Literary nonsense in the context of "Samuel Beckett"

⭐ In the context of Samuel Beckett, literary nonsense is considered…

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⭐ Core Definition: Literary nonsense

Literary nonsense (or nonsense literature) is a broad categorization of literature that balances elements that make sense with some that do not, with the effect of subverting language conventions or logical reasoning. Even though the most well-known form of literary nonsense is nonsense verse, the genre is present in many forms of literature.

The effect of nonsense is often caused by an excess of meaning, rather than a lack of it. Its humor is derived from its nonsensical nature, rather than wit or the "joke" of a punch line.

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👉 Literary nonsense in the context of Samuel Beckett

Samuel Barclay Beckett (/ˈbɛkɪt/ ; 13 April 1906 – 22 December 1989) was an Irish playwright, poet, novelist, and literary critic. Writing in both English and French, his literary and theatrical works feature bleak, impersonal, and tragicomic episodes of life, coupled with black comedy and literary nonsense. Beckett is widely regarded as one of the most influential and important writers of the 20th century, credited with transforming modern theatre. As a major figure of Irish literature, he is best known for his tragicomedy play Waiting for Godot (1953). For his foundational contribution to both literature and theatre, Beckett received the 1969 Nobel Prize in Literature, "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation."

During his early career, Beckett worked as a literary critic and commentator, and in 1930 he took up a role as a lecturer in Dublin. He wrote his first novel Dream of Fair to Middling Women in 1932, which influenced many of his later works, but it was not published until after his death. Around this time, Beckett also began studying artistic expressions and art history, particularly of paintings displayed at the National Gallery of Ireland. He maintained a close friendship with Irish writer James Joyce throughout his life, and cited him as a major inspiration for his works. As a resident of Paris for most of his adult life, Beckett wrote in both French and English, sometimes under the pseudonym Andrew Belis. His later literary works, especially his plays, became increasingly austere and minimalistic as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of stream of consciousness repetition and self-reference. During the Second World War, Beckett became a member of the French Resistance group Gloria SMH (Réseau Gloria) and was awarded the Croix de Guerre in 1949.

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Literary nonsense in the context of Lewis Carroll

Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet, mathematician, photographer and reluctant Anglican deacon. His most notable works are Alice's Adventures in Wonderland (1865) and its sequel Through the Looking-Glass (1871), some of the most important examples of Victorian literature. He was noted for his facility with word play, logic, and fantasy. His poems Jabberwocky (1871) and The Hunting of the Snark (1876) are classified in the genre of literary nonsense. Some of Alice's nonsensical wonderland logic reflects his published work on mathematical logic.

Carroll came from a family of high-church Anglicans, and pursued his clerical training at Christ Church, Oxford, where he lived for most of his life as a scholar, teacher and (necessarily for his academic fellowship at the time) Anglican deacon. Alice Liddell – a daughter of Henry Liddell, the Dean of Christ Church – is widely identified as the original inspiration for Alice in Wonderland, though Carroll always denied this.

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Literary nonsense in the context of Alice's Adventures in Wonderland

Alice's Adventures in Wonderland (also known as Alice in Wonderland) is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.

It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to "delight or entertain". The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knew—scholars disagree about the extent to which the character was based upon her.

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Literary nonsense in the context of Nonsense verse

Nonsense verse is a form of nonsense literature usually employing strong prosodic elements like rhythm and rhyme. It is often whimsical and humorous in tone and employs some of the techniques of nonsense literature.

Limericks are probably the best known form of nonsense verse, although they tend nowadays to be used for straightforward humour, rather than having a nonsensical effect.

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Literary nonsense in the context of Edward Lear

Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.

His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals, making coloured drawings during his journeys (which he reworked later, sometimes as plates for his travel books) and as a minor illustrator of Alfred, Lord Tennyson's poems.

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Literary nonsense in the context of Absurdist fiction

Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. In some cases, it may overlap with literary nonsense.

The absurdist genre of literature arose in the 1950s and 1960s, first predominantly in France and Germany, prompted by post-war disillusionment. Absurdist fiction is a reaction against the surge in Romanticism in Paris in the 1830s, the collapse of religious tradition in Germany, and the societal and philosophical revolution led by the expressions of Søren Kierkegaard and Friedrich Nietzsche.

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