley, notably the Château de Montsoreau, the Château de Langeais, the Château d'Amboise, the Château de Blois, the Château de Gaillon and the Château de Chambord, as well as, closer to Paris, the Château de Fontainebleau.

This style of French architecture had two distinct periods. During the first period, between about 1491 and 1540, the Italian style was copied directly, often by Italian architects and craftsmen. In the second period, between 1540 and the end of the Valois dynasty in 1589, French architects and craftsmen gave the style a more distinctive and original French character.

French Renaissance literature is, for the purpose of this article, literature written in French (Middle French) from the French invasion of Italy in 1494 to 1600, or roughly the period from the reign of Charles VIII of France to the ascension of Henry IV of France to the throne. The reigns of Francis I (from 1515 to 1547) and his son Henry II (from 1547 to 1559) are generally considered the apex of the French Renaissance. After Henry II's unfortunate death in a joust, the country was ruled by his widow Catherine de' Medici and her sons Francis II, Charles IX and Henry III, and although the Renaissance continued to flourish, the French Wars of Religion between Huguenots and Catholics ravaged the country.

Johannes Ockeghem (c. 1410 – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—a prominent European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School.

Ockeghem was well associated with other prominent composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well-known Nymphes des bois for him.

The tomb of Philippe Pot is a funerary monument in the Louvre in Paris. It was commissioned by the military leader and diplomat Philippe Pot around the year 1480 to be used for his burial at the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, Dijon, France. His effigy shows him recumbent on a slab, his hands raised in prayer, and wearing armour and a heraldic tunic. The eight mourners (pleurants) are dressed in black hoods and act as pallbearers carrying him towards his grave. Pot commissioned the tomb when he was around 52 years old, 13 years before he died in 1493. The detailed inscriptions on the slab's sides emphasise his achievements and social standing.

Pot was a godson of Philip the Good and became a knight of the Golden Fleece. He served under two of the last Valois Dukes of Burgundy, Philip the Good and Charles the Bold. After the latter's defeat by René II, Duke of Lorraine at the Battle of Nancy in 1477, Pot switched allegiance to the French king, Louis XI, who appointed him grand seneschal of Burgundy. After the king died in 1483, Pot served under Louis's son, Charles VIII.

The Treaty of Senlis concerning the Burgundian succession was signed at the French city of Senlis on 23 May 1493, between King Charles VIII of France and Maximilian I, at the time King of the Romans and future Holy Roman Emperor, who acted on behalf of his young son Philip the Handsome, the Habsburg claimant to the Burgundian inheritance. The treaty contained 48 clauses, dealing with various political, dynastic and territorial questions that were previously addressed by the Treaty of Arras (1482).