Charles H. Gabriel in the context of "His Eye Is on the Sparrow"

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👉 Charles H. Gabriel in the context of His Eye Is on the Sparrow

"His Eye Is on the Sparrow" is a gospel hymn written in 1905 by lyricist Civilla D. Martin and composer Charles H. Gabriel. Inspired by passages from the Bible, the song has become one of the most enduring and frequently recorded gospel standards. It is closely associated with actress-singer Ethel Waters, who used the title for her autobiography and helped popularize the hymn in the early 20th century. Over the decades, "His Eye Is on the Sparrow" has been recorded by numerous artists. Lauryn Hill and Tanya Blount's 1993 performance of the song in the film Sister Act 2: Back in the Habit became one of the most definitive renditions for modern audiences.

Mahalia Jackson's influential recording of the hymn was inducted into the Grammy Hall of Fame in 2010. Whitney Houston recorded a version for the soundtrack of the 2012 film Sparkle, which became a posthumous number one gospel single on the Billboard charts. The song was also covered by pop singer Jessica Simpson as the final track on her 2001 album Irresistible. A slightly altered version of the song, titled "His Eye Is on the Tiny Bird," was recorded by actress Violet Carson in 1972.

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Charles H. Gabriel in the context of E. O. Excell

Edwin Othello Excell (December 13, 1851 – June 10, 1921), commonly known as E. O. Excell, was a prominent American publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings during the late nineteenth and early twentieth centuries. Some of the significant collaborators in his vocal and publishing work included Sam P. Jones, William E. Biederwolf, Gipsy Smith, Charles Reign Scoville, J. Wilbur Chapman, W. E. M. Hackleman, Charles H. Gabriel and D. B. Towner.

His 1909 stanza selection and arrangement of "Amazing Grace" became the most widely used and familiar setting of that hymn by the second half of the twentieth century. The influence of his sacred music on American popular culture through revival meetings, religious conventions, circuit chautauquas, and church hymnals was substantial enough by the 1920s to garner a satirical reference by Sinclair Lewis in the novel Elmer Gantry.

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