Billy the Kid in the context of "Billy the Kid (ballet)"

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👉 Billy the Kid in the context of Billy the Kid (ballet)

Billy the Kid is a 1938 ballet written by the American composer Aaron Copland on commission from Lincoln Kirstein. It was choreographed by Eugene Loring for Ballet Caravan. Along with Rodeo and Appalachian Spring, it is one of Copland's most popular and widely performed pieces. It is most famous for its incorporation of several cowboy tunes and American folk songs and, although built around the figure and the exploits of Billy the Kid, is not so much a biography of a notorious but peculiarly appealing desperado as it is a perception of the "Wild West", in which a figure such as Billy played a vivid role.

It premiered on 16 October 1938 in Chicago by the Ballet Caravan Company, with pianists Arthur Gold and Walter Hendl performing a two-piano version of the score. The first performance in New York City occurred on 24 May 1939, with an orchestra conducted by Fritz Kitzinger.

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Billy the Kid in the context of Horror Western

The horror Western is a crossgenre of both the horror and Western genres. It has it roots in films such as Curse of the Undead (1959), featuring Michael Pate as a vampire gunfighter; and Billy the Kid vs. Dracula (1966), which depicts the real-life outlaw Billy the Kid fighting against the fictional vampire Dracula.

Newer examples include Near Dark (1987) directed by Kathryn Bigelow, which tells the story about a human falling in love with a vampire. From Dusk till Dawn (1996) by Robert Rodriguez deals with outlaws battling vampires. Vampires (1998), by John Carpenter, is about a group of vampires and vampire hunters looking for an ancient relic in the modern West. Ravenous (1999) concerns cannibalism at a remote United States Army outpost and The Burrowers (2008) is about a band of trackers who are stalked by the titular creatures. Abraham Lincoln: Vampire Hunter (2012) depicts Abraham Lincoln's life as a secret vampire hunter. Bone Tomahawk (2015), one of the most recent entries in the genre, received wide critical acclaim for its tale of cannibalism, but like many other films in the genre, it was not a commercial success.

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