Catherine Deneuve in the context of "Mississippi Mermaid"

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👉 Catherine Deneuve in the context of Mississippi Mermaid

Mississippi Mermaid (French: La Sirène du Mississipi) is a 1969 romantic crime drama film written and directed by François Truffaut and starring Jean-Paul Belmondo and Catherine Deneuve. Adapted from the 1947 novel Waltz into Darkness by William Irish, the film follows a tobacco planter on the island of Réunion who becomes engaged through correspondence to a woman he does not know. When she arrives, it is not the same woman in the photo, but he marries her anyway.

Shot in Southern France and on Réunion, Mississippi Mermaid was the 16th highest-grossing film of 1969 in France, with a total of 1,227,657 admissions. It was remade in 2001 as Original Sin, directed by Michael Cristofer and starring Angelina Jolie and Antonio Banderas.

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Catherine Deneuve in the context of Golden Lion for Lifetime Achievement

The Golden Lion for Lifetime Achievement (Italian: Leone d'oro alla carriera, lit. 'Career Golden Lion') is an award given at the Venice Film Festival. It is awarded to directors, actors and other personalities from the world of cinema who have distinguished themselves in the art. It joins the Golden Lion, the festival's highest prize, which is instead awarded to a film in competition.

Among the winners include filmmakers such as Charlie Chaplin, Orson Welles, Ingmar Bergman, Billy Wilder, Stanley Kubrick, Woody Allen, Martin Scorsese, Steven Spielberg, David Lynch, Hayao Miyazaki, and Pedro Almodovar and actors which include Sophia Loren, Catherine Deneuve, Robert De Niro, Dustin Hoffman, Jane Fonda, Al Pacino, Julie Andrews, and Tilda Swinton as well many other figures of international film.

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Catherine Deneuve in the context of The Last Metro

The Last Metro (French: Le Dernier Métro) is a 1980 period drama film, co-written and directed by François Truffaut, that stars Catherine Deneuve and Gérard Depardieu.

Set in Nazi-occupied Paris in 1942, the film follows the fortunes of a small theatre in the Montmartre quarter which keeps up passive resistance by maintaining its cultural integrity, despite censorship, antisemitism and material shortages. The title evokes two salient facts of city life under the Germans: fuel shortages led people to spend their evenings in theatres and other places of entertainment, but the curfew meant they had to catch the last Métro train home.

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