Black comedy in the context of "Suicide"

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⭐ Core Definition: Black comedy

Black comedy, also known as black humor, bleak comedy, dark comedy, dark humor, gallows humor or morbid humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss, aiming to provoke discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term black comedy can also refer to a genre in which dark humor is a core component.

Black comedy differs from blue comedy—which focuses more on topics such as nudity, sex, and body fluids—and from obscenity. Additionally, whereas the term black comedy is a relatively broad term covering humor relating to many serious subjects, gallows humor tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Black humor can occasionally be related to the grotesque genre. Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes.

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Black comedy in the context of Samuel Beckett

Samuel Barclay Beckett (/ˈbɛkɪt/ ; 13 April 1906 – 22 December 1989) was an Irish playwright, poet, novelist, and literary critic. Writing in both English and French, his literary and theatrical works feature bleak, impersonal, and tragicomic episodes of life, coupled with black comedy and literary nonsense. Beckett is widely regarded as one of the most influential and important writers of the 20th century, credited with transforming modern theatre. As a major figure of Irish literature, he is best known for his tragicomedy play Waiting for Godot (1953). For his foundational contribution to both literature and theatre, Beckett received the 1969 Nobel Prize in Literature, "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation."

During his early career, Beckett worked as a literary critic and commentator, and in 1930 he took up a role as a lecturer in Dublin. He wrote his first novel Dream of Fair to Middling Women in 1932, which influenced many of his later works, but it was not published until after his death. Around this time, Beckett also began studying artistic expressions and art history, particularly of paintings displayed at the National Gallery of Ireland. He maintained a close friendship with Irish writer James Joyce throughout his life, and cited him as a major inspiration for his works. As a resident of Paris for most of his adult life, Beckett wrote in both French and English, sometimes under the pseudonym Andrew Belis. His later literary works, especially his plays, became increasingly austere and minimalistic as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of stream of consciousness repetition and self-reference. During the Second World War, Beckett became a member of the French Resistance group Gloria SMH (Réseau Gloria) and was awarded the Croix de Guerre in 1949.

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Black comedy in the context of Satirical music

Satirical music describes music that employs satire or was described as such. It deals with themes of social, political, religious, cultural structures and provides commentary or criticism on them typically under the guise of dark humor or respective music genres. Topics include sexuality, race, culture, religion, politics, institutions, taboo subjects, morality, and the human condition.

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Black comedy in the context of Comedy film

The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.

Comedy, compared with other film genres, places more focus on individual star actors, with many former stand-up comics transitioning to the film industry due to their popularity.

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Black comedy in the context of Pearls Before Swine (comic strip)

Pearls Before Swine (also known as Pearls) is an American comic strip written and illustrated by Stephan Pastis. The series began on December 31, 2001. It chronicles the daily lives of an ensemble cast of suburban anthropomorphic animals: Pig, Rat, Zebra, Goat, and a fraternity of crocodiles, as well as a number of supporting characters, one of whom is Pastis himself. Each character represents an aspect of Pastis's personality and worldview. The daily and Sunday comic strip is distributed by Andrews McMeel Syndication (by United Feature Syndicate until 2011).

The strip's style is notable for its black comedy, simplistic artwork, self-deprecating fourth wall meta-humor, social commentary, mockery of itself or other comic strips, and occasional elaborate stories leading to a pun.

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Black comedy in the context of Miss Lonelyhearts

Miss Lonelyhearts is a novella by Nathanael West. He began writing it early in 1930 and completed the manuscript in November 1932. Published in 1933, it is an Expressionist black comedy set in New York City during the Great Depression. It is about a male newspaper advice columnist who provides advice to lonesome people. He becomes so affected by their desperate letters that he spirals into depression, drinking, and ill-considered sexual affairs, which lead to his downfall.

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Black comedy in the context of Don't Look Up

Don't Look Up is a 2021 American political satire black comedy film written, co-produced, and directed by Adam McKay from a story he co-wrote with David Sirota. It stars an ensemble cast featuring Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Kid Cudi, Cate Blanchett, and Meryl Streep. In the film, it tells the story of two astronomers attempting to warn humanity about an approaching comet that will destroy human civilization.

The movie's central comet impact event was used by McKay as an allegory for threats arising from climate change, and the film satirizes government, political, celebrity, and media indifference, in particular to the climate crisis, but with further synergy with regard to responses to science during the COVID-19 pandemic; Donna Lu of The Guardian notes that "[d]espite a stellar cast", the movie "received a frosty reception from many film critics", while being thoroughly lauded by climate activists.

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Black comedy in the context of Comedy horror

Comedy horror (also called horror comedy) is a literary, television and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as having three types: "black comedy, parody and spoof." Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction. Examples of comedy horror films include Abbott and Costello Meet Frankenstein (1948), An American Werewolf in London (1981), the Evil Dead franchise (1981–present), Gremlins (1984), Shaun of the Dead (2004) and The Cabin in the Woods (2011).

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Black comedy in the context of Inglourious Basterds

Inglourious Basterds is a 2009 black comedy war film written and directed by Quentin Tarantino. It stars an ensemble cast including Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, Diane Kruger, Daniel Brühl, Til Schweiger, Mélanie Laurent and Mike Myers. The film tells an alternate history story of two converging plots to assassinate Nazi Germany's leadership at a Paris cinema—one through a British operation largely carried out by a team of Jewish American soldiers led by First Lieutenant Aldo Raine (Pitt), and another by French Jewish cinema proprietor Shosanna Dreyfus (Laurent) who seeks to avenge her murdered family. Both are pitted against Hans Landa (Waltz), an SS colonel with a fearsome reputation.

The title (but not the story) was inspired by Italian director Enzo G. Castellari's 1978 Euro War film The Inglorious Bastards, but deliberately misspelled as "a Basquiat-esque touch". Tarantino wrote the script in 1998, but struggled with the ending and chose instead to direct the two-part film Kill Bill. After directing Death Proof in 2007, Tarantino returned to work on Inglourious Basterds. A co-production between the United States and Germany, the film began principal photography in October 2008 and was filmed in Germany and France with a $70 million production budget.

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Black comedy in the context of The Ballad of Buster Scruggs

The Ballad of Buster Scruggs (titled on-screen as The Ballad of Buster Scruggs and Other Tales of the American Frontier) is a 2018 American Western black comedy anthology film written, directed, produced, and edited by the Coen brothers. It stars Tim Blake Nelson, Tyne Daly, James Franco, Brendan Gleeson, Bill Heck, Grainger Hines, Zoe Kazan, Harry Melling, Liam Neeson, Jonjo O'Neill, Chelcie Ross, Saul Rubinek, and Tom Waits. It consists of six vignettes set on the American frontier.

The film premiered at the 75th Venice International Film Festival on August 31, 2018, where it won the Golden Osella Award for Best Screenplay. After a limited theatrical run beginning on November 9, 2018, it was released on Netflix on November 16. The National Board of Review named it one of its top ten films of 2018. The film earned three nominations at the 91st Academy Awards: Best Adapted Screenplay, Best Costume Design, and Best Original Song ("When a Cowboy Trades His Spurs for Wings").

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