Sophia Loren in the context of "Golden Lion for Lifetime Achievement"

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⭐ Core Definition: Sophia Loren

Sofia Costanza Brigida Villani Scicolone (Italian: [soˈfiːa vilˈlaːni ʃʃikoˈloːne]; born 20 September 1934), known professionally as Sophia Loren (/ləˈrɛn/ lə-REN, Italian: [ˈlɔːren]), is an Italian actress, active in her native country and the United States. With a career spanning over 70 years, she is one of the last surviving major stars from the Golden Age of Hollywood cinema.

Encouraged to enroll in acting lessons after entering a beauty pageant, Loren began her film career at age 16 in 1950. She appeared in several bit parts and minor roles in the early part of the decade, until her five-picture contract with Paramount in 1956 launched her international career. Her film appearances around this time include The Pride and the Passion, Houseboat, and It Started in Naples. During the 1950s, she starred in films as a sexually emancipated persona and was one of the best known sex symbols of the time.

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👉 Sophia Loren in the context of Golden Lion for Lifetime Achievement

The Golden Lion for Lifetime Achievement (Italian: Leone d'oro alla carriera, lit.'Career Golden Lion') is an award given at the Venice Film Festival. It is awarded to directors, actors and other personalities from the world of cinema who have distinguished themselves in the art. It joins the Golden Lion, the festival's highest prize, which is instead awarded to a film in competition.

Among the winners include filmmakers such as Charlie Chaplin, Orson Welles, Ingmar Bergman, Billy Wilder, Stanley Kubrick, Woody Allen, Martin Scorsese, Steven Spielberg, David Lynch, Hayao Miyazaki, and Pedro Almodovar and actors which include Sophia Loren, Catherine Deneuve, Robert De Niro, Dustin Hoffman, Jane Fonda, Al Pacino, Julie Andrews, and Tilda Swinton as well many other figures of international film.

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Sophia Loren in the context of Quo Vadis (1951 film)

Quo Vadis (Latin for "Where are you going?") is a 1951 American religious epic historical film set in ancient Rome during the final years of Emperor Nero's reign, based on the 1896 novel of the same title by Polish Nobel Laureate author Henryk Sienkiewicz. Produced by Metro-Goldwyn-Mayer and filmed in Technicolor, it was directed by Mervyn LeRoy from a screenplay by S. N. Behrman, Sonya Levien, and John Lee Mahin. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars Robert Taylor, Deborah Kerr, Leo Genn, and Peter Ustinov, and features Patricia Laffan, Finlay Currie, Abraham Sofaer, Marina Berti, Buddy Baer, and Felix Aylmer. Future Italian stars Sophia Loren and Bud Spencer appeared as uncredited extras. The score is by Miklós Rózsa and the cinematography by Robert Surtees and William V. Skall. The film was released by Metro-Goldwyn-Mayer on November 2, 1951.

The story, set between 64 and 68 AD, combines both historical and fictional events and characters, and compresses the key events of that period into the space of only a few weeks. Its main theme is the Roman Empire’s conflict with Christianity and persecution of Christians in the final years of the Julio-Claudian line. Unlike his illustrious and powerful predecessor, Emperor Claudius, Nero proved corrupt and destructive, and his actions eventually threatened to destroy Rome's previously peaceful social order. The title refers to an incident in the apocryphal Acts of Peter.

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Sophia Loren in the context of Marriage Italian Style

Marriage Italian Style (Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 romantic comedy-drama film directed by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni.

The film was adapted by Leonardo Benvenuti, Renato Castellani, Piero De Bernardi, and Tonino Guerra from the play Filumena Marturano by Eduardo De Filippo. Filumena Marturano had previously been adapted as a 1950 Argentine film.

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Sophia Loren in the context of MSC Poesia

MSC Poesia is a cruise ship owned and operated by MSC Cruises. She was built in 2008 by the Aker Yards shipyard in St. Nazaire, France. She is a sister ship to MSC Musica, MSC Orchestra, and MSC Magnifica. She is the first ship in the MSC Cruises fleet to be officially named outside Italy, at the Port of Dover, Kent on 5 April 2008, by Sophia Loren.

MSC Poesia was the flagship of the company until she was displaced by MSC Fantasia, which entered service in December 2008. In 2008 and 2009, MSC Poesia sailed on a series of 7-night cruises from Venice to Italy, Greece and Turkey. Since 2010 the ship sails in Northern Europe during the summer season.

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Sophia Loren in the context of Marcello Mastroianni

Marcello Vincenzo Domenico Mastroianni Cavaliere di Gran Croce OMRI (26 September 1924 – 19 December 1996) was an Italian actor. He is generally regarded as one of Italy's most iconic male performers of the 20th-century, who played leading roles for many of the country's top directors, in a career spanning 147 films between 1939 and 1996, garnering many international honours including two BAFTA Awards, two Best Actor awards at the Venice and Cannes film festivals, two Golden Globes, and three Academy Award nominations.

Born in Fontana Liri (province of Frosinone, Lazio, IT) and raised in Turin and Rome, Mastroianni made his film debut in 1939 at the age of 14, but did not seriously pursue acting until the 1950s, when he made his critical and commercial breakthrough in the caper comedy Big Deal on Madonna Street (1959). He became an international celebrity through his collaborations with director Federico Fellini, first as a disillusioned tabloid columnist in La Dolce Vita (1960), then as a creatively-stifled filmmaker in (1963). Excelling in both dramatic and comedic roles, he formed a notable on-screen duo with actress and sex symbol Sophia Loren, co-starring with her in eleven films between 1954 and 1994.

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Sophia Loren in the context of 21 Club

The 21 Club, often simply 21, was a traditional American cuisine restaurant and former prohibition-era speakeasy, located at 21 West 52nd Street in New York City. Prior to its closure in 2020, the club had been active for 90 years, and it had hosted almost every US president since Franklin Delano Roosevelt. It had a hidden wine cellar where it stored the collections of celebrities such as Elizabeth Taylor and Sophia Loren. One of its signatures were 37 statues of racing jockeys donated by patrons, the uniforms of many painted to match the winning jockeys of horses they owned.

After being shut down by the COVID-19 pandemic, the establishment announced in December 2020 that it would not reopen "in its current form for the foreseeable future" and was considering how to keep the restaurant a viable operation in the long term.

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Sophia Loren in the context of A Countess from Hong Kong

A Countess from Hong Kong is a 1967 British romantic comedy film scored, written, and directed by Charlie Chaplin, and the final film directed, written, produced and scored by him. It was based on the life of a former Russian aristocrat, as he calls her in his 1922 book My Trip Abroad. She was a Russian singer and dancer who "was a stateless person marooned in France without a passport." The film starred Marlon Brando and Sophia Loren, and revolved around an American diplomat who falls in love with a stowaway on a cruise. Sydney Chaplin (Chaplin's son), Tippi Hedren, Patrick Cargill and Margaret Rutherford co-star in major supporting roles; Chaplin also made a cameo, marking his final screen appearance. This is the first and only production of Chaplin's filmography to be in color.

The story is based loosely on Russian singer and dancer Moussia "Skaya" Sodskaya, whom Chaplin met in France in 1921. The film had been in development since the 1930s under the title Stowaway, as a vehicle for Chaplin's then wife Paulette Goddard. However, following their divorce in 1942 and subsequent events in his life, Chaplin continued working on it until it was ready for production in the mid-1960s. It was ultimately his only film in colour, and one of two films Chaplin directed in which he did not play a major role (the other being 1923's A Woman of Paris).

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