Éliphas Lévi in the context of "Ceremonial magic"

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⭐ Core Definition: Éliphas Lévi

Éliphas Lévi Zahed, born Alphonse Louis Constant (8 February 1810 – 31 May 1875), was a French esotericist, poet, and writer. Initially pursuing an ecclesiastical career in the Catholic Church, he abandoned the priesthood in his mid-twenties and became a ceremonial magician. At the age of 40, he began professing knowledge of the occult. He wrote over 20 books on magic, Kabbalah, alchemical studies, and occultism.

The pen name "Éliphas Lévi" was an adaptation of his given names "Alphonse Louis" into Hebrew. Levi gained renown as an original thinker and writer, his works attracting attention in Paris and London among esotericists and artists of romantic or symbolist inspiration. He left the Grand Orient de France (the French Masonic organization that originated Continental Freemasonry) in the belief that the original meanings of its symbols and rituals had been lost. "I ceased being a freemason, at once, because the Freemasons, excommunicated by the Pope, did not believe in tolerating Catholicism ... [and] the essence of Freemasonry is the tolerance of all beliefs."

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Éliphas Lévi in the context of Occult

The occult (from Latin occultus 'hidden, secret') is a category of esoteric or supernatural beliefs and practices which generally fall outside the scope of organized religion and science, encompassing phenomena involving a 'hidden' or 'secret' agency, such as magic and mysticism. It can also refer to paranormal ideas such as extra-sensory perception and parapsychology.

The term occult sciences was used in 16th-century Europe to refer to astrology, alchemy, and natural magic. The term occultism emerged in 19th-century France, among figures such as Antoine Court de Gébelin. It came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus, and in 1875 was introduced into the English language by the esotericist Helena Blavatsky.

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Éliphas Lévi in the context of Pentacle

A pentacle (also spelled and pronounced as pantacle in Thelema, following Aleister Crowley, though that spelling ultimately derived from Éliphas Lévi) is a talisman that is used in magical evocation, and is usually made of parchment, paper, cloth, or metal (although it can be of other materials), upon which a magical design is drawn. Symbols may also be included (sometimes on the reverse), a common one being the six-point form of the Seal of Solomon.

Pentacles may be sewn to the chest of one's garment, or may be flat objects that hang from one's neck or are placed flat upon the ground or altar. Pentacles are almost always shaped as disks or flat circles. In the Hermetic Order of the Golden Dawn, though, a pentacle is placed within the triangle of evocation.

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Éliphas Lévi in the context of Baphomet

Baphomet is a figure rooted in the occult and Western esoteric traditions. The name first emerged in the 14th century during the Trials of the Knights Templar, when the order was accused of heresy for worshipping Baphomet as a demonic idol. Baphomet was reimagined by 19th century occultists amidst renewed debate over the suppression of the Templars.

The modern popular image of Baphomet was established by Éliphas Lévi in his 1856 work Dogme et Rituel de la Haute Magie. His Sabbatic Goat illustration depicts a winged, androgynous human-goat hybrid, a deliberate synthesis of binary opposites designed to represent the concept of perfect equilibrium. This Baphomet is a recurring symbol of occultism, widely adapted to represent the reconciliation of opposites, esoteric knowledge, and the summation of the universe.

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