Calligraphic in the context of "Ranjana script"

The Urdu alphabet (Urdu: اُردُو حُرُوفِ تَہَجِّی‌, romanized: urdū ḥurūf-i tahajjī) is the right-to-left alphabet used for writing Urdu. It is a modification of the Persian alphabet, which itself is derived from the Arabic script. It has co-official status in the republics of Pakistan, India and South Africa. The Urdu alphabet has up to 39 or 40 distinct letters with no distinct letter cases and is typically written in the calligraphic Nastaʿlīq script, whereas Arabic is more commonly written in the Naskh style.

Usually, bare transliterations of Urdu into the Latin alphabet (called Roman Urdu) omit many phonemic elements that have no equivalent in English or other languages commonly written in the Latin script.

Vietnamese calligraphy (Vietnamese alphabet: Thư pháp Việt Nam, chữ Hán: 書法越南) relates to the calligraphic traditions of Vietnam. It includes calligraphic works using a variety of scripts, including historical chữ Hán (Chinese characters), chữ Nôm (Vietnamese-derived characters), and the Latin-based Vietnamese alphabet. Historically, calligraphers used the former two scripts. However, due to the adoption of the Latin-based chữ Vietnamese alphabet, modern Vietnamese calligraphy also uses Latin script alongside chữ Hán Nôm.

Traditional Vietnamese calligraphy is strongly affected by that of China. Chữ Hán was often used as a literary language in ancient Vietnam, and as a result, Vietnamese calligraphy also used to follow Chinese calligraphy’s standard and used chữ Hán in many of its writings. For example, during the Lý dynasty, its style was similar to China’s Tang dynasty (618-907). During the Trần dynasty, it was influenced strongly by China’s Song (960-1279) and Yuan (1271-1368) dynasties.

The Baháʼí conception of God is of an "unknowable essence" who is the source of all existence and known through the perception of human virtues. The Baháʼí Faith follows the tradition of monotheism and dispensationalism, believing that God has no physical form, but periodically provides divine messengers in human form that are the sources of spiritual education. In another sense, Baháʼí teachings on God are also panentheistic, seeing signs of God in all things, but the reality of God being exalted and above the physical world.

Shoghi Effendi, head of the religion from 1921 to 1957, described God as "a personal God, unknowable, inaccessible, the source of all Revelation, eternal, omniscient, omnipresent and almighty".

Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices.

He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed. It was in painting and drawing, however, that Gysin devoted his greatest efforts, creating calligraphic works inspired by cursive Japanese "grass" script and Arabic script. Burroughs later stated that "Brion Gysin was the only man I ever respected."