Glam rock in the context of "Camp (style)"

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⭐ Core Definition: Glam rock

Glam rock (also known as glitter rock) is a subgenre of rock music that developed in the United Kingdom in the early 1970s and was primarily defined by the hairstyles, makeup, and flamboyant clothing of its musicians, particularly platform shoes and glitter. Glam artists drew on diverse sources, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous and have been described as playing with other gender roles.

The UK charts were inundated with glam rock acts from 1971 to 1975. The March 1971 appearance of T. Rex frontman Marc Bolan on the BBC's music show Top of the Pops—performing "Hot Love"—wearing glitter and satins, is often cited as the beginning of the movement. Other British glam rock artists included David Bowie, Mott the Hoople, Sweet, Slade, Mud, Roxy Music, Alvin Stardust, Wizzard and Gary Glitter. In the United States, the scene was much less prevalent, but US artists such as New York Dolls, Sparks, Suzi Quatro, Iggy Pop, Alice Cooper, Lou Reed and Jobriath achieved success in the UK and/or US. Glam rock declined after the mid-1970s, but influenced other musical genres including punk rock, post-punk, gothic rock and glam metal. The new romantic movement, which began as an underground fashion subculture movement in nightclubs in the late 1970s before becoming mainstream in the early 1980s, was also inspired by the visuals of the glam rock era.

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Glam rock in the context of Punk rock

Punk rock (or simply punk) is a subgenre of rock music that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the overproduction and corporate nature of mainstream rock music. Typically producing short, fast-paced songs with rough stripped-down vocals and instrumentation and an anti-establishment theme, artists embrace a DIY ethic with many bands self-producing and distributing recordings through independent labels.

During the early 1970s, the term "punk rock" was originally used by some American rock critics to describe mid-1960s garage bands. Subsequent developments such as glam and pub rock in the UK, alongside the Velvet Underground and the New York Dolls from New York have been cited as key influences. By the mid-1970s, the term "punk rock" had become associated with several regional underground music scenes, including the MC5 and the Stooges in Detroit; Television, Patti Smith, Suicide, the Dictators, Richard Hell and the Voidoids, and the Ramones in New York City; Rocket from the Tombs, Electric Eels and Dead Boys in Ohio; the Saints and Radio Birdman in Australia; and the Sex Pistols, the Clash, the Damned and the Buzzcocks in England. By late 1976, punk had become a major cultural phenomenon in the UK, giving rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing, such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands, jewelry, bondage clothing and safety pins.

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Glam rock in the context of Boy George

George Alan O'Dowd (born 14 June 1961), known professionally as Boy George, is an English musician, songwriter and DJ who rose to fame as the lead singer of the pop band Culture Club. He began his solo career in 1987. Boy George grew up in Eltham and was part of the New Romantic movement which emerged in the late 1970s to early 1980s. His androgynous look and style of fashion was greatly inspired by glam rock pioneers David Bowie and Marc Bolan. He formed Culture Club with Roy Hay, Mikey Craig and Jon Moss in 1981. The band's second album, Colour by Numbers (1983), sold more than 10 million copies worldwide. Their hit singles include "Do You Really Want to Hurt Me", "Time (Clock of the Heart)", "I'll Tumble 4 Ya", "Church of the Poison Mind", "Karma Chameleon", "Victims", "Miss Me Blind", "It's a Miracle", "The War Song", "Move Away" and "I Just Wanna Be Loved".

Boy George was the lead singer of Jesus Loves You between 1989 and 1992 and still performs solo and with Culture Club, who have reformed twice since initially parting ways in 1986. He began his career as a DJ in the mid-1990s. Outside of music, Boy George's other creative activities involve mixed media art, writing books, designing clothes and photography. He has also made several appearances in television, which include the 22nd UK series of I'm a Celebrity...Get Me Out of Here! in November 2022, eventually finishing in eighth place.

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Glam rock in the context of David Bowie

David Robert Jones (8 January 1947 – 10 January 2016), known as David Bowie, was an English singer, songwriter and actor. Regarded as among the most influential musicians of the 20th century, Bowie received particular acclaim for his work in the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft have had a great impact on popular music.

Bowie studied art, music and design before embarking on a music career in 1963. He released a string of unsuccessful singles with local bands and a self-titled solo album (1967) before achieving his first top-five entry on the UK singles chart with "Space Oddity" (1969). After a period of experimentation, he re-emerged in 1972 during the glam rock era with the alter ego Ziggy Stardust. The single "Starman" and its album The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering his first major US crossover success with the number-one single "Fame" and the album Young Americans (1975). In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the Berlin Trilogy. "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top-five and received critical praise.

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Glam rock in the context of Pub rock (United Kingdom)

Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.

With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclastic, and sought to break with the past musical traditions.

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Glam rock in the context of Punk fashion

Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like the Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement.

The early, pre-fame work of designer Vivienne Westwood helped pioneer the look of early British punk with her scene-establishing clothing shops Sex and Seditionaries in the mid-1970s, co-run with Malcolm McLaren who managed the Sex Pistols. Westwood was asked by then-partner McLaren to outfit the Sex Pistols, and Westwood's designs found a canvas on Johnny Rotten and Sid Vicious. Her early work with Sex and the Sex Pistols helped to establish her as one of the most influential British designers of the 20th century.

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Glam rock in the context of Proto-punk

Proto-punk (or protopunk) is music that foreshadowed the punk rock genre, particularly rock music artists during the 1960s and early-to mid 1970s. A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes.

The tendency towards aggressive, raw, simplistic rock songs is a trend rooted in the earliest forms of rock and roll. The American garage rock movement of the mid-1960s is a key influence in the development of punk rock. By the late 1960s, Detroit bands the Stooges and MC5 had taken the influence of garage groups to form a distinct prototypical punk sound. In the following years, this sound spread both domestically and internationally, alongside glam rock and pub rock, into several regional early underground punk scenes in New York, Ohio, Australia and England.

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Glam rock in the context of Brian Eno

Brian Peter George Eno (/ˈn/ born 15 May 1948) is an English musician, songwriter, record producer, visual artist, and activist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.

Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid-1960s, and then at Winchester School of Art. He joined the glam rock group Roxy Music as its synthesiser player in 1971 and recorded two albums with them before departing in 1973. He then released solo albums, beginning with the rock-oriented Here Come the Warm Jets (1974), and explored minimal music on the influential recordings Discreet Music (1975) and Ambient 1: Music for Airports (1978), with the latter coining the term "ambient music".

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Glam rock in the context of Goth subculture

Goth is a music-based subculture that emerged out of nightclubs such as the F Club and Batcave in the United Kingdom during the early 1980s, as well as gothic rock, a genre that evolved from British post-punk. The goth subculture is centered around fashion, music festivals, clubs, and organized meetings.

Styles of dress within the subculture draw on glam rock, punk, new wave, new romantics and from the fashion of earlier periods such as the Victorian, Edwardian, and Belle Époque eras. The style most often includes dark (usually solid black) attire, dark makeup, and black hair. The subculture also drew inspiration from literary and cinematic gothic traditions, including German Expressionism and classic horror films (from Universal Monsters to Hammer horror), with a flair for theatricality and camp.

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