Ceremonial magic in the context of "Thelema"

Theurgy (/ˈθiːɜːrdʒi/; Ancient Greek: θεουργία, theourgía), also known as divine magic, is one of two major branches of the magical arts, the other being practical magic or thaumaturgy. Theurgy describes the ritual practices associated with the invocation or evocation of the presence of one or more deities, especially with the goal of achieving henosis (uniting with the divine) and perfecting oneself.

In ceremonial magic, a magical formula or a word of power is a word that is believed to have specific supernatural effects. They are words whose meaning illustrates principles and degrees of understanding that are often difficult to relay using other forms of speech or writing. It is a concise means to communicate very abstract information through the medium of a word or phrase.

These words often have no intrinsic meaning in and of themselves. However, when deconstructed, each individual letter may refer to some universal concept found in the system in which the formula appears. Additionally, in grouping certain letters together one is able to display meaningful sequences that are considered to be of value to the spiritual system that utilizes them (e.g., spiritual hierarchies, historiographic data, or psychological stages).

A grimoire (/ɡrɪmˈwɑːr/) (also known as a book of spells, magic book, or a spellbook) is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets; how to perform magical spells, charms, and divination; and how to summon or invoke supernatural entities such as angels, spirits, deities, and demons. In many cases, the books themselves are believed to be imbued with magical powers. The only contents found in a grimoire are information on spells, rituals, the preparation of magical tools, and lists of ingredients and their magical correspondences. In this manner, while all books on magic could be thought of as grimoires, not all magical books should be thought of as grimoires.

While the term grimoire is originally European—and many Europeans throughout history, particularly ceremonial magicians and cunning folk, have used grimoires—the historian Owen Davies has noted that similar books can be found all around the world, ranging from Jamaica to Sumatra. He also noted that in this sense, the world's first grimoires were created in Europe and the ancient Near East.

Natural magic in the context of Renaissance magic is that part of the occult which deals with natural forces directly, as opposed to ceremonial magic which deals with the summoning of spirits. Natural magic sometimes makes use of physical substances from the natural world such as stones or herbs.

Natural magic so defined includes astrology, alchemy, and certain disciplines that would today be considered fields of natural science, such as astronomy and chemistry (divergently evolved from astrology and alchemy, respectively) or botany (from herbology). Jesuit scholar Athanasius Kircher wrote that "there are as many types of natural magic as there are subjects of applied sciences".

Éliphas Lévi Zahed, born Alphonse Louis Constant (8 February 1810 – 31 May 1875), was a French esotericist, poet, and writer. Initially pursuing an ecclesiastical career in the Catholic Church, he abandoned the priesthood in his mid-twenties and became a ceremonial magician. At the age of 40, he began professing knowledge of the occult. He wrote over 20 books on magic, Kabbalah, alchemical studies, and occultism.

The pen name "Éliphas Lévi" was an adaptation of his given names "Alphonse Louis" into Hebrew. Levi gained renown as an original thinker and writer, his works attracting attention in Paris and London among esotericists and artists of romantic or symbolist inspiration. He left the Grand Orient de France (the French Masonic organization that originated Continental Freemasonry) in the belief that the original meanings of its symbols and rituals had been lost. "I ceased being a freemason, at once, because the Freemasons, excommunicated by the Pope, did not believe in tolerating Catholicism ... [and] the essence of Freemasonry is the tolerance of all beliefs."

Samuel Liddell (or Liddel) MacGregor Mathers (8 January 1854 – 5 or 20 November 1918), born Samuel Liddell Mathers, was a British occultist and member of the S.R.I.A. He is primarily known as one of the three founders of the Hermetic Order of the Golden Dawn, a ceremonial magic order of which offshoots still exist. He became so synonymous with the order that Golden Dawn scholar Israel Regardie observed in retrospect that "the Golden Dawn was MacGregor Mathers."

50°41′20″N 4°41′31″W / 50.689°N 4.692°W / 50.689; -4.692

The Museum of Witchcraft and Magic, formerly known as the Museum of Witchcraft, is a museum dedicated to European witchcraft and magic located in the village of Boscastle in Cornwall, south-west England. It houses exhibits devoted to folk magic, ceremonial magic, Freemasonry, and Wicca, with its collection of such objects having been described as the largest in the world.

The cunning folk were professional or semi-professional practitioners of magic in Europe from the medieval period through the early 20th century. In Britain they were known by a variety of names in different regions of the country, including wise men and wise women, pellars, wizards, dyn hysbys, and sometimes white witches.

These people practised folk and low magic – although often combined with elements of "high" or ceremonial magic – which they learned through the study of grimoires. Primarily using spells and charms as a part of their profession, they were most commonly employed to use their magic to combat malevolent witchcraft, to locate criminals, missing persons or stolen property, for fortune telling, for healing, for treasure hunting and to influence people to fall in love. Belonging "to the world of popular belief and custom", the cunning folk's magic has been defined as being "concerned not with the mysteries of the universe and the empowerment of the magus [as ceremonial magic usually is], so much as with practical remedies for specific problems." However, other historians have noted that in some cases, there was apparently an "experimental or 'spiritual' dimension" to their magical practices, something which was possibly shamanic in nature.

Doreen Edith Dominy Valiente (4 January 1922 – 1 September 1999) was an English Wiccan who was responsible for writing much of the early religious liturgy within the tradition of Gardnerian Wicca. An author and poet, she also published five books dealing with Wicca and related esoteric subjects.

Born to a middle-class family in Surrey, Valiente began practising magic while a teenager. Working as a translator at Bletchley Park during the Second World War, she also married twice in this period. Developing her interest in occultism after the war, she began practising ceremonial magic with a friend while living in Bournemouth. Learning of Wicca, in 1953 she was initiated into the Gardnerian tradition by its founder, Gerald Gardner. Soon becoming the High Priestess of Gardner's Bricket Wood coven, she helped him to produce or adapt many important scriptural texts for Wicca, such as The Witches Rune and the Charge of the Goddess, which were incorporated into the early Gardnerian Book of Shadows. In 1957, a schism resulted in Valiente and her followers leaving Gardner in order to form their own short-lived coven. After investigating the Wiccan tradition of Charles Cardell, she was initiated into Raymond Howard's Coven of Atho in 1963. She went on the following year to work with Robert Cochrane in his coven, the Clan of Tubal Cain, although she later broke from this group.