Amazing Grace in the context of "E. O. Excell"

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👉 Amazing Grace in the context of E. O. Excell

Edwin Othello Excell (December 13, 1851 – June 10, 1921), commonly known as E. O. Excell, was a prominent American publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings during the late nineteenth and early twentieth centuries. Some of the significant collaborators in his vocal and publishing work included Sam P. Jones, William E. Biederwolf, Gipsy Smith, Charles Reign Scoville, J. Wilbur Chapman, W. E. M. Hackleman, Charles H. Gabriel and D. B. Towner.

His 1909 stanza selection and arrangement of "Amazing Grace" became the most widely used and familiar setting of that hymn by the second half of the twentieth century. The influence of his sacred music on American popular culture through revival meetings, religious conventions, circuit chautauquas, and church hymnals was substantial enough by the 1920s to garner a satirical reference by Sinclair Lewis in the novel Elmer Gantry.

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Amazing Grace in the context of Judy Collins

Judith Marjorie Collins (born May 1, 1939) is an American singer-songwriter and musician with a career spanning nearly seven decades. An Academy Award-nominated documentary director and a Grammy Award-winning recording artist, she is known for her eclectic tastes in the material she records (which has included folk music, country, show tunes, pop music, rock and roll and standards), for her social activism, and for the clarity of her voice. Her discography consists of 36 studio albums, nine live albums, numerous compilation albums, four holiday albums, and 21 singles.

Collins' debut studio album, A Maid of Constant Sorrow, was released in 1961 and consisted of traditional folk songs. She had her first charting single with "Hard Lovin' Loser" (No. 97) from her fifth studio album In My Life (1966), but it was the lead single from her sixth studio album Wildflowers (1967), "Both Sides, Now" – written by Joni Mitchell – that gave her international prominence. The single reached No. 8 on the Billboard Pop Singles chart and won Collins her first Grammy Award for Best Folk Performance. She enjoyed further success with her recordings of "Someday Soon", "Chelsea Morning" (also written by Mitchell), "Amazing Grace", "Turn! Turn! Turn!", and "Cook with Honey".

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