Caserta Palace in the context of "Maria Amalia of Saxony"

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👉 Caserta Palace in the context of Maria Amalia of Saxony

Maria Amalia (Maria Amalia Christina Franziska Xaveria Flora Walburga; 24 November 1724 – 27 September 1760) was Queen of Spain from 10 August 1759 until her death in 1760 as the wife of King Charles III. Previously, she had been Queen of Naples and Sicily since marrying Charles on 19 June 1738. She was born a princess of Poland and Saxony, daughter of King Augustus III of Poland and Princess Maria Josepha of Austria. Maria Amalia and Charles had thirteen children, of whom seven survived into adulthood. A popular consort, Maria Amalia oversaw the construction of the Caserta Palace outside Naples as well as various other projects, and she is known for her influence upon the affairs of state.

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Caserta Palace in the context of Caserta

Caserta (Italian: [kaˈzɛrta] or [kaˈsɛrta]; Neapolitan: [kaˈsertə]) is the capital of the province of Caserta in the Campania region of Italy. An important agricultural, commercial, and industrial comune and city, Caserta is located 36 kilometres north of Naples on the edge of the Campanian plain at the foot of the Campanian Subapennine mountain range. The city is best known for the 18th-century Bourbon Royal Palace of Caserta.

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Caserta Palace in the context of Imperial staircase

An imperial staircase (sometimes erroneously known as a "double staircase") is the name given to a staircase with divided flights. Usually the first flight rises to a half-landing and then divides into two symmetrical flights both rising with an equal number of steps and turns to the next floor. The feature is reputed to have first been used at El Escorial. One of the grandest examples, the Escalier des Ambassadeurs at the Palace of Versailles, was built by 1680 but demolished in 1752 as the palace was rearranged. The Jordan Staircase of the Winter Palace is a notable example, while other such staircases can be found at Buckingham Palace, Windsor Castle, Palazzo Reale di Caserta, Palacio Real de Madrid and Mentmore Towers.

The advantages of an imperial staircase became apparent during the 18th century, when Matthew Brettingham revolutionised the design of the piano nobile of the London town house. Guests would proceed through a series of reception rooms arranged as a circuit. At large gatherings the two branches could ease the flow of guests arriving and departing, or moving between a ballroom and a supper room on the floor below. An imperial staircase is often used today for similar reasons where two streams of people are moving in opposite directions in buildings as diverse as an opera house to a railway station. This use explains why the first single flight is often wider than the following two divided flights, although narrowing flights are also an architectural trick to lengthen perspective in order to increase the impression of size.

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