Canon of the Mass in the context of "Formula missae"

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⭐ Core Definition: Canon of the Mass

The Canon of the Mass (Latin: Canon Missæ), also known as the Canon of the Roman Mass and in the Mass of Paul VI as the Roman Canon or Eucharistic Prayer I, is the oldest anaphora used in the Roman Rite of Mass. The name Canon Missæ was used in the Tridentine Missal from the first typical edition of Pope Pius V in 1570 to that of Pope John XXIII in 1962 to describe the part of the Mass of the Roman Rite that began after the Sanctus with the words Te igitur. All editions preceding that of 1962 place the indication "Canon Missae" at the head of each page from that point until the end of the Mass; that of 1962 does so only until the page preceding the Pater Noster and places the heading "Ordo Missae" on the following pages.

Before 1962, there were divergent opinions about the point where the Canon of the Mass ended. Some considered that it ended where indicated in the 1962 Roman Missal, others where indicated in the earlier editions from 1570 onwards (the end of Mass), others at the conclusion of the Embolism (Libera nos...) that expands on the final "Sed libera nos a malo" petition of the Pater Noster.

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👉 Canon of the Mass in the context of Formula missae

Formula missae et communionis pro ecclesia Vuittembergensi (1523) is a 16th-century tract on the reform of the Latin liturgy composed by Martin Luther for Lutheran churches in Wittenberg, Germany.

Formula missae was not itself a new mass, but rather an outline and guide for using the existing missals and office books in Latin, with the primary difference being the omission of the Canon of the Mass. It was not prescriptive for Lutherans in general, but was widely influential as Lutherans sought to bring their worship into harmony with their theology.

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Canon of the Mass in the context of Anaphora (liturgy)

The Anaphora (/əˈnæfərə/), Eucharistic Prayer, or Great Thanksgiving, is a portion of the Christian liturgy of the Eucharist in which, through a prayer of thanksgiving, the elements of bread and wine are consecrated. The prevalent historical Roman Rite form is called the "Canon of the Mass".

"Anaphora" is a Greek word (ἀναφορά) meaning a "carrying up", thus an "offering" (hence its use in reference to the offering of sacrifice to God). (This sense is distinct from the usage of "anaphora" in rhetoric and linguistics to mean a "carrying back".) In the sacrificial language of the Greek version of the Hebrew Bible known as the Septuagint, προσφέρειν (prospherein) is used of the offerer's bringing the victim to the altar, and ἀναφέρειν (anapherein) is used of the priest's offering up the selected portion upon the altar (see, for instance, Leviticus 2:14, 2:16, 3:1, 3:5).

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Canon of the Mass in the context of Saint Cecilia

Saint Cecilia (Latin: Sancta Caecilia), also spelled Cecelia, was a Roman Christian virgin martyr, who is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden. She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord". Musical compositions are dedicated to her, and her feast, on 22 November, is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.

Saint Cecilia is one of several virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, founded in the 3rd century by Pope Urban I, is believed to be on the site of the house where she lived and died.

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Canon of the Mass in the context of Agatha of Sicily

Agatha of Sicily (c. 231 – c. 251 AD) is a Christian saint. Her feast is on 5 February. Agatha was born in Catania, part of the Roman Province of Sicily, and was martyred c. 251. She is one of several virgin martyrs who are commemorated by name in the Canon of the Mass.

Agatha is the patroness saint of Catania, Molise, Malta, San Marino, Gallipoli in Apulia, and Zamarramala, a municipality of the Province of Segovia in Spain. She is also the patroness saint of breast cancer patients, rape victims,martyrs, wet nurses, bell-founders, and bakers, and is invoked against fire, earthquakes, and eruptions of Mount Etna.

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Canon of the Mass in the context of Corporal of Bolsena

The Corporal of Bolsena dates from a Eucharistic miracle in Bolsena, Italy, in 1263 when a consecrated host began to bleed onto a corporal, the small cloth upon which the host and chalice rest during the Canon of the Mass. The appearance of blood was seen as a miracle to affirm the Roman Catholic doctrine of transubstantiation, which states that the bread and wine become the Body and Blood of Christ at the moment of consecration during the Mass. Today, the Corporal of Bolsena is preserved in a rich reliquary at Orvieto in the cathedral. The reddish spots on the cloth, upon close observation, show the profile of a face similar to those that traditionally represent Jesus Christ. It is said that the miraculous bleeding of the host occurred in the hands of an officiating priest who had doubts about transubstantiation, Peter of Prague. The "Miracle of Bolsena" is regarded by the Roman Catholic Church as a private revelation, meaning that Catholics are under no obligation to believe it although they may do so freely.

Pope Urban IV makes no mention of it in the bull by which he established the feast of Corpus Christi, although the legend of the miracle is set in his lifetime and is claimed by its partisans to have determined him in his purpose of establishing the feast. The contemporary biographers of Urban are silent: Muratori, Rerum Italicarum scriptores, (vol. III, pt. l, 400ff) and Thierricus Vallicoloris, who, in his life of the pope in Latin verse, describes in detail all the events of the pontiff's stay at Orvieto, referring elsewhere also to the devotion of Urban in celebrating the Mass, and to the institution of the Feast of Corpus Christi, without at any time making allusion to a miracle at Bolsena.

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