Camp (style) in the context of "Batman"

⭐ In the context of Batman, 'camp' is considered…

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⭐ Core Definition: Camp (style)

Camp is an aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or ironic element. Camp is historically associated with LGBTQ culture and especially gay men. Camp aesthetics disrupt modernist understandings of high art by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement.

Camp art is distinct from but often confused with kitsch. The big difference between camp and kitsch is mainly that camp is aware of its artificiality and pretense.

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👉 Camp (style) in the context of Batman

Batman is a superhero who appears in American comic books published by DC Comics. Batman was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939. In the DC Universe, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in the fictional Gotham City. His origin story features him swearing vengeance against criminals after witnessing the murder of his parents, Thomas and Martha, as a child, a vendetta tempered by the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth and James Gordon; love interest and occasional adversary Catwoman; as well as foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker.

Kane conceived Batman in early 1939 to capitalize on the popularity of Superman; although Kane frequently claimed sole creation credit, Finger substantially developed the concept from a generic superhero into something more bat-like. They drew inspiration from pulp fiction characters like the Shadow, Sherlock Holmes, and the Green Hornet. Batman received a spin-off publication, Batman, in 1940. Kane and Finger introduced Batman as a ruthless vigilante who frequently killed or maimed criminals, but he evolved into a just, tempered superhero with a stringent moral code that prohibits killing during the 1940s. Unlike most superheroes, Batman does not possess any superpowers, instead relying on his intellect, fighting skills, and wealth. The 1960s Batman television series used a camp aesthetic, which continued to be associated with Batman for years after it ended. Various creators worked to return Batman to his darker roots in the 1970s and 1980s, culminating with the 1986 miniseries The Dark Knight Returns by Frank Miller.

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Camp (style) in the context of Adventure film

The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre.

The setting and visuals are key elements of adventure films. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be a continuing trend for Hollywood adventure films. The other major Hollywood style was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp, special effects-driven adventure films began to dominate the market towards the late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century.

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Camp (style) in the context of Batman (TV series)

Batman is an American live-action television series based on the DC Comics character of the same name. It stars Adam West as Bruce Wayne/Batman and Burt Ward as Dick Grayson/Robin—two crime-fighting heroes who defend Gotham City from a variety of archvillains. It is known for its camp style and upbeat theme music, as well as its intentionally humorous, simplistic morality aimed at its preteen audience. The 120 episodes aired on the ABC network for three seasons from January 12, 1966, to March 14, 1968, twice weekly during the first two seasons, and weekly for the third. A companion feature film was released in 1966 between the first and second seasons of the TV show.

Batman held the record for the longest-running live-action superhero television series (in terms of episodes) until it was surpassed by Smallville in 2007.

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Camp (style) in the context of Katy Perry

Katheryn Elizabeth Hudson (born October 25, 1984), known professionally as Katy Perry, is an American singer, songwriter, and television personality. She is one of the best-selling music artists in history, having sold over 151 million records worldwide. Perry is known for her influence on pop music and her camp style, being dubbed the "Queen of Camp" by Vogue and Rolling Stone. The world's highest-paid female musician in 2015 and 2018, she was named by Billboard as one of the greatest pop stars of the 21st century.

At 16, Perry released a gospel album titled Katy Hudson (2001) under Red Hill Records, which was unsuccessful. She moved to Los Angeles at 17 to venture into secular music, and later adopted her stage name from her mother's maiden name. Perry recorded an album while signed to Columbia Records, but was dropped before signing to Capitol Records. She rose to fame with One of the Boys (2008), a pop rock album containing her debut single "I Kissed a Girl" and follow-up single "Hot n Cold", which reached number one and three on the U.S. Billboard Hot 100 respectively.

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Camp (style) in the context of Glam rock

Glam rock (also known as glitter rock) is a subgenre of rock music that developed in the United Kingdom in the early 1970s and was primarily defined by the hairstyles, makeup, and flamboyant clothing of its musicians, particularly platform shoes and glitter. Glam artists drew on diverse sources, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous and have been described as playing with other gender roles.

The UK charts were inundated with glam rock acts from 1971 to 1975. The March 1971 appearance of T. Rex frontman Marc Bolan on the BBC's music show Top of the Pops—performing "Hot Love"—wearing glitter and satins, is often cited as the beginning of the movement. Other British glam rock artists included David Bowie, Mott the Hoople, Sweet, Slade, Mud, Roxy Music, Alvin Stardust, Wizzard and Gary Glitter. In the United States, the scene was much less prevalent, but US artists such as New York Dolls, Sparks, Suzi Quatro, Iggy Pop, Alice Cooper, Lou Reed and Jobriath achieved success in the UK and/or US. Glam rock declined after the mid-1970s, but influenced other musical genres including punk rock, post-punk, gothic rock and glam metal. The new romantic movement, which began as an underground fashion subculture movement in nightclubs in the late 1970s before becoming mainstream in the early 1980s, was also inspired by the visuals of the glam rock era.

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Camp (style) in the context of Cult film

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate as to whether these popular and accepted films are still cult films. After failing at the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge.

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Camp (style) in the context of Gay icon

A gay icon is a public figure who is regarded as a cultural icon by members of the LGBTQ community. Such figures usually have a devoted LGBTQ fanbase and act as allies to the LGBTQ community, often through their work, or they have been "openly appreciative of their gay fanbase". Many gay icons also have a camp aesthetic style, which is part of their appeal to LGBTQ individuals.

The most widely recognized gay icons tend to be actresses and singers who have garnered large LGBTQ fanbases, such as Judy Garland, Cher, Madonna, Whitney Houston, and Janet Jackson. However, the label can also be applied to individuals in politics, sports, literature, and other mediums, as well as historical figures deemed relatable to LGBTQ causes. Prominent entertainers considered to be gay icons often incorporate themes of acceptance, self-love, and sexuality in their work. Gay icons of all orientations within the LGBTQ community have acknowledged the role that their gay fans have played in their success.

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Camp (style) in the context of Russ Meyer

Russell Albion Meyer (March 21, 1922 – September 18, 2004) was an American filmmaker. He was primarily known for writing and directing a successful series of sexploitation films featuring campy humor, sly satire and large-breasted women, which have attracted a considerable cult following. His best-known works include Faster, Pussycat! Kill! Kill! (1965), Vixen! (1968), Supervixens (1975), Beneath the Valley of the Ultra-Vixens (1979), and the film he considered to be his definitive work, Beyond the Valley of the Dolls (1970).

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Camp (style) in the context of Pantomime dame

A pantomime dame is a traditional role in British pantomime. It is part of the theatrical tradition of travesti portrayal of female characters by male actors in drag. Dame characters are often played either in an extremely camp style, or else by men acting butch in women's clothing. They usually wear heavy make up and big hair, have exaggerated physical features, and perform in an over-the-top style.

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