Brocade in the context of Hotpants

The Jacquard machine (French: [ʒakaʁ]) is a device fitted to a loom that simplifies the process of manufacturing textiles with such complex patterns as brocade, damask and matelassé. The resulting ensemble of the loom and Jacquard machine is then called a Jacquard loom. The machine was patented by Joseph Marie Jacquard in 1804, based on earlier inventions by the Frenchmen Basile Bouchon (1725), Jean Baptiste Falcon (1728), and Jacques Vaucanson (1740). The machine was controlled by a "chain of cards"; a number of punched cards laced together into a continuous sequence. Multiple rows of holes were punched on each card, with one complete card corresponding to one row of the design.

Both the Jacquard process and the necessary loom attachment are named after their inventor. This mechanism is probably one of the most important weaving innovations, as Jacquard shedding made possible the automatic production of unlimited varieties of complex pattern weaving. The term "Jacquard" is not specific or limited to any particular loom, but rather refers to the added control mechanism that automates the patterning. The process can also be used for patterned knitwear and machine-knitted textiles such as jerseys.

Choir dress is the traditional vesture of the clerics, seminarians and religious of Christian churches worn for public prayer and the administration of the sacraments except when celebrating or concelebrating the Eucharist. It differs from the vestments worn by the celebrants of the Eucharist, being normally made of fabrics such as wool, cotton or silk, as opposed to the fine brocades used in vestments. It may also be worn by lay assistants such as acolytes and choirs. It was abandoned by most of the Protestant churches that developed from the sixteenth-century Reformation.

Like Eucharistic vestments, choir dress derived originally from the formal secular dress of the Roman Empire in the first centuries of the Christian era. This survived in church usage after fashion had changed. Choir dress differs from "house dress," which is worn outside of a liturgical context (whether in the house or on the street). House dress may be either formal or informal.

Silk weaving is a manufacturing industry in Varanasi. Varanasi is known throughout India for its production of very fine silk and Banarasi saris.

Tatami (畳) are soft mats used as flooring material in traditional Japanese-style rooms. They are made in standard sizes, twice as long as wide, about 0.9 by 1.8 metres (3 by 6 ft), depending on the region. In martial arts, tatami are used for training in a dojo and for competition.

Tatami are covered with a weft-faced weave of soft rush (藺草, igusa) on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to reduce cost). The doko (core) is traditionally made from sewn-together rice straw, but contemporary tatami sometimes have compressed wood chip boards or extruded polystyrene foam in their cores instead or as well. The long sides are usually edged (縁, heri) with brocade or plain cloth, although some tatami have no edging.

Epimanikia (Medieval Greek: ἐπιμανίκια; singular epimanikion (ἐπιμανίκιον)), also known as Epimanika (ἐπιμάνικα; singular epimanikon (ἐπιμάνικον)), are liturgical vestments of the Eastern Orthodox Church and Eastern Catholic Churches. They are cuffs (Russian: нарука́вницы, по́ручи, нарука́вники - narukávnitsy, póruchi, narukávniki) made of thickened fabric, usually brocade, that lace onto the wrists of a bishop, priest, or deacon. There is usually a cross embroidered or appliquéd to the center.

Bishops and priests attach the epimanikia to the sleeves of the sticharion. Since the deacon wears a more elaborate sticharion as an outer garment, its large winged sleeves are not bound by epimanikia; rather he wears the epimanikia underneath, tied to his endorrason (inner cassock) (Russian: подрясник, podryasnik)

A caul is a historical headress worn by women that covers tied-up hair. A fancy caul could be made of satin, velvet, fine silk or brocade, although a simple caul would commonly be made of white linen or cotton. The caul could be covered by a crespine or a hairnet to secure it from falling off.

During the second half of the thirteenth century, network caps, more properly called "cauls", came into fashion for ladies' wear. These headdresses were shaped like bags, made of gold, silver or silk network. At first they fitted fairly close to the head, the edge, band or rim being placed high up on the forehead, to show some hair on the temples and around the nape; they enclosed the head and hair, and were secured by a circlet or fillet. Jewels were often set at intervals in the band, also at the intersections of the cross-bars.

Koi (Japanese: 鯉; Japanese: [koꜜi], literally 'carp'), or more specifically nishikigoi (錦鯉; Japanese: [ɲiɕi̥kiꜜɡoi], literally 'brocaded carp'), are colored varieties of carp (Cyprinus sp.) that are kept for decorative purposes in outdoor koi ponds or water gardens.

Koi is an informal name for the colored variants of carp kept for ornamental purposes. There are many varieties of ornamental koi, originating from breeding that began in Niigata, Japan, in the early 19th century.

A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. They are different from handscrolls, which are narrower and designed to be viewed flat on a table.

Hanging scrolls are generally intended to be displayed for short periods of time, after which they are rolled up and tied for storage. They are traditionally rotated according to season or occasion, rather than be on permanent display. Their artwork could be mounted with decorative brocade silk borders. The craft of creating a hanging scroll is considered an art in itself.